(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Pe...(+)
(Fall (September,
October, and November) -
for S.A.T.B. Chorus and
Piano). By Peter
Schickele. SATB chorus.
For SATB, Piano. Choral.
Piano reduction/vocal
score. Standard notation.
27 pages. Duration 6
minutes, 30 seconds.
Published by Theodore
Presser Company
(For Piano Solo and S.A.T.B. Chorus Accompaniment). By Peter Schickele. SATB cho...(+)
(For Piano Solo and
S.A.T.B. Chorus
Accompaniment). By Peter
Schickele. SATB chorus.
For Piano Solo, SATB.
Elkan-Vogel Choral Music.
Classical. Piano
reduction/vocal score.
Standard notation.
Composed AUGUST 26 1987.
14 pages. Duration 28
minutes. Published by
Theodore Presser Company
(1. Prologue). By Peter Schickele. For SATB, Piano. Classical. Piano reduction/v...(+)
(1. Prologue). By Peter
Schickele. For SATB,
Piano. Classical. Piano
reduction/vocal score.
Standard notation. 12
pages. Duration 3
minutes. Published by
Theodore Presser Company
Winter Chorale SATB SATB, Piano [Octavo] Theodore Presser Co.
(III. Winter). By Peter Schickele. SATB chorus. For SATB, Piano. Concerto for Pi...(+)
(III. Winter). By Peter
Schickele. SATB chorus.
For SATB, Piano. Concerto
for Piano and Chorus The
Twelve Months. Choral.
Piano reduction/vocal
score. Standard notation.
19 pages. Duration 5
minutes. Published by
Theodore Presser Company
Piano SKU: M7.BP-1713 12 Pianoforte Pieces. Composed by Theodor Ki...(+)
Piano
SKU:
M7.BP-1713
12
Pianoforte Pieces.
Composed by Theodor
Kirchner. Edited by Harry
Joelson. Sheet music. Op.
78. 36 pages. Amadeus
Verlag #BP 1713.
Published by Amadeus
Verlag (M7.BP-1713).
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Score (Vocal Score) SKU: HL.49045653 Vocal Score. Composed by Rodi...(+)
Score (Vocal Score)
SKU: HL.49045653
Vocal Score.
Composed by Rodion
Shchedrin. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical, Opera.
Softcover. Composed
2014-2015. 432 pages.
Duration 120'. Schott
Music #ED22785. Published
by Schott Music
(HL.49045653).
ISBN
9790001165716. UPC:
841886032118.
9.0x12.0x1.136 inches.
Russian. - Shchedrin
-.
Bozena Nemtsova
is one of the foremost
Czech authors of the 19th
century and among the
greatest storytellers,
with her treasure trove
of fairy tales. Her
stories also enjoy great
popularity in Russia: The
Twelve Months translated
by Nikolai Leskov,
provides the basis for
Rodion Shchedrin's opera,
A Christmas Tale. With
traces of familiar fairy
tales such as Cinderella
and Snow White, the story
tells of a beautiful,
hardworking but unloved
stepdaughter and her
search for a violet in
the snow. Ultimately she
receives help from the
months of the year and
her kindheartedness is
rewarded.
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violin and Guitar SKU: AP.36-M139591 Arranged by Nicolo Paganini and ed./...(+)
Violin and Guitar
SKU:
AP.36-M139591
Arranged by Nicolo
Paganini and ed./arr. by
Erwin Schwarz-Reiflingen.
String Duo & Ensemble,
Duo, Parts. Master String
Series. Part(s).
LudwigMasters
Publications #36-M139591.
Published by
LudwigMasters
Publications
(AP.36-M139591).
ISBN
9798888529737. UPC:
659359734151.
English.
Niccolò
Paganini's (1782-1840)
wrote two installments
(Op. 2 and Op. 3) of six
sonatas each for violin
and guitar between 1805
and 1809 while he lived
in Florence with a
guitar-playing
noblewoman. Paganini kept
both his love for the
guitar and the noblewoman
secret, and these twelve
sonatas were written for
more intimate settings
rather than the larger
public performances we
often associate with
Paganini's virtuosity.
Reprint of guitarist
Erwin
Schwarz-Reiflingen's
(1891-1964) edition. Both
Op. 2 and Op. 3 are
available from the
publisher.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Op. 29 & 32 Piano. Composed by Henri Bertini. Edited by Ruth Taneda. Thi...(+)
Op. 29 & 32 Piano.
Composed
by Henri Bertini. Edited
by
Ruth Taneda. This
edition:
Paperback/Soft Cover.
Sheet
music. Piano. Classical.
Softcover. Op. 29 und op.
32.
120 pages. Schott Music
#ED22309. Published by
Schott
Music
By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For violin, horn ...(+)
By Johannes Brahms
(1833-1897). Edited by
Christopher Hogwood. For
violin, horn (viola,
cello), piano. This
edition: Stapled, Urtext
edition. Performance
score, Set of parts. Text
Language: German/English.
Opus 40. 54/11/11/11/11
pages. Published by
Baerenreiter Verlag
Das Jahr Piano seul [Conducteur] - Avancé Furore Verlag
By Fanny Mendelssohn Hensel. Edited by Barbara Heller/ Liana Gavrila Serbescu/Ay...(+)
By Fanny Mendelssohn
Hensel. Edited by Barbara
Heller/ Liana Gavrila
Serbescu/Ayako Suga
Maack. For piano. First
Publication. Level:
advanced. Full score.
Composed 1841. Duration
47'. Published by
Furore-Verlag (German
import).