Choir Secular (SATB choir) SKU: AP.46920 (Deck the Hall). Arranged...(+)
Choir Secular (SATB
choir)
SKU:
AP.46920
(Deck the
Hall). Arranged by
Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular;
Traditional; Winter.
Choral Octavo. 12 pages.
Alfred Music #00-46920.
Published by Alfred Music
(AP.46920).
UPC:
038081535692. English.
Alan Billingsley.
A
Christmas classic updated
with a fresh Latin
groove! Syncopated
rhythms energize the
vocal lines, which remain
true to the carol's
original harmonization. A
new Fa la la refrain and
bridge build excitement
leading to the third
verse, and a key change
near the end results in a
big finish. Add the
SoundTrax CD, SoundPax,
and complete choreography
from the Movin' DVD for
even more pizzazz!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
(Musica
Dei). Composed by Jay
Althouse and Sally K.
Albrecht. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 8 pages. Alfred
Music #00-46599.
Published by Alfred Music
(AP.46599).
UPC:
038081531748.
English.
Though
most of the piece is in
English, a brief Latin
phrase provides the
framework for this
pensive meditation on the
world of music and sound
that surrounds us. The
gentle ebb and flow of
tempo allows choirs to
explore new depths of
choral expression. Sign
language is available on
Alfred's Movin' DVD.
Choir Secular (SATB choir) SKU: AP.51374 From the movie musical The Co...(+)
Choir Secular (SATB
choir)
SKU:
AP.51374
From the
movie musical The Color
Purple. Composed by
Brittany Coney, Denisia
Andrews, Halle Bailey,
and Morten Risorp.
Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Movie; Pop;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-51374. Published by
Alfred Music (AP.51374).
UPC: 038081588728.
English.
The 2023
movie adaptation of The
Color Purple shared its
story of resilience and
forgiveness with a new
generation of viewers.
Written and performed by
actress Halle Bailey,
this optimistic
toe-tapper is a reminder
that life can never break
your soul!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892).
The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray.
Auferstehn Chorale SSATB SSATB A Cappella - Avancé Schott
Choral (SSATB a cappella) - advanced SKU: HL.49019492 SSATB a cappella...(+)
Choral (SSATB a cappella)
- advanced
SKU:
HL.49019492
SSATB
a cappella, German.
Composed by Heinrich
Poos. This edition:
Saddle stitching. Sheet
music. Choral. Classical,
Contemporary. Octavo. 8
pages. Schott Music
#C55501. Published by
Schott Music
(HL.49019492).
ISBN
9790001192699.
7.75x11.0x0.039 inches.
German.
Heinrich
Poos is not the first
composer inspired by
Friedrich Gottlieb
Klopstock's poem 'Die
Auferstehung', as even
Gustav Mahler had already
used these verses in the
fifth movement of his
Second Symphony
'Auferstehung'. Mahler
was inspired to use a
choral movement at the
end of his symphony at
the funeral of the
conductor Hans von
Bülow where a choir
sang a chorale based on
said text by Klopstock.
Heinrich Poos wrote his
deeply moving choral
piece in remembrance of
the organist Hubert
Schoonbrodt.
Sonnet 116 Chorale SATB SATB A Cappella Boosey and Hawkes
SATB a cappella Choral (Choral Score) SKU: HL.48024356 Let me not to t...(+)
SATB a cappella Choral
(Choral Score)
SKU:
HL.48024356
Let me
not to the marriage of
true minds SATB A
Cappella Choral S.
Composed by Ed
Newton-Rex. BH Secular
Choral. Classical.
Octavo. 12 pages.
Duration 270 seconds.
Boosey & Hawkes
#M060133909. Published by
Boosey & Hawkes
(HL.48024356).
ISBN
9781784543334. UPC:
196288157779.
7.0x10.0x0.027 inches.
Text: William
Shakespeare.
Willia
m Shakespeare's famous
sonnet ('Let me not to
the marriage of true
minds Admit
impediments'), often used
at weddings and
civilceremonies, is here
set to beautiful, fresh
music by young composer
Ed Rex. The mostly
homophonic setting
employs the composer's
distinctive close
harmonies, which,
together with short
phrases and natural
rhythm, serve to add
greater meaning to the
poignant andmoving text.
Spells of parallel and
contrary motion in the
inner parts are intended
in some way to reflect
important elements of
thecommitment two people
make to each other in
marriage or partnership.
Sonnet 116 is sure to add
an unforgettable moment
to a happy couple's
special day, and would
also be an excellent
addition to concerts
using a theme of
love.
SATB choir divisi and piano - Early Intermediate SKU: MN.56-0016 Composed...(+)
SATB choir divisi and
piano - Early
Intermediate
SKU:
MN.56-0016
Composed
by Howard Goodall. 9/11
Service, 21st Century.
MorningStar Music
Publishers #56-0016.
Published by MorningStar
Music Publishers
(MN.56-0016).
UPC:
688670220173.
English.
Howard
Goodall's setting of
Spared by Wendy Cope,
arranged for SATB divisi
and piano
accompaniment.
Thi
s workÃÂ was first
performed by The Chapel
Choir of The Methodist
College Belfast on 27th
October 2005 at St Anne's
Cathedral, Belfast. Wendy
Cope's poem movingly
evokes the events of
September 11th 2001, an
event that Howard Goodall
witnessed firsthand.
Duration: 3:00.
SATB choir - Easy to Moderate SKU: WD.080689878121 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689878121
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Christmas.
Accompaniment CD (split).
Duration 40-45 minutes.
Word Music #080689878121.
Published by Word Music
(WD.080689878121).
UPC:
080689878121.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
SATB choir - Easy to Moderate SKU: WD.080689769726 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689769726
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Bulk CD
(10-pak). Duration 40-45
minutes. Word Music
#080689769726. Published
by Word Music
(WD.080689769726).
UPC:
080689769726.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
SATB choir - Easy to Moderate SKU: WD.080689479090 Behold the Cross of...(+)
SATB choir - Easy to
Moderate
SKU:
WD.080689479090
Behold the Cross of
Christ. Composed by
Marty Parks. Arranged by
Marty Parks. Choral,
cantatas. Accompaniment
video. Duration 40-45
minutes. Word Music
#080689479090. Published
by Word Music
(WD.080689479090).
UPC:
080689479090.
Jesus
made an astounding claim
in Luke 4. When He
proclaimed that He was
the fulfillment of
Isaiah's prophecy, it was
more than a resume of
credentials; it was a
mission statement. In
fact, it was a commitment
- to you and to me - that
there would be a place
where sinners can find
mercy; the afflicted can
find healing; the broken
can find compassion, and
the outcast can find
dignity. Behold the cross
of Christ...it is the
place where love and
mercy meet.
This
profound spiritual theme
is movingly captured by
veteran arranger Marty
Parks in Where Love &
Mercy Meet, the latest
offering from Simply Word
Easter. Combining popular
songs by Michael W.
Smith, Bill and Gloria
Gaither, and Darlene
Zschech and Reuben Morgan
with beloved classics,
this musical features
engaging worship
sequences with
easy-to-learn SATB choral
parts and arrangements
for one male and one
female solos (with
optional men/women
unison), making it ideal
for smaller choirs or
those with limited
rehearsal time. A
well-designed
accompaniment DVD is
available to enhance your
production, as well as an
optional small-cast
dramatic script by Kim
Messer that will bring
the themes of the musical
into a powerful
contemporary focus. This
Easter, invite your
congregation and
community to come to the
place where love and
mercy meet - the cross of
Jesus Christ.
Choral (SATB) SKU: HL.1230649 Rejoice: Honoring the Jewish Spirit....(+)
Choral (SATB)
SKU:
HL.1230649
Rejoice: Honoring the
Jewish Spirit.
Composed by Benedict
Weisser. Rejoice Honoring
Jewish Spirit. Concert,
Festival. Octavo.
Published by Hal Leonard
(HL.1230649).
UPC:
196288146544. 6.75x10.5
inches.
This joyful
concert setting of a text
from Isaiah proclaims
“War no
more!†An excellent
pronunciation guide is
provided, removing any
barriers from the Hebrew
pronunciation, and a
beautiful poetic
translation will
encourage your singers to
live in the language.
Composed by
Peter Relph. Evoking
Sound. Music Education.
20 pages. GIA
Publications #9610.
Published by GIA
Publications (GI.G-9610).
UPC: 785147961000.
Latin. Text Source: Attr.
Ambrose of Milan,
340–397. Text by
Ambrose of
Milan.
Composer's
Notes When I met Kelsey
Rose in Oxford in St.
Stephen’s House
chapel over the summer of
2017, we had both just
attended a very moving
candlelit concert by
Westminster Williamson
Voices, featuring my
setting of
“Tenebrae
lumini.†I was
delighted to be asked to
write a piece for
compline in Princeton
University Chapel,
celebrating the 150th
anniversary of the
Anglican/Episcopal
chaplaincy at Princeton
University.
“Aurora†is
the result of that
meeting. Composing by
commission often throws
up some interesting
challenges. The piece had
to fit both as an
accompanying piece to the
plainchant of compline,
whilst simultaneously
being a celebratory
anthem. I was instantly
drawn back to the poetry
and hymns of St. Ambrose
of Milan, particularly
“Aurora iam spargit
polum.†Fragments
of chant (both real and
imagined) are used to
create the powerful
imagery of the descending
golden light of dawn. The
piece reaches its climax
with the plea for the
despair of night to
“vanish,â€
which it then does,
leaving the sopranos
alone on a high G.
Christus factus est Chorale SATB SATB A Cappella - Intermédiaire MorningStar Music Publishers
SATB choir a cappella - Late Intermediate to Advanced SKU: MN.80-309 Comp...(+)
SATB choir a cappella -
Late Intermediate to
Advanced
SKU:
MN.80-309
Composed by
Joel Martinson. Cathedral
Series. Catholic Year A
Passion/Palm Sunday;
Catholic Year C
Passion/Palm Sunday; Year
A Proper 21 (26);
Catholic Year A
Ordinary26. Triduum/Three
Days, 21st Century,
Unity,
Community/Fellowship.
Octavo. MorningStar Music
Publishers #80-309.
Published by MorningStar
Music Publishers
(MN.80-309).
UPC:
688670803093. Scripture:
Philippians 2.
A
setting of the well-known
gradual based upon
Philippians 2:8-9.
Originally the Gradual
for Maundy (Holy)
Thursday, this motet is
appropriate for Passion
Sunday, Good Friday, Holy
Cross Day, and Lent.
Juxtaposing slow-moving
harmonies with chant-like
moving lines, this piece
is part of Missa
Mandatum, and thus a
companion piece to the
Agnus Dei, 80-784.
God is Light Chorale SSATB Oxford University Press
SSATB choir, a cappella (SATB) - Moderately Difficult SKU: OU.9780193415652(+)
SSATB choir, a cappella
(SATB) - Moderately
Difficult
SKU:
OU.9780193415652
Composed by Cecilia
McDowall. Sacred choral -
mixed voices. New
Horizons. Vocal score. 16
pages. Duration 5'.
Oxford University Press
#9780193415652. Published
by Oxford University
Press (OU.9780193415652).
ISBN 9780193415652. 12
x 8 inches.
For
SSATB unaccompanied This
anthem sets lines from
Psalm 139, 1
Thessalonians, and 1
John, moving from an
unsettled tonality at the
beginning, through
anguished false relations
and wistful expressivity,
to find triumphant
resolution in a blazing A
major at the end. Like
all of McDowall's music,
it is well crafted and
singable.
Hope and Quietly Wait Chorale SATB [Octavo] - Intermédiaire MorningStar Music Publishers
Composed by Thad Fiscella, Paul John Rudoi. National Lutheran Choir Series. Cath...(+)
Composed by Thad
Fiscella, Paul John
Rudoi. National Lutheran
Choir Series. Catholic
Year A Ordinary18.
Healing, Hope/Assurance.
Octavo. Published by
MorningStar Music
Publishers (MN.50-9930).
Amara Chorale SATB SATB divisi - Intermédiaire Walton Music
SATB choir, divisi, piano reduction - Late intermediate SKU: GI.WW1610 (+)
SATB choir, divisi, piano
reduction - Late
intermediate
SKU:
GI.WW1610
Breath
of Grace. Composed by
John Rommereim. Concert.
Walton Choral. Classical.
20 pages. Walton Music
#WW1610. Published by
Walton Music (GI.WW1610).
UPC:
785147004264.
This
stunning composition uses
the idea of the Igbo word
Amara which means grace.
The idea of this work is
to breathe together - to
be aware of others and
how we fit together in
this world. Highly
artistic, moving, and
quite challenging. The
addition of an improvised
saxophone adds an even
greater level of
artistry. Recording
Choir: Missouri State
University Chorale,
Cameron F. LaBarr,
conductor Bb Saxophone
Part Eb Saxophone Part
 .