The Welsh traditional song Suo Gân is here arranged for SATB Chorus and Organ Accompaniment by Stephen Cleobury. Written by an anonymous composer, in Welsh it literally means 'Lullaby'. This beautiful arrangement is sure to be a favourite with audiences and choirs alike. It features lyrics in both English and Welsh.This traditional Welsh song has been a favourite within the repertoire for many years, after having been first documented by folklorist Robert Bryan. With versions sung by Charlotte Church, Katherine Jenkins and the Choir of King's College, Cambridge, Suo Gân is one of the most recognisable and well-loved tunes in the Welsh and English repertoire. This new arrangement by Stephen Cleobury will be a welcome addition to any choir's performance, with the combination of such a new take on an established classic with simple beautiful music. / Choeur Mixte (SATB) Et Orgue

Traditional Latin-Movement three from Hyo-Won Woo's Gloria 'Cum Sancto Spiritu' combines western musical concepts with the traditional Korean musical scale and rhythmic patterns. An incredibly dynamic setting of this well-known Latin text. This work for unaccompanied SATB choir is part of the Hak-Won Yoon Choral Series.

Par VAUGHAN WILLIAMS RALPH. This Fantasia is founded on the following traditional English carols: The Truth Sent From Above (Herefordshire) words and tune; Come All You Worthy Gentlemen (Somerset) words and tune; On Christmas Night (Sussex) words and tune; There Is A Fountain (Herefordshire) tune only; together with fragments of other well-known carol tunes. The work is scored for ordinary full Orchestra with Organ and set of bells (ad lib. ), or String Orchestra with Organ or Piano. Alternatively, it may be accompanied by Organ or Piano alone, played from the Vocal score, with an optional solo Cello part (H212). A chorus part for performance bysolo Baritone and TTBB is also available (W41). The chorus is required to sing in four different ways: 1. Singing the words. 2. Singing with closed lips. 3. Singing 'Ah'. 4. Singing with half-closed lips i. e. with a short 'u' sound as in the word 'but'. Watch Pasadena Master Chorale performing Ralph Vaughan Williams ' Fantasia On Christmas Carols :/ Répertoire / SATB, Bar Solo et Piano ou Orgue

This piece is a musical collaboration by Bob Burroughs and Mark Hayes. It is of medium difficulty-SATB with piano accompaniment. This would be classified as a 'traditional' anthem with a few less traditional harmonies it would make a good a capella warm up.

Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional'; its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst  Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice.

In 1576 various political decisions plunged the city of Prague into a period of artistic and cultural diversity. This volume presents some of the richest musical treasures it is a collection of eleven works by de Kerle Regnart Gallus and de Monte; motets for the main feasts of the church year are included as well as Gallus’s famous Holy Week motet 'Ecce Quomodo Moritur' traditionally sung in Lutheran Germany after the J.S. Bach Passions.

From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.

Chanukah song. A rousing gospel-style piece which teases the traditional Maoz Tsur melody. The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB solo and keyboard.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Andrej Makor currently a master student of composition at the Conservatorio Cesare Pollini in Padua has already won numerous international composition prizes. The highly respected works by the artist born in Slovenia in 1987 are performed by renowned choirs ensembles and soloists at prestigious competitions and festivals among others. His composition O Emmanuel for which he was awarded the 2nd prize of the International Composition Competition 'Musica Sacra Nova' 2016 is based on the original Gregorian chant of the last of a total of seven so-called O antiphons which are sung at the seven Advent days with the Magnificat at Vespers in anticipation of Christmas Eve.Makor's score which follows the traditional motet form but is structured in a more modern form begins with the original Gregorian chorale. Its melody runs through various voice groupings in the course of the piece. In the concluding 'Domine Deus noster' whose pressing character becomes obvious in the constantly recurring triplet figurations of the middle parts the work imbued with the idea of eternity reaches its extremely impressive climax.

Traditional spiritual arranged by Moses Hagan. Moses Hagan born in New Orleans in 1957 has earned an international reputation as one of America's most gifted pianists conductors and arrangers. His contemporary choral settings of spirituals and other works have been praised by the American Choral Directors Association and Gramophone magazine. Audiences have responded with standing ovations upon hearing these unique and sensitive arrangements. The world renowned Philip Brunelle Chorale of Minnesota and the Boy's Choir of Harlem have both performed Hogan's arrangements for national audiences on television and radio.

English Traditional-Bill Snedden sets the traditional English tune for mixed voices and piano. There are many arrangements of this tune on the market but none as exciting and engaging. Try it with high school college church or community ensembles.

Traditional-This wonderful arrangement of the traditional spiritual has a riveting slow jazz feel to it and is still a best seller after twenty years

Traditional Shaker-This simple piece is taken from a large body of traditional shaker lullabies. Most tunes were sung in unison and were unaccompanied like the first statement from this arrangement. Try it on a spring concert coupled with early English madrigals and/or contemporary American song.

Uses: Christmas Epiphany Concert Youth ChoirScripture: Matthew 2:1-11This Christmas gem is as much fun to sing as it is to hear! The traditional “call and response” format offers a number of options foradapting this anthem for your ensemble. Repetition makes for easy learning and the inclusion of the traditional spiritual “Rise Up Shepherd and Follow” is a masterstroke. A solid message inviting seekers to follow the light emboldensthe piece for use in worship as well as concert settings.