Edited by Dmitri Bovaird. Arranged by Daniel Kelley. For Viola and Piano. Solos. Christmas. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Viola, piano

SKU: FG.55011-906-2

Composed by Harri Wessman. Classical, contemporary. Score and part. Fennica Gehrman #55011-906-2. Published by Fennica Gehrman (FG.55011-906-2).

ISBN 9790550119062.

Harr i Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.

Duration: c. 11'

Movements:
1. Summer theme
2. What is this?
3. Pizzicato
4. Con sordino
5. Stile concitato ostinato
6. Tango
7. Finale

Harri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.

His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).

For Viola and Piano. Composed by Amanda Harberg. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2011. 10 pages. Duration 5 minutes. Theodore Presser Company #114-41675. Published by Theodore Presser Company (PR.114416750).

Viola and Piano Accompaniment Viola, Piano - Grade 3

SKU: FL.FX071960

Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071960. Published by FLEX Editions (FL.FX071960).

Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians.

Chamber Music Piano, Viola

SKU: PR.114424550

Composed by Chen Yi. Sws. Score and parts. Theodore Presser Company #114-42455. Published by Theodore Presser Company (PR.114424550).

UPC: 680160693566. 18 x 12 inches.

Originally commissioned by Jessica Heller Knopf for the 2012 World Saxophone Congress in St. Andrews, Scotland, and adapted for viola and piano in 2024 for Profs. Patrick Yim and Kiu Tung Poon, THE SOULFUL AND THE PERPETUAL is in two movements. “The Soulful” is lyrical and expressive, with moving, gripping melodies. “The Perpetual” is a moto perpetuo, symbolizing consistency and perseverance. The virtuosic cadenza features ever-moving patterns of fast notes, reaching toward the exquisite with fluency and agility.

Chamber Music Piano, Viola

SKU: PR.114417880

Composed by Behzad Ranjbaran. This edition: Piano Reduction with Solo Part. Sws. Contemporary. Set of Score and Parts. With Standard notation. Composed 2014. 38+40+12+20 pages. Duration 25 minutes. Theodore Presser Company #114-41788. Published by Theodore Presser Company (PR.114417880).

ISBN 9781491131664. UPC: 680160637089. 9x12 inches.

Commissione d by the Santa Rosa Symphony for Paul Silverthorne, principal violist of the London Symphony, the character of this grand three-movement work may best be described in the composer’s own words: “If I had to describe the character of each instrument in the orchestra, I would consider the viola to be the voice of wisdom, moderation, and prudence. However I find there is much flair and brilliance hidden beneath the surface. In my viola concerto I aimed to explore these contrasts: beauty and sweetness; agitation and angst; brilliance and virtuosity.”.