Référence unique par son ISBN 73999320909 cette partition musique n'est autre que Solos For The Percussion Player With Piano Acc. qui a été composée pour Percussions Diverses. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50332090. / Percussions Diverses / 48 pages / Partition

Grades 3 and 4. Par LCM. The rudiments and pieces for the London College of Music and Media's Tuned Percussion examinations for Grades 3 and 4./ Recueil / Percussions

So einfach lässt sich mit Congas, Bongos and Co. von Anfang an Musik machen! Rhythmussprachen ermöglichen einen leichten Einstieg, und Schritt fu'r Schritt wird das Repertoire an Figuren und Spieltechniken erweitert. Das Konzept fu'hrt von einfachen Rhythmusspielen zu komplexen Arrangements. Die DVD zeigt Details der Figuren und Techniken und bietet daru'ber hinaus zahlreiche Arbeitsblätter als PDF. / Percussions

This is an essential publication for percussionists preparing for the London College of Music Associate Diploma in Performance or Teaching. It comprises snare drum Rudiments and Rudimentary Rhythms for Section 1 (Technical Work) in both Options One (Orchestral Percussion) and Two (Drum Kit and Percussion) and Circumpose, a specially written Drum Kit piece by Brian Stone for performance in Option Two (Drum Kit and Percussion). / Exams / Etude / Percussion

Par BOMHOF GERT. La collana DE HASKE PERCUSSION SERIES è costituita da quattro metodi di percussioni divisi in due volumi per ogni strumento, pensati espressamente per far apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e a portata di tutti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) chepermettono di concentrarsi in modo particolare sulla musicalità. / Niveau : Facile / Méthode / Méthode / Mallet Percussions

A concerto for Percussion and Orchestra. Full Score.Commissioned by the National Youth Orchestra of Scotland.First performance:Tuesday 4 January 2005 Usher Hall Edinburgh by Colin Currie (solo percussion)and The National Youth Orchestra of Scotland conducted by Garry Walker Instrumentation Solo percussion:Marimba metal wind chimes [mark tree] Chinese Bell tree Vibraphone Tubular bells 4 conga drums 4 tom toms 4 bongos2 Flutes2 Oboes2 Clarinets in Bb2 Bassoons4 Hornsin F3 Trumpets in CTrombonesTubaPercussion (4 Players):PERC A 1o: Tubular bells cymbal [medium] wood blocks crotalesPERC A 2o: Metal wind chimes [mark tree] Side drum temple blocks Tam-tamPERC B 1o: xylophone glockenspiel side drum cymbal [high] tomtomsPERC B 2o: Chinese bell tree Bass drum maracas triangle sleigh bellsStringsDuration: circa 17 min.

The Louisville Leopard Percussionists an ensemble founded and directed by Diane Downs has been wowing audiences at national and regional PAS and MENC conventions for several years. Using music arranged by Diane these youngsters perform with a degree of enthusiasm and skill that is truly amazing. For the first time these distinctive arrangements are available in print - carefully edited by well-known educator/author Rick Mattingly. Each arrangement comes with a full performance CD and is written with a flexible instrumentation based around mallet instruments drum set and a variety of Latin instruments. If you are looking to start up a percussion ensemble or need someentertaining program pieces for your existing group this series is definitely for you!

POD-Nico Muhly's Pulses Cycles Clouds for large mixed Percussion ensemble was written for the 50th anniversary of the Boston University Tanglewood Institute. At its core it is a group of four marimbas surrounded by various bells and other mallet instruments; unpitched instruments here are primarily played by an ensemble of amateur percussionists. The piece obsesses over a cycle of eleven chords introduced slowly through the beginning of the piece. Each chord is announced by a large vertical moment with bells vibraphone and a sudden shift in tonality. The four marimbas then relax into a series of soft interlockingpatterns over which an ensemble of glockenspiels and crotales plays a simple rhythm in a complex relationship to the other instruments. Eventually the pulse disintegrates entirely into a vision of a night sky; insects unexpected interruptions - a walk around a quiet landscape. Eventually the pulse returns but nocturnally subdued. The piece is meant to echo in its way the thrill of community music making the joy of sharing a pulse and the various connections both rhythmic and interpersonal I made at BUTI two decades ago. - Nico Muhly

Suitable for young children aged 3-7 this book allows everyone to join in playing and singing along to familiar songs with simple percussion instruments. A free CD providing the backing and accompaniments is included toplay-along to. Barry hart talks you through each instrument: how to hold and play it to produce the best sound and tips for very young children to play in time. This book can be used in conjunction with Children's PercussionSet Rucksack (Item code: 9030440) which contains all the instruments used in the book. For Voice with Piano Lyrics and Chord symbols.

Trois Rivieres by Kaija Saariaho was Commissioned by the French Government and Musica Strasbourg.As the title suggests Trois rivières is divided into three separate sections. The first part introduces allthe instrumental colours used in the piece. The rhythmic aspect is here nearly eliminated giving room for the timbral scales colours resonances attacks and textures to come to the fore. The instruments come from all members ofthe percussion family but unpitched instruments are given a primary role.The second part adds a rhythmic aspect to the nuances of colour and texture as an ostinato is developed in markedly varying directions.Thelast part is an epilogue recalling components of the two preceding parts. Here earlier aspects of the material are reorganised and placed in different relationships to each other.The voices of the percussionists acttogether as an extension of the instruments being used to create either rhythmically free textures or strictly notated rhythms. They are treated instrumentally combining to create rhythms and timbres. The poem 'La nuit de lunesur le fleuve' (Moonlit night on the river) by the Chinese poet Li Po (701-762) constitutes the material for the voices which are amplified and further enhanced throughout.

This is effectively a work in three movements - Allegro Andante cantabile and Presto - which Davies likens to 'three obstacle courses bristling with technical difficulties'. However as he goes on to say 'young people arenaturally gifted with extraordinary rhythmic skills which normally remain untapped'. Given the opportunity older children have here the material for a highly arresting piece of music-making. Scoring also includes a small woodblock a small temple block and a small suspended cymbal. The xylophones are one each of the following: concert soprano alto and bass. The two glockenspiels are soprano and alto and the metallophones are bass and deep bass (avibraphone may be used instead of the latter). These studies will provide a challenge to all percussionists for whom there is a distinct shortage of suitable studies. Duration c. 5mins.