|
| Bread and Games
Fanfare [Conducteur] - Facile
Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-120
Composed by William Vean.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000803-120. Published by
Gobelin Music
Publications
(BT.GOB-000803-120).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Bread and Games
Orchestre d'harmonie [Conducteur] - Facile
Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-140
Composed by William Vean.
Score Only. 36 pages.
Gobelin Music
Publications #GOB
000756-140. Published by
Gobelin Music
Publications
(BT.GOB-000756-140).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Bread and Games
Ensemble de cuivres [Conducteur] - Facile
Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-130
Composed by William Vean.
Score Only. 32 pages.
Gobelin Music
Publications #GOB
000804-130. Published by
Gobelin Music
Publications
(BT.GOB-000804-130).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Bread and Games
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile
Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by Willia...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000756-010
Composed by William Vean.
Set (Score & Parts). 116
pages. Gobelin Music
Publications #GOB
000756-010. Published by
Gobelin Music
Publications
(BT.GOB-000756-010).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Bread and Games
Ensemble de cuivres [Conducteur et Parties séparées] - Facile
Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000804-030
Composed by William Vean.
Set (Score & Parts). 62
pages. Gobelin Music
Publications #GOB
000804-030. Published by
Gobelin Music
Publications
(BT.GOB-000804-030).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Bread and Games
Fanfare [Conducteur et Parties séparées] - Facile
Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. S...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000803-020
Composed by William Vean.
Set (Score & Parts). 98
pages. Gobelin Music
Publications #GOB
000803-020. Published by
Gobelin Music
Publications
(BT.GOB-000803-020).
‘Panem et
Circenses’, Bread and
Games were essential for
keeping the citizens of
ancient Rome in check.
While the bread was
meant for the poorest
among the Romans, the
Games were Popular
Pastime Number One for
everybody.
There were
different kinds of games,
such as chariot races
(especially popular with
female spectators), or
wild-beast fights, where
lions, tigers, bulls or
bears were set on one
another or even on human
beings. Most popular,
however, were the
Gladiator fights.
In ‘Bread and Games’
William Vean depicts one
of the many fights in the
antique Colosseum.
1.
Entrance of the
Gladiators: By powerful
bugle-calls the attention
of the peoplewas asked
for, after which the
Gladiators entered the
Arena at the sound of
heroic
marching-music.
2.Swor
dfight: We can hear that
the fights were not mere
child’s play in this
part.On the contrary,
they were a matter of
life and death and were
fought
accordingly.
3.Mercy
of the Emperor: Sometimes
a wounded gladiator could
be fortunate, depending
on the mercy of the
audience. Waving one’s
handkerchief meant mercy,
a turned-down thumb meant
no pardon. The Emperor
had the right to take the
final decision, but he
usually complied with the
wish of the majority of
the public.
4.Lap of
Honour: Gladiators were
mainly selected among
slaves, convicted
criminals, or prisoners
of war. Consequently,
winning was very
important, as it would
mean fame, honour and
sometimes even wealth. A
lap of honour, therefore,
was the winner’s due
reward.
‘Panem
et Circenses’, brood en
(circus)spelen,
essentieel in het
Romeinse leven om de
burgers in het gareel te
houden.
Het brood was
vooral voor de
allerarmsten bedoeld,
maar de spelen, dat was
volksvermaak nummer
één.
Erwaren
verschillende soorten
spelen, de Strijdwagen
racen, vooral in trek bij
de vrouwen, de
dierengevechten of
jachtpartijen, waar
leeuwen, tijgers, buffels
of beren tegen elkaar of
tegen mensen opgehitst
werden. Maar favoriet
warentoch wel de
gevechten der
Gladiatoren.
William Vean
beschrijft in ‘Bread
and Games’ één van de
vele gevechten in het
aloude Colosseum.
1.
Entrance of the
Gladiators: Met krachtige
(hoorn)signalen wordt de
aandachtvan het volk
gevraagd waarna de
Gladiatoren op
heldhaftige marsmuziek de
Arena binnentreden.
2. Swordfight: Dat de
gevechten geen kinderspel
waren horen we in dit
deel. Het gaat er hard
aan toe, en de gevechten
waren vaak op levenen
dood.
3. Mercy of the
Emperor: In enkele
gevallen had een gewonde
Gladiator geluk. Dit hing
af van de stemming van
het publiek. Wapperende
zakdoeken betekende
geluk, met de duim naar
beneden wijzen betekende
geen pardon.De Keizer had
het laatste woord maar
volgde meestal de
stemming van het publiek.
4. Lap of Honour:
Gladiatoren werden
meestal uit slaven,
veroordeelde misdadigers
of krijgsgevangen
geselecteerd. Winnen was
daarom erg belangrijk.Dit
betekende roem, eer en
soms zelfs rijkdom.
(vergelijkbaar met onze
sporthelden) Een ereronde
was dus wel op zijn
plaats. $110.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Best Fake Book Ever - 5th Edition
Instruments en Do [Fake Book]
Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| El Relicario
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile
Belwin
By Jos̩ Padilla. Arranged by Michael Story and Michael Story. Concert Band. C...(+)
By Jos̩ Padilla.
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin Young
Band. Multicultural.
Grade 2. 250 pages.
Published by Belwin
Publishing
$62.00 $58.9 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Plaza de Toros
Orchestre d'harmonie [Conducteur] - Débutant
Belwin
Concert Band - Grade 1 SKU: AP.35345S Composed by Michael Story. Concert ...(+)
Concert Band - Grade 1
SKU: AP.35345S
Composed by Michael
Story. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Latin; Multicultural.
Score. 16 pages. Belwin
Music #00-35345S.
Published by Belwin Music
(AP.35345S). ISBN
9781470652708. UPC:
038081419701.
English. A Plaza de
Toros is an arena where
bullfights occur. As the
bullfighters enter the
stadium, they are usually
accompanied by Spanish
marches called paso
dobles, literally meaning
double step. This
energetic Michael Story
composition, scored in
common time easing your
rehearsal, will bring the
vibrant sound of the
bullfight arena to your
beginning band. Toro!
(2:00) This title is
available in MakeMusic
Cloud. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Plaza de Toros
Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant
Belwin
By Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score; ...(+)
By Michael Story and
Michael Story. Concert
Band. Concert Band;
Part(s); Score;
SmartMusic. Belwin
Beginning Band. Latin;
Multicultural. Grade 1.
132 pages. Published by
Belwin Publishing
$57.00 $54.15 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Get Set! Piano Tutor Book 2
Piano seul - Débutant
Serenissima
Piano SKU: BT.9781408193075 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano SKU:
BT.9781408193075
Composed by Karen
Marshall. Get Set! Piano.
Studies & Exercises. Book
Only. 48 pages. Collins
Music Publishing
#9781408193075. Published
by Collins Music
Publishing
(BT.9781408193075).
ISBN 9781408193075.
English. Get Set! Piano Tutor
Book 2 is the
second volume in an
exciting new series by
Heather Hammond and Karen
Marshall, written
specially for the
twenty-first century
child. This tried
and tested course
guidesbeginners from
their very first lesson
through to Prep test
level. Note learning is
taught alongside aural
theory, technique and
composing skills,
providing a holistic
approach to music.
Packed with favourites
such asWhat Shall We
Do With A Drunken
Sailor?, In The Hall Of
The Mountain King,
Amazing Grace and
The Entertainer,
Get Set! Piano
Tutor Book 2 is
the perfect tutor for
getting to Grade
1. Thisbook is
fully compatible with Get
Set! Piano Pieces Book 2
(9781408192788),
providing plenty of
material for
reinforcement, or just
pure musical
enjoyment. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Irish Tune from County Derry
Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant
Alfred Publishing
Arranged by Paul Cook. Arr. Paul Cook. For Concert Band. Concert Band. Belwin Be...(+)
Arranged by Paul Cook.
Arr. Paul Cook. For
Concert Band. Concert
Band. Belwin Beginning
Band. Level: Very Easy
(grade I). Conductor
Score and Parts. 124
pages. Duration 2:53.
Published by Alfred
Publishing.
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Lost Vegas
Orchestre Symphonique [Conducteur]
Hal Leonard
(for Symphonic Band Full Score). By Michael Daugherty (1954-). For Symphonic Ban...(+)
(for Symphonic Band Full
Score). By Michael
Daugherty (1954-). For
Symphonic Band. Misc. 118
pages. Published by Hal
Leonard
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Drums
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - 1st Bb Cornet
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - 1st Bb Clarinet
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 6.8x5.2
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Baritone B.C.
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x6.7 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.3x6.7
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Baritone Saxophone
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - 2nd Bb Clarinet
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x6.8 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.3x6.8
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Horn In F
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x6.9 inches. 31 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.3x6.9
inches. 31 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - C Treble
Fanfare
Hal Leonard
| | | |
| Soundpower's Greatest Hits - Bill Moffit - Conductor
Fanfare
Hal Leonard
Sound Power (Marching Band). Size 9x12 inches. 160 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 9x12 inches.
160 pages. Published by
Hal Leonard.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Baritone T.C.
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.5x6.5 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.5x6.5
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - 2nd Bb Cornet
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x6.7 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching
Band). Size 5.3x6.7
inches. 32 pages.
Published by Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - 1st Trombone
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 32 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
32 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Soundpower's Greatest Hits - Bill Moffit - Basses
Partie séparée
Hal Leonard
Sound Power (Marching Band). Size 5.3x7 inches. 31 pages. Published by Hal Leona...(+)
Sound Power (Marching
Band). Size 5.3x7 inches.
31 pages. Published by
Hal Leonard.
$3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
|
