(Book 5). Composed by Various. For Piano/Keyboard. Music Sales America. Softcover. 32 pages. Music Sales #YK22154. Published by Music Sales

4 Clarinets (Flute/Clarinet, Clarinet, Clarinet/Alto-Clarinet, Bass Clarinet & Piano, Bass & Percussion Ad Lib)

SKU: AP.1-ADV8903

For Clarinet Quartet (Flute/Clarinet, Clarinet, Clarinet/Alto-Clarinet, Bass Clarinet) & Piano, Bass & Percussion Ad Lib. Composed by Peter Ilyich Tchaikovsky. Arranged by Bill Mays. Masterworks; Quartet; Solo Small Ensembles; Woodwind - Clarinet Quartet. Advance Music. Form: Suite. Christmas; Jazz; Masterwork Arrangement; Romantic; Secular; Winter. Score and Part(s). Advance Music #01-ADV8903. Published by Advance Music (AP.1-ADV8903).

UPC: 805095089035. English.

This arrangement is playable with or without rhythm section. It includes completely notated rhythm section parts, including piano voicings and bass lines and fully notated jazz solos. Compatible with the saxophone edition.

13 Late Elementary Arrangements of Classical Themes and Folk Songs. Arranged by Melody Bober. Piano Collection; Piano Supplemental. Grand Favorites for Piano. Book. 24 pages. Alfred Music #00-47753. Published by Alfred Music

By Leonard Bernstein. Amadeus. Softcover. 288 pages. Published by Amadeus Press.

By Peter Ilyich Tchaikovsky. Edited by Werner Thomas-Mifune. For violoncello (4). Contains Snowdrop, Barcarolle, and Autumn Song. Published by Edition Kunzelmann.

(Woodwind Solos & Ensemble/Oboe And Piano). By Tchaikovsky, Peter Ilyich. Arranged by Myron Zakopets. For Oboe (Oboe). Woodwind Solos & Ensembles - Oboe And Piano. Southern Music. Grade 4. 8 pages. Southern Music Company #SU278. Published by Southern Music Company

60 Excerpts from 46 Symphonies by 12 Great Composers. By Various. Worlds Greatest Classical Music. 224 pages. Published by Hal Leonard.

Coro SATB - Level 3

SKU: CA.411151

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 12 pages. Duration 7 minutes. Published by Carus Verlag (CA.411151).

ISBN 9790007253615. Key: C major. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations
Score available separately - see item CA.411100.

Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt Jenisch, Eckart Schloifer. (Viola). Schott. Size 9x12 inches. 64 pages. Published by Schott.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5

SKU: CF.CAS110

Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110).

ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor.

Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va< span class=s4> passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va< span class=s4> passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va< span class=s4> passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va< span class=s4> passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.  Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest  figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Concert Band - Grade 3

SKU: AP.32511S

Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Form: Transcription. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. Score. 40 pages. Belwin Music #00-32511S. Published by Belwin Music (AP.32511S).

ISBN 9781470660956. UPC: 038081380506. English.

Peter Ilyich Tchaikovsky composed the ballet The Nutcracker in 1891--1892. Based on Alexandre Dumas' adaptation of E. T. A. Hoffmann's story, The Nutcracker and the Mouse King. Before the premiere, Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, Op. 71a, which became an immediate success and contains some of the most recognizable and best-loved holiday music. Scenes from The Nutcracker contains four numbers from Tchaikovsky's The Nutcracker Suite, Op. 71a.

Coro SATB - Level 3

SKU: CA.411281

Composed by Dimitri Stepanowitsch Bortniansky. Carus digital: Extra digital products. Full Score. 12 pages. Duration 8 minutes. Published by Carus Verlag (CA.411281).

ISBN 9790007253646. Key: D minor. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations.

Coro SATB - Level 3

SKU: CA.411136

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 8 pages. Duration 5 minutes. Published by Carus Verlag (CA.411136).

ISBN 9790007253608. Key: G major. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations

Score available separately - see item CA.411100.

Coro SATB - Level 3

SKU: CA.411276

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 12 pages. Duration 10 minutes. Published by Carus Verlag (CA.411276).

ISBN 9790007253639. Key: C minor. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations.

Orchestra - Grade 2

SKU: AP.46682S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; World. Score. 16 pages. Alfred Music #00-46682S. Published by Alfred Music (AP.46682S).

UPC: 038081535180. English. Scottish/Irish/American Fiddle Tune.

Soldier's Joy arranged by Sandra Dackow is a familiar fiddle tune that will be a great way to open or close any concert. Teaching a variety of string techniques, this piece will feature all of your players on both the melody and the accompaniment. Correlated with Orchestra Expressions, Book 2, this arrangement will inspire your students to increase their tempo to create an exciting performance!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 2

SKU: AP.46682

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Fiddle; Folk; World. Score and Part(s). 148 pages. Duration 2:00. Alfred Music #00-46682. Published by Alfred Music (AP.46682).

UPC: 038081535173. English. Scottish/Irish/American Fiddle Tune.

Soldier's Joy arranged by Sandra Dackow is a familiar fiddle tune that will be a great way to open or close any concert. Teaching a variety of string techniques, this piece will feature all of your players on both the melody and the accompaniment. Correlated with Orchestra Expressions, Book 2, this arrangement will inspire your students to increase their tempo to create an exciting performance!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

(Excerpts). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James Swearingen. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Alto Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor I, Tenor II, Baritone (Bass Clef), Bassoon, Tuba, Percussion I, Percussion II. Carl Fischer Young Band Series. Classical. Grade 2-2.5. Score and Set of Parts. Standard notation. 15 pages. Duration 1 minute, 51 seconds. Published by Carl Fischer

Orchestra - Grade 0.5

SKU: AP.45817S

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Folk; Traditional. Score. 8 pages. Duration 2:15. Alfred Music #00-45817S. Published by Alfred Music (AP.45817S).

UPC: 038081525518. English. Traditional Irish Tune.

All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra String Orchestra - 1.5 (grade 1.5)

SKU: AP.31511S

Composed by Michael Story. String Orchestra. Orchestra Expressions Book 1. Score. 8 pages. Alfred Music #00-31511S. Published by Alfred Music (AP.31511S).

UPC: 038081353135. English.

For centuries, mankind has been fascinated by the rings that surround the second largest planet in our solar system. This well-crafted original work musically captures the mystery and immense beauty of these magnificent celestial phenomena. Solidly scored for your young players and sure to be a favorite of students and audiences alike.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 1

SKU: AP.44788S

Trepak. By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Michael Story. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Form: Dance; Transcription. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. Score. 8 pages. Duration 1:20. Belwin Music #00-44788S. Published by Belwin Music (AP.44788S).

UPC: 038081517162. English.

Make your holiday concert sparkle with this great arrangement by Michael Story of Tchaikovsky's popular classic from The Nutcracker! Though a solid grade 1, this setting of Russian Dance (or Trepak) maintains all of the spirit and integrity of the original. This will be a favorite for both students and audiences! (1:20).

Orchestra - Grade 1

SKU: AP.44781S

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Christmas; Multicultural; Sacred; Traditional; Winter. Score. 12 pages. Duration 1:45. Alfred Music #00-44781S. Published by Alfred Music (AP.44781S).

UPC: 038081516936. English. Traditional German Carols.

A terrific multicultural addition to any beginning holiday concert, this arrangement by Sandra Dackow is a spirited rendition of three traditional German carols. These contrasting carols---Lasst uns froh und munter sein, O Come Little Children, and an unnamed traditional tune---are a fun way to introduce cut time and reinforce bow lifts to young string players. (1:45).

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 1

SKU: AP.44781

Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Christmas; Multicultural; Sacred; Traditional; Winter. Score and Part(s). 88 pages. Duration 1:45. Alfred Music #00-44781. Published by Alfred Music (AP.44781).

UPC: 038081516929. English. Traditional German Carols.

A terrific multicultural addition to any beginning holiday concert, this arrangement by Sandra Dackow is a spirited rendition of three traditional German carols. These contrasting carols---Lasst uns froh und munter sein, O Come Little Children, and an unnamed traditional tune---are a fun way to introduce cut time and reinforce bow lifts to young string players. (1:45).

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.

Orchestra - Grade 1

SKU: AP.46676

Arranged by Sandra Dackow. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Form: Waltz. Folk; Traditional; World. Score and Part(s). 66 pages. Alfred Music #00-46676. Published by Alfred Music (AP.46676).

UPC: 038081535135. English. Australian Traditional.

Botany Bay, arranged by Sandra Dackow, is a wonderful piece that is correlated with Orchestra Expressions, Book 1. Your students will enjoy the opportunity to play and sing! Everyone gets to experience a pizzicato accompaniment and the beautiful melody. This piece will be the highlight of any concert or festival program and a great way to introduce the waltz style to your beginning orchestra. This title is available in MakeMusic Cloud.

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.