Full Score for the Opera in Two Acts. Scored for SATB Soli SATB Chorus and Orchestra. Commissioned by English national Opera with funds from the Arts Council. Text: Judith Weir after Ludwig Tieck.

Orpheus With His Lute is a work by Thomas Hyde for Unaccompanied SATB Choir. Dedicated to the memory of the late John McCabe this work is a setting of lines from Shakespeare's Henry VIII. A full performance lasts around 2 minutes. A review in the July/August issue of Choir and Organ magazine stated 'Hyde prioritises communication of the text in a direct manner and the work is only two minutes long but here the style is a perfect recreation of the mid/late 20th-century English partsong.

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo, RV 687, belongs to a group of so-called ‘ French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred & since no libretto has come down to us & by the words underlaid to the notes in the manuscript of the serenata. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-08/ Répertoire / SATB, Violon, Alto et Basse Continue

A musical drama based on the story of Judas Iscariot for church production. Scored for two Tenor soli five speakers SATB Chorus and orchestra.

Par GOODALL HOWARD. Invictus: A Passion seeks to address one of the most powerful and dramatic of the world’s traditional religious stories through the lens of a diverse, modern world. A variety of texts written or inspired by women form a narrative that describes human suffering and persecution, but also emphasises the human capacity for love and humility in the face of tyranny. These universal messages are brought to life with the emotional clarity and sweeping force of any Howard Goodall score. Invictus: A Passion is scored for soprano solo, tenor solo, SATB choir and chamber orchestra. The vocal score includes a piano reduction. / Choral Music / Répertoire / Soprano, Ténor, Voix Mixtes et Piano

The present reduction derives from the critical edition of the score of La Gloria e Imeneo, published in this catalog. The opera belongs to a group of the so-called 'French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador's garden on the evening of 12 September 1725. This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources. / Voix Et Piano

L'ouverture du 'Barbier de Seville' pour Soprano, Alto, Tenor, Basse et Bariton / Voix

Par VERDI GIUSEPPE. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text. Four sacred pieces by Giuseppe Verdi, for Voice and Piano - edited for this volume by G. Luporini. Latin Text./ Répertoire / Choeur

This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire