Réduction pour choeur à voix égales et orgue.Original pour choeur à voix égales et ensemble instrumental., également disponible à la vente (GB9442).Commande du collège Lucie-Berger à Strasbourg pour la célébration de son centième anniversaire.Création le 16 octobre 1971, en l'Eglise Saint-Paul à Strasbourg, par la chorale des élèves du Collège Lucie-Berger, sous la direction du compositeur. / Choeur Et Orchestre

(For Christmas). German folk song arranged by Kenneth Hesketh.  Scored for Unison Voices and piano. German text.

Scored for unison voices and organ or piano. Psalm 98 paraphrased by David Walser. Music by Arthur Wills.

Peter Jenkyns' The Owls is a delightful piece for Unison Voices with Piano accompaniment and is ideal for school choirs and assembly use.

Originally written as a solo work this unison setting for treble voices and organ depicts Mary standing at the foot of the cross. In the music the falling phrases represent Mary's weeping – and the rising phrases her grief and great sadness of heart.

The Accessible Choral Library series. Workshops are available for small choirs using this series. Please contact the publishers for details. A new piece useful for memorial or remembrance services for Unison Upper voices.

Prayer for Jerusalem was written for the Israel Camerata. First performance on 22nd October 2006 at the Henry Crown Hall Jerusalem by the Israel Camerata and Chorus Musicus Köln conducted by Christoph Spering.

New settings of the two evening canticles which incorporate jazz elements, including harmony in voice parts and organ and many 'blue' notes. Despite these jazz elements, the music is very approachable, with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choir's modern liturgical repertoire, or indeed concert repertoire of all choirs. / Choeur Et Orgue

The question in the title may seem abstract but learning that the poet was five and the profundity behind her thoughts is the first impressive moment. The first melody line holds the weight of the question. The second melody dances while your thoughts become dazzled. Returning to the first theme you enjoy the unanswered questions of the ages from the innocence of youth. Easy.