with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains ...(+)
with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist eraâ€, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith.
/ Gospel / Recueil / Flûte Traversière et Guitare
Par PUJOL MAXIMO-DIEGO. Siamo sempre nel mondo del tango con il compositore arge...(+)
Par PUJOL MAXIMO-DIEGO. Siamo sempre nel mondo del tango con il compositore argentino Maximo Diego Pujol, il quale cerca di lavorare sul materiale folclorico trasformandolo con armonie più vicine a quelle utilizzate ai giorni nostri negli arrangiamenti delle composizioni del genere pop americano o del jazz modale. La pubblicazione è un dittico per flauto e chitarra che non richiede, da parte degli esecutori, un grande impegno strumentale, se non quello di rendere al massimo queste emozioni e i sentimenti che la danza ci propone.
I due brani hanno come sottotitoli Bulevar, un valse con il sapore armonico del tango e come secondo pezzo Batacazo che, invece, fa chiaro riferimento alla danza argentina anche per le sue connotazioni ritmiche-melodiche. I due brani sono ben strutturati e i due strumenti dialogano tra di loro. Anche se alla chitarra è af?dato il ruolo di accompagnamento, non mancano momenti dove l'impianto tematico è di sua esclusiva competenza.
Franco Cavalonne
Seicorde no140/ Répertoire / Flûte Traversière et Guitare
Par BAY WILLIAM. Through the centuries, the Christmas season has inspired compos...(+)
Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
/ Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare
Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthon...(+)
Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.