For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Inclu...(+)
Melody, Lyrics &
Simplified Chords in the
Key of C. By Various.
Fake Book (Includes
melody line and chords).
Softcover. Size 9x12
inches. 200 pages.
Published by Hal Leonard.
Piano SKU: BR.EB-8118 Composed by Richard Wagner. Solo instruments; Softc...(+)
Piano
SKU:
BR.EB-8118
Composed
by Richard Wagner. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
Composed 1831. 24 pages.
Breitkopf and Haertel #EB
8118. Published by
Breitkopf and Haertel
(BR.EB-8118).
ISBN
9790004175019. 9 x 12
inches.
Richard
Wagner (1813-1883) is
rightly considered as the
19th-century music
dramatist whose formal
and harmonic originality,
for example in Tristan
and Isolde, provided a
significant impetus to
the development of
20th-century music.
Despite Wagner's fame,
his reuvre for piano
remains practically
unknown. Tobe sure, these
primarily early works and
occasional compositions
hardly even hint at the
outstanding
characteristics of the
later works such as
leit-motifs, flowing
transitions or original
forms. Nonetheless,
whoever is acquainted
with Wagner's later music
dramas will undoubtedly
not fail to be impressed
by the individual melodic
and harmonic traits of
his piano works. The
Sonata in B-flat Major
Op. 1 is of special
interest to us today
since it is Wagner's
first published work,
composed in 1831 and
printed in 1832 by
Breitkopf & Hartel. At
that time, Wagner was
studying counterpoint
with Theodor Weinlig, the
choral master and music
director of the
Thomasschule in Leipzig.
Weinlig, however, only
agreed to give Wagner
lessons if he promised to
refrain from composing
for half a year. In the
course of his studies,
Wagner was allowed to
compose the piano sonata
in B-flat Major as a kind
of journeyman-work. His
teacher Weinlig succeeded
in having the work
published by Breitkopf &
Hartel. Hence the
dedication of this piece
to Weinlig is not
surprising, since the
18-year-old Wagner would
otherwise have had great
difficulty finding a
publisher. This Sonata in
B-flat Major, which has
long been out of print,
is a reproduction of the
first edition by
Breitkopf & Hartel (plate
number 10433). For this
reprint, obvious
typographical errors have
been corrected (missing
or wrong accidentals and
dynamic indications). The
work presents a
four-movement classical
sonata form and is
stylistically reminiscent
of Mozart and Beethoven.
Shortly before composing
this sonata, Wagner wrote
a piano reduction of
Beethoven's Ninth
Symphony, which was
easily playable and yet
gratifying to hear. This
helps explain the
octave-doublings typical
of piano reductions.
Wiesbaden, Fall
1980
Respectfully
dedicated to Theodor
Weinlig, the choral
master and music director
of the Thomasschule in
Leipzig.
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing...(+)
Book/Online Audio and
Video
Piano
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
Allegro From Water Music Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor - Intermédiaire Kendor Music Inc.
By George Frideric Handel. Arranged by North. For flute, oboe, Bb clarinet, fren...(+)
By George Frideric
Handel. Arranged by
North. For flute, oboe,
Bb clarinet, french horn
and bassoon. Woodwind
Quintet. Level: Grade 4.
Published by Kendor Music
Inc.
101 Popular Songs for Brass and Reed Instruments * Piano Accompaniment composed ...(+)
101 Popular Songs for
Brass and Reed
Instruments * Piano
Accompaniment composed by
Various. Arranged by
Jonathon Robbins. For
piano accompaniment. This
edition: Paperback.
Collection. Popular.
Book. Text Language:
English. 240 pages.
Published by Santorella
Publications
by Phil Duncan. For Harmonica (Diatonic). method. All Styles. Level: Multiple Le...(+)
by Phil Duncan. For
Harmonica (Diatonic).
method. All Styles.
Level: Multiple Levels.
Book. Size 8.75x11.75.
112 pages. Published by
Mel Bay Publications,
Inc.
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
By Various. For Trumpet. Santorella Publications is the place to shop for qualit...(+)
By Various. For Trumpet.
Santorella Publications
is the place to shop for
quality instrumental
arrangements. Our acute
sensitivity to detail,
range restrictions and
physical limitations of
the younger players as
well as our incredibly
talented composer's staff
has contributed to the
success of our titles.
Breaking into an industry
ruled by giants was a
significant task and
without your help, may
have been impossible.
But, we have you, the
teacher, student,
performer, hobbyist or
novice, to be grateful to
for assisting us in
reaching this goal. It is
now our turn to give back
to a receptive audience
that has been supportive
since the beginning. Our
gift to you is Santorella
Singles, Volume 1, a
remarkable collection of
the six titles that
provided our foundation;
Pachelbel's Canon In D /
Bach's Jesu, Joy of Man's
Desiring / Scott Joplin's
Entertainer Beethoven's
Fur Elise / Ode to Joy /
Moonlight Sonata / for
Trumpet and Piano All six
arrangements are
beautifully packaged in
an attractive "band type"
folder and if sold
separately, these
arrangements are valued
in excess of $47. We are
now offering them all, in
pure form, for just
$29.95. This is our way
of saying thank you for
making everything
possible. All
arrangements are sold
separately and although
arranged specifically for
trumpet and piano, they
are certainly suitable
for clarinet as well.