Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra away from the main chorus. Although written withindividual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part.SATB chorusSATB solo3 Trumpets in Bb (3rd off-stage)TimpaniOrgan (optional)String Orchestra: (minimum desks 2.2.2.2.1)

The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The piece was commissioned by the Belfast Philharmonic Society onthe occasion of their 140th Anniversary Season 2014-5 and first performed in the Ulster Hall on 30th May 2015 by Belfast Philharmonic Choir. The work lasts around 31 minutes and this is the VocalScore. This Vocal Score is compatible with both the Orchestral version and the Chamber Ensemble version. The libretto is a 'musical portrait of C.S. Lewis' viewed through thelens of the seven heavens of the pre-Copernican model of the solar system in which Lewis had a deep interest. The seven movements follow these seven planets which also correspond to the days of the week telling the story ofLewis's life. The text itself is drawn from a variety of sources including the Orphic hymns Psalms Shakespeare Shelley C.S. Lewis himself and others. 

London is a setting by Julian Marshall of a poem by William Blake from his 'Songs of Experience' for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.

The Appalachian folk song Nine Hundred Miles From Home arranged by Emile Schillio for SATB chorus with Piano accompaniment.

SATB-Augusta Read Thomas's The Rewaking for SATB choir a cappella.The original version of The Rewaking (TTBB) was commissioned by the Cornell University Glee Club Scott Tucker Director in honour of Conductor Emeritus Thomas A. Sokol was was premiered by the Cornell Glee Club Scott Tucker conducting Ithaca NY September 2005. Duration: approx. 5 minutes.

Verses before the Six Psalms-Shestopsalmiye (Verses Before The Six Psalms) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil ' this is the Vocal Score featuring a pronunciation guide and an explanation of the transliteration and translation. The lyrics are in the original and a phonetic transliteration.

Carol for SATB Choir and Organ. Words from a medieval source translated by Brian Stone.

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor.  A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music Festival as a gift to celebrate the 65th birthday of His Royal Highness The Prince of Wales.The piece was premiered by the Aberdeen University Chamber Choir with harpists Hannah Stone and Catrin Finch conducted by the composer on 22 September 2013 at St Asaph’s Cathedral as part of the North Wales International Music Festival.Full Score available:  NOV294228 and Parts:  NOV294250

A perfect example of the young Britten's masterful vocal writing in a Christmas choral suite destined to become a major repertoire work. Christ's Nativity is a superb Christmas Suite for a cappella chorus (SATB Divisi) written in 1931 by composer Benjamin Britten.

Mary That Mother Mild is a setting of a song from the Kölner Gesangbuch 1623 arranged by composer Adrian Lucas for Unaccompanied SATB Choir.