The title works as long as you pronounce it the American way! This choral medley for 2-Part Choir and Piano is based on Baroque classics. Features an amusing text from Audrey Snyder and Edmond Louis Budry.

This setting of a text by Delia Stuart has been written for two voices with a full Piano accompaniment. A pastoral and joyful 2-part song ideal for the classroom or to bring cheer to any choral performance.

Hungarian Dance No. 5-An arragement for 2-part choir of Brahms' Zingari Bridal Day with Piano accompaniment.

Jean Langlais écrivit ce motet à deux voix égales et orgue, op.45 #3, en 1943,comme une prière pour le pape, en plein milieu de la Seconde Guerre Mondiale, affirmation de la primauté du Pontife sur les événements tragiques de l'époque. / 2 Voix Egales Et Orgue

This playful song was modelled after folk songs that play with our imagination and make us laugh. Like many songs passed along over generations the words range from far-fetched to absurd. So don't be surprised to find dogs sheep and hens singing along in this song!

A slow and moving work by Handel arranged by J. Michael Diack for SA chorus with piano accompaniment.

English translation of this Mendelssohn song for SS chorus and piano accompaniment.

Mozart's Alleluja! has been beautifully arranged for Two-part Female Voices (SS) with Piano Accompaniment by Purcell J. Mansfield. This piece is suitable for either School or festive use and is most enjoyable to perform. Anoptional third part voice is also scored (A) thereby providing you with the opportunity to perform this piece with SSA voices.

No. 5 Auld Lang Syne-Auld Lang Syne is an instantly recognisable song most commonly associated with the turn of a new year voicing proud sentimentality for friendship bygones and merriment. No.5 from a Scottish Folk Song Suite penned by the great Scottish poet Robert Burns who set his text to an old Scots tune. A heart-felt and warming air a wonderful journey into nostalgia praising friendships and optimistic for the future. Fabulously arranged for two-part Treble Voices with Piano or Harp accompaniment by Lee R. Kesselman.

Mendelssohn wrote the Christian anthem Hear My Prayer in Germany in 1844 and premiered it the next year in London. William Bartholomew wrote the English lyrics as well as collaborating with the composer on his oratorioElijah.Wings of a Dove the second part of Hear My Prayer is frequently performed as a separate work and was made famous in the UK through a 1927 recording. The work was originally written for SATB Chorus and Organ or Orchestra and is here rendered for two Voices with Piano transposed from G to F to meet the requirements of amateur singers.

The ?Stabat mater? composed shortly before Pergolesi?s untimely death at the early age of 26 quickly attracted attention. The work?s importance was soon so great that none other than Johann Sebastian Bach performed a German version of the work based on the 51st Psalm. Numerous copies prints and arrangements attest to the work?s vast popularity a popularity that still exists today.For the present edition the autograph was for the first time compared to a very early Neapolitan score that is presumably based on the parts from the work?s premiere. The findings have influenced the musical text; the details are described in the critical commentary.The popularwork is presented in a well researched Urtext editionClear idiomatic piano reduction

This is the second of two books which together comprise 10 beautiful duets composed by Purcell for 2 Sopranos (or 2 Tenors) with Piano/Keyboard Accompaniment. This collection has been edited by Timothy Roberts.

Bach's wonderful Jesu Joy Of Man's Desiring has been beautifully arranged for 2-Part Choir of Women's Voices with Piano or Organ Accompaniment by Wallingford Riegger.