Composed by Bela Bartok.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A932601.
Published by
LudwigMasters
Publications
(AP.36-A932601).
ISBN
9781638879831. UPC:
676737768577.
English.
Béla
Bartók's (1881-1945)
Four Orchestra Pieces,
Op. 12 premiered in
January 1922 in Budapest,
but did not become one of
Bartók's best-known
works until its
popularity was revived by
Pierre Boulez in the
1970s. Bartók's
influences are on display
in these pieces,
including that of Debussy
in the first movement
Preludio, and Beethoven's
Ninth Symphony in the
Scherzo. Four Orchestra
Pieces is considered a
bridge stylistically
between Bartók's early
works like Duke
Bluebeard's Castle and
his mature works like The
Miraculous Mandarin.
Instrumentation:
4(3&4dPicc).3(2&3dEH).3(3
dEb/BCl)+BCl(dEb).4(4dCBs
n): 4.4(AlldCrnt).4.1:
Timp.Perc(2):
Clst.Hp(2).Pno(4-Hands):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By David Karp. For Piano. Composers In Focus. Book 2 contains plenty of rhythmic...(+)
By David Karp. For Piano.
Composers In Focus. Book
2 contains plenty of
rhythmic bounce; Winter
Rag; Autumn Rag; Peasant
Dance; and Cool Beat
Blues; set against some
more lyrical selections:
January Song; May
Afternoon; Swan on a
Lake; and several others,
some with unusual time
signatures, all written
in Karp's unique style.
Also includes: Lullaby;
Blue Tune. Level: Early
Intermediate/Intermediate
. Book. Published by The
FJH Music Company Inc.
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann.
The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback....(+)
How To Play Fiddle with
CD by Larry McCabe. For
fiddle. This edition:
Paperback. Instructional.
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
SATB chorus.
Composed by Pelle
Gudmundsen-holmgreen.
Choral. Classical.
Softcover. Composed 2017.
48 pages. Edition Wilhelm
Hansen #WH32870.
Published by Edition
Wilhelm Hansen
(HL.234466).
ISBN
9788759838471.
8.25x11.75x0.173 inches.
English.
May.Decay
was composed in 2016 by
Pelle Gudmunsen-Holmgreen
(1932-2016). Commissioned
by Danish Radio Vocal
Ensemble and premiered on
January 15, 2017 in
Copenhagen, Denmark. May.
Decay is related to
SORRIG. GLAEDE (WH32913).
If performed together,
the sequence must be:
May.Decay and Sorrig.
Glaede.
Seasonal Activities and Sight-Reading for the Music Class. By Cheryl Lavender. ...(+)
Seasonal Activities and
Sight-Reading for the
Music Class. By Cheryl
Lavender. (Book and CD
pak). Music Express
Books. 40 pages.
Published by Hal Leonard.
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsar...(+)
Late-Elementary Level
Piano Duet Composer
Showcase. Arranged by
Christos Tsitsaros.
Educational Piano
Library. Softcover. 48
pages. Published by Hal
Leonard.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Brass Calendar Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] Theodore Presser Co.
For Brass Quintet. By Peter Schickele. Brass quintet. For Trumpet I, Trumpet II,...(+)
For Brass Quintet. By
Peter Schickele. Brass
quintet. For Trumpet I,
Trumpet II, French Horn,
Trombone, Tuba. Premiered
January 16, 1994 at the
Chamber Music America
conference in New York
City. Score and parts. 24
pages. Duration 18:00.
Published by Theodore
Presser Company.
(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman....(+)
(Piano Solo). By Peter
Ilyich Tchaikovsky
(1840-1893). Edited by
Polina Vajdman. For piano
solo. This edition:
HN616. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Pages: VII and 66. SMP
Level 10 (Advanced).
Urtext edition-paper
bound. 74 pages.
Published by G. Henle
Verlag
Composed
by Leos Janacek. Edited
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek E/4.
Complete edition, Score,
Set of parts. Composed
1928. No. 2. Duration 26
minutes. Baerenreiter
Verlag #BA06857_00.
Published by Baerenreiter
Verlag (BA.BA06857).
ISBN 9790260100503.
34.3 x 27 cm
inches.
Janácek
€™s 2nd String
Quartet, “Intimate
Lettersâ€, is
regarded as a highlight
of the modern string
quartet literature. It
was written during the
composer’s last
year of life, between 29
January and 19 February
1928, inspired by the
ageing
Janácek’s
exceptional love for
Kamila Stösslová.
The Moravian Quartet
devoted themselves to
this impressive work;
Janácek attended a
total of three of their
rehearsals in May and
June 1928. This had
several consequences,
including his abandoning
his original idea of
using a viola
d’amore.
Af
ter Janácek’s
unexpected death (12
August 1928) the
uncertain genesis of the
work became the greatest
problem of the
“Intimate
Lettersâ€: the
surviving copies were not
definitively
authorised.
The
editors of this new
edition have reverted to
Janácek’s
autograph sketches as the
main, most reliable
source and using these as
a basis, have
reconstructed the work as
it stood at the point of
Janácek’s
death.
The musical
text therefore contains
clear differences in
comparison with older
editions.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164002
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A164002.
Published by
LudwigMasters
Publications
(AP.36-A164002).
UPC:
659359515002.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Felix
Mendelssohn/ Libretto by
William Bartholomew after
Psalm 55. Cantata/
Oratorio, Orchestra
Accompaniment, VS. Kalmus
Choral Library. Score.
LudwigMasters
Publications #36-A464991.
Published by
LudwigMasters
Publications
(AP.36-A464991).
ISBN
9798892700023. UPC:
659359968167.
English.
While
Felix Mendelssohn
(1809-1847) modestly
refers to Hear My Prayer
(Hör' mein Bitten) in
G Major, WoO 15, as a
trifle, it is among his
most popular works for
chorus. On the autograph
score, he inscribed the
following: A sacred Solo,
for a Soprano and Chorus,
with Organ accompaniment,
composed for W.
Bartholomew, Esq., by
Felix Mendelssohn
Bartholdy. William
Bartholomew wrote the
text, which is derived on
Psalm 55, and requested
that Mendelssohn set it
to music. This version
premiered on January 8,
1845, at Crosby Hall in
London. In 1847,
Mendelssohn orchestrated
the work, but he passed
before he could hear this
version, which premiered
on December 21, 1848, in
Dublin. Score and parts
for orchestral
accompaniment available
separately. This edition
adds reheasal numbers
that match between the
score, parts, and choral
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-S014201
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
SS. Kalmus Study Score
Series. Score.
LudwigMasters
Publications #36-S014201.
Published by
LudwigMasters
Publications
(AP.36-S014201).
ISBN
9781608740055. UPC:
659359973819.
English.
Franz
Liszt (1811-1886) started
work on his Concerto for
Piano and Orchestra No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint edition.
Study score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.2.2: 2.2.3.1: Timp:
Str (9-8-7-6-5 in set)
SKU: AP.36-A171502
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Conductor
Score and Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A171502.
Published by
LudwigMasters
Publications
(AP.36-A171502).
UPC:
659359994098.
English.
In 1840,
the King of Prussia
invited Felix Mendelssohn
(1809-1847) to accept a
lofty musical appointment
in the French Academie
Royale. A few years
later, Wilhelm IV
commissioned the composer
to write incidental music
to a religious drama by
Jean Racine, ATHALIE,
based on the queen of
Judah during Jehoram's
reign. It was intended
for a private performance
on December 1, 1845 and
saw its first public
performance on January
8th of the following
year. WAR MARCH OF THE
PRIESTS, a brief excerpt
taken from the work, is
sometimes heard during
graduation ceremonies.
Reprint edition.
Instrumentation: 2.2.2.2:
2.2.3.1: Timp: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(1-2):
Str (9-8-7-6-5 in set):
Solo Piano
SKU:
AP.36-A164001
Composed by Franz Liszt.
Full Orchestra, Solo
Keyboard with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A164001.
Published by
LudwigMasters
Publications
(AP.36-A164001).
ISBN
9798892703208. UPC:
659359825644.
English.
Franz
Liszt (1811-1886) started
work on his CONCERTO FOR
PIANO AND ORCHESTRA No. 2
in A major, S. 125, in
1839 and 1840. Putting it
through a series of
revisions, he dedicated
the concerto to his
student Hans von Bronsart
von Schellendorf. The
composer conducted the
first performance in
Weimar on January 7, 1857
with Bronsart as soloist.
Liszt completed a 4th
revision in 1861. Less
virtuosic than his first
piano concerto, it is
played without break and
serves as a masterful
example of thematic
transformation.
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(1-2): Str
(9-8-7-6-5 in set): Solo
Piano. Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112602
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-E112602.
Published by
LudwigMasters
Publications
(AP.36-E112602).
UPC:
659359956621.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112601
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-E112601.
Published by
LudwigMasters
Publications
(AP.36-E112601).
ISBN
9798892700733. UPC:
659359826610.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.