La communauté Songbook offre 100 chansons avec des mots, des cordes et des accompagnements piano. English songs, chansons écossais, irlandais chansons, chansons gallois, chants sacrés, chansons festives, chansons de plantation, chansons américains, comptines, tours et captures, chansons de mer et soldat chansons. Un livre essentiel ' poche ' récemment réédité./ Recueil / Voix

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

20 of the best Grades 4-5 Songs selected by the major Examination Boards-The Best Of Singing Grades 4-5 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses.As well as carefully selected range of classical contemporary and folk songs these books bring together some of the greatest jazz standards and Broadway hits ever written all edited to the highest standard and complete with accompanying CD.

12 Songs In Full, Authentic Editions, Plus 16-Bar Audition Versions. Par LLOYD WEBBER ANDREW. A dozen of Andrew Lloyd Webber's most memorable musical theatre compositions for women's voices. The book includes full versions and 16-bar audition cuts for each song, and recorded accompaniments for both versions available online for download or streaming./ Recueil / Chant de Femmes

Par SULLIVAN SIR ARTHUR SEYMOUR. W.S. Gilbert's complete libretto for H.M.S Pinafore, which opened May 28, 1878, at the Opera Comique and ran for 571 performances. Subtitled 'The Lass That Loved A Sailor', the story concerns a captain's daughter and a common sailor that fall in love./ Recueil / Voix

Ultraleicht, praxiserprobt, gleichstimmig - so lautet das Motto dieses neuartigen Chorbuches. 111 Arrangements aus allen musikalischen Genres sorgen für eine motivierende und abwechslungsreiche Arbeit mit Kinder- und Jugendchören, und das von Anfang an. Ob Weihnachten, Volkslied oder Pop-Titel, das Schul-Chorbuch bietet stets ein umfassendes Angebot an bekannten wie neuen Titeln und Arrangements. So schließt sich die Lücke zwischen einstimmigem Liederbuch (ebenfalls erschienen: Schul-Liederbuch BUND 71167) und SATB-Chorbuch. / Voix

Cette collection passionnante de solos de vacances populaires comprend 10 chansons festives qui sont souvent en vedette dans les films, programmes de télévision, émissions de radio et des concerts professionnels. Ces sélections contemporaines sont idéales pour les programmes saisonniers, des concerts, des productions et des récitals. Effectuez les arrangements polis avec nos élégantes accompagnements au piano ou avec le entièrement orchestrée, CD enregistré professionnellement. Il s'agit d'une collection personnelle saison exceptionnelle qui sera utile année après année! / Voix

10 exquisite settings for female voices of any age, featuring texts by female poets. This unique book offers each piece in both high and low keys. Equally appropriate for the mature recital singer and the developing voice. / Voix

Singing for Musical Theatre Songbook Grade 4. This Songbook series features a wealth of material from ABRSM?s Singing for Musical Theatre syllabus. The Grade 4 songbook contains 12 songs. Including classics such as ?Matchmaker? from Fiddler on the Roof to favourites ?The World Above? from The Little Mermaid, and ?Electricity? from Billy Elliot, this collection has also been carefully selected to encourage safe singing and to provide a route for changing voices. With four songs from each of Lists A, B and C, this unique choice of repertoire is an essential collection for those preparing for ABRSM exams, including for the new Performance Grades, and will inspire everyone who loves to sing.

Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns. Titles include: How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort Click On Each Image to Zoom. Click the larger image to close. Use the arrows on your keyboard to scroll left and right. There are no samples for this item There are no audio samples for this item.

ABOUT ALFRED'S ULTIMATE VOCAL SING-ALONG SERIES Alfred's Ultimate Sing-Along books give you everything you need to sing with your favorite songs. Each songbook has the lyrics, music notation, and chords to eight great hits, with lyrics-only pages included. There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can sing along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and temp to individualize the playback for just your voice and style. Titles (and artists): Don't Rain on My Parade (Barbara Streisand - Funny Girl) * Evergreen (Barbara Streisand - A Star Is Born) * Fame (Irene Cara - Fame) * Over the Rainbow (Judy Garland - The Wizard of Oz) * The Rose (Bette Midler - The Rose) * I Believe in You and Me (Whitney Houston - The Preacher's Wife) * New York, New York (Liza Minnelli - New York, New York) * The Wind Beneath My Wings (Bette Midler - Beaches).

Big Band Arrangements for Male Singers-Example vocals and separate background tracks on CD are provided in this collection of 9 big band standards voiced for men: There'll Be Some Changes Made · God Bless the Child · How High the Moon · Why Don't You Do Right! · Come Fly with Me · I Apologize · Volaré · Candy Man · The Way She Makes Me Feel.

This excellent collection of 12 varied folk songs from near and far offers fresh settings by well-known Alfred Music arrangers including Jay Althouse, Andy Beck, Mark Hayes, Douglas E. Wagner, Dave and Jean Perry, and more. Available in Medium High and Medium Low editions. / Voix

This excellent collection of 12 varied folk songs from near and far offers fresh settings by well-known Alfred Music arrangers including Jay Althouse, Andy Beck, Mark Hayes, Douglas E. Wagner, Dave and Jean Perry, and more. Available in Medium High and Medium Low editions. / Voix