Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre

Fassung für Orchester. Par SCHOENBERG ARNOLD. Composed between the spring of 1906 and July of the same year, the Chamber Symphony op. 9 for 15 solo instruments represents a point of culmination in Schoenberg's artistic development, the consequences of which not even the composer himself initially recognised.' Ulrich Krämer 'The 1914 version is not chamber music - however its sound is simply less aggressive than the later version. It is more limpid, lucid, less incisive, and that allows the voices to emerge more clearly.' (Philippe Jordan, 2012)/ Répertoire / Orchestre

Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the composer's admiration for the painter, and for the richness of tones and chiaroscuro, subtlety in the treatment of pictorial matter, and the dynamism and emotional force present in his work, to whose depth John Ruskin alludes: 'Nuance is in Turner, first of all, a beautiful aid to the great impression to be conveyed, but it is neither the source nor the essence of that impression; it is little more than a visible melody... preparing the feelings for the reading of the mysteries of God.' The score, generous in expressive contrasts, explores the ductility and richness of possibilities of the strings, with a very diversified use of textures, densities and colours. The formal arrangement describes a wide ternary arc, consisting of two slow and often static sections - not without ominous foreboding - and a more lively central part, punctuated by occasional turbulence and dazzling flashes of timbre, culminating in a powerful climactic process. In the final bars the four voices of the classical quartet fleetingly emerge, as a tribute to Günter Pichler, founder and member of the Alban Berg Quartet, to whom the score is dedicated, and who conducted the premiere of the work in front of the Joven Orquesta Nacional de España on 24 and 25 June 2014 at the Auditorio Nacional de Música in Madrid and in the Patio de los Mármoles del Hospital Real in Granada. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre

Full Score. Par BERLIOZ HECTOR. Hector Berlioz (1803–1869), considered the father of modern orchestration, possessed an intuitive musical genius all the more remarkable for his limited formal musical education. A brilliant colorist, a master of the unexpected rhythmic break, he brought a new symphonic richness to Romantic music. Both damned and venerated by his contemporaries — Mendelssohn considered him devoid of talent, Paganini declared him the one true heir to the spirit of Beethoven — Berlioz seems to have sought in music a way to soothe and give voice to the turbulent psychological instabilities and contradictions of what has come to be called 'program music' — i. e. , instrumental music with an extramusical significance. He strove to communicate musically the experiences, psychological themes, scenic description, and literary allusions more commonly associated with the confessional writings of Romantic poets. This Dover edition presents two of the greatest of these 'program' pieces: the Symphonie Fantastique (1830) and Harold in Italy (1834). Here are the full scores of both major symphonic works — painstakingly reproduced from the authoritative Breitkopf & Härtel edition, available for the first time in one convenient volume — plus Berlioz's 'program' for the Symphonie Fantastique. Musicians and music lovers everywhere will value this high-quality, inexpensive edition — ideal for study and performance. Reprint of Nos. 1 and 3 of Serie I, Symphonien (1900), of Werke von Hector Berlioz, Breitkopf and Härtel, Leipzig, 1900–1910. Breitkopf & Hartel edition./ Répertoire / Orchestre

'Siegfried', la troisième partie de Nibelungen de Wagner Ring des, est maintenant disponible. Encadrée par les opéras beaucoup plus sombres 'Die Walküre' et 'Götterdämmerung', des actes 'Siegfried' que leurs homologues lumineux. Son action musicale se caractérise par la gaieté et des scènes naturelles idylliques. Et pourtant, 'Siegfried' n'est pas sans éléments dramatiques.Un quart de siècle a été de passer des premières esquisses (texte) à la première mondiale. En ce moment Wagner a écrit et créé 'Die Meistersinger von Nürnberg' ainsi que 'Tristan und Isolde' ont vu le jour et ont peut-être laissé des traces.Le score est basé sur le volume 12/I-III (RWA 112-10, 112-20, 112-30) de l'édition complète Wagner. / Orchestre

Urtext. Par WAGNER RICHARD. Maintenant disponible en in-octavo format trop ! Basé sur la nouvelle édition dans le cadre de l'édition complète de Wagner, la première édition critique de la partition, la Walkyrie, comme Rheingold et le crépuscule des dieux, est maintenant aussi disponible comme score de grande poche. La nouvelle édition est/ Répertoire / Orchestre