| The Student Singer: Vocal
Solo: Vocal Collection Voix basse [Partition + CD] Hal Leonard
This collection for progressing students includes art songs as well as arrangem...(+)
This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · ARRANGEMENTS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves (arr.Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).
16.99 GBP - vendu par Musicroom GB |
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| The Student Singer: Vocal
Solo: Vocal Collection Voix haute [Partition + Accès audio] Hal Leonard
This collection for progressing students includes art songs as well as arrangem...(+)
This collection for progressing students includes art songs as well as arrangements of folksongs and spirituals. ART SONGS Anonymous: Pastime with good company · Campian: Jack and Joan · Dowland: Come again sweet love · Dowland: What if I never speed · Gibbons: The Silver Swan · Ireland: Spring Sorrow · Lawes: How happy art thou · Morley: It was a lover and his lass · Morley: Now is the month of Maying · Purcell: I attempt from love's sickness · Purcell: Nymphs and Shepherds · Quilter: Weep you no more · Vaughan Williams: The Call · Vaughan Williams: Bright is the ring of words · FOLKSONGS/SPIRITUALS All Through the Night (arr. Nicholl) · The Gospel Train (Walters) · Greensleeves(arr. Stanley) · He's Got the Whole World in His Hands (arr. Boyd) · How Can I Keep from Singing (arr. Ruck) · I gave my love a cherry (arr. Dean) · Jacob's Ladder (arr. Walters) · My Lord What a Mornin' (arr. Burleigh) · Shenandoah (arr. Walters) · Sometimes I Feel Like a Motherless Child (arr. Walters) · This Little Light of Mine (arr. Ruck).
16.99 GBP - vendu par Musicroom GB |
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| Anonymous The Bandit
Tenor/Bass & Piano: SATB:
Vocal Work Chorale SATB [Vocal Score] Novello & Co Ltd.
Anonymous The Bandit Tenor/Bass & Piano
3.99 GBP - vendu par Musicroom GB |
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| Bent Sørensen: Three
Stones: Soprano: Vocal
Work [Vocal Score] Wilhelm Hansen
Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicate...(+)
Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon.Programme note: 'Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on 'traces of instruments' - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone!'Bent Sørensen
11.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| John McCabe: Woefully
Arrayed for Twelve
Voices: SATB: Vocal Score Chorale SATB SATB [Vocal Score] Novello & Co Ltd.
Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourte...(+)
Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer.The composer says: 'Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated.''Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it.' - James L Montgomer RSCM review
6.50 GBP - vendu par Musicroom GB |
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| Invitation To The
Madrigals Vol.7 Chorale SSATB SSATB A Cappella Stainer and Bell
Madrigals for SSATB and SSATBaBEdited by E H Fellowes. Revised by Thurston DartC...(+)
Madrigals for SSATB and SSATBaBEdited by E H Fellowes. Revised by Thurston DartCONTENTSANONYMOUS How can the tree but waste (SSATB)BYRD, William Though Amaryllis dance in green (SSATB)EAST, Michael Your shining eyes (SSATBaB)FARMER, John Fair nymphs (SSATBaB)MARENZIO, Luca I must depart (Io partiro) (SSATB)MORLEY, Thomas My bonny lass (Questa dolce sirena) (SSATB) O grief e'en on the bud (SSATB)VAUTOR, Thomas Sweet Suffolk owl (SSATB)WEELKES, Thomas In pride of May (SSATB)WILBYE, John Lady your words do spite me (SSATB)
8.60 EUR - vendu par Woodbrass Délais: Sur commande |
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| Leos Janacek: The Diary
of One Who Disappeared:
Upper Voices: Vocal Work Piano, Voix [Partition] Barenreiter
for Tenor Alto Three Female Voices and Piano-Janácek?s intimate chamber-music...(+)
for Tenor Alto Three Female Voices and Piano-Janácek?s intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces.This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda.The cycle also contains theatrical elements such as the alto entrance and exit cues and lighting effects. Composed in 1917-19 the ?Diary? was premièred in Brno in 1921 from a manuscript prepared by Gustav Homola.The same manuscriptserved as a basis for the first edition which was issued by the Brno publisher Oldrich Pazd rek in 1921 as well as for this current first Urtext edition.First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorSinging translations in German (by Max Brod) and English (by Bernard Keefe)Numbers IX to XI which include the alto and three female voices also available online
22.00 GBP - vendu par Musicroom GB |
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| Mark Hayes: Serenity
Prayer: SATB: Vocal Score Chorale SATB [Vocal Score] Hinshaw Music Inc.
Mark Hayes has set this anonymously written popular text to a wonderful tune wit...(+)
Mark Hayes has set this anonymously written popular text to a wonderful tune with rich accompanimentInstrumentation available (HMC2007a): Fl Ob Bb Clarinet Bsn/BassClarinet (Sub.) Hn in F Percussion and Full Score
14.25 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Arianna In Creta HWV 32:
SATB: Score Chorale SATB [Partition] Novello & Co Ltd.
Full Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anon...(+)
Full Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati.Orchestra2 HornsTraversa2 OboesBassoonStringsBasso Continuo
94.99 GBP - vendu par Musicroom GB |
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| Georg Friedrich Händel:
Arianna In Creta HWV 32:
SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Vocal Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared ano...(+)
Vocal Score for the opera Arianna In Creta by G.F. Handel. Libretto prepared anonymously from Teseo in Creta by Pietro Pariati.Please note that this piano score does not contain a realisation of the figured bass. The left hand of the piano part is the figured basso continuo of the opera with occasional octave transpositions and the incorporation of some of the viola part. The right hand is a reduction of the main orchestral material. Item numbering and bar numbering accord with the full score and parts.
54.99 GBP - vendu par Musicroom GB |
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| Tarik O'Regan: Mass
Observation: SATB: Score Chorale SATB Novello & Co Ltd.
Full Score- Tarik O'Regan's Mass Observation was commissioned for the University...(+)
Full Score- Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes
21.99 GBP - vendu par Musicroom GB |
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| Das Jüngste Gericht
(BUXTEHUDE DIETRICH) Solistes SSSATB, Choeur SSATB, 2
Violons, 2 AltoS [Partition] Carus Verlag
Wacht! Euch Zum Streit Gefasset Macht. Par BUXTEHUDE DIETRICH. There is a lot to...(+)
Wacht! Euch Zum Streit Gefasset Macht. Par BUXTEHUDE DIETRICH. There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jüngste Gericht, for St. Mary’s Church in Lübeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. / Oratorio / Répertoire / Solistes SSSATB, Choeur SSATB, 2 Violons, 2 AltoS
102.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Carl F. Mueller: Now
Thank We All Our God:
SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Schirmer
Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano ...(+)
Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano accompaniment.The melody upon which this harmonization and arrangement is based first appeared anonymously in Praxis Pictatis Melica (1648). The authorship of the melody has been variously assigned to Johann Cruger (1598-1662) Martin Rinkart (1586-1649) and Luca Marenzio (1560-1599).
8.75 GBP - vendu par Musicroom GB |
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| Tarik O'Regan: Mass
Observation: SATB: Vocal
Score Chorale SATB [Vocal Score] Novello & Co Ltd.
Tarik O'Regan's Mass Observation was commissioned for the University of Michigan...(+)
Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes
10.99 GBP - vendu par Musicroom GB |
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| Anne Boyd: Jesus
Reassures His Mother:
SATB: Vocal Score Chorale SATB [Vocal Score] University Of York Music Press
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymo...(+)
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75thanniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd’s personal musical aestheticwhich she describes as the intersection of Christian Love with Buddhist silence.
7.95 GBP - vendu par Musicroom GB |
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| Judith Weir: A Spanish
Liederbooklet: Soprano:
Instrumental Work Voix Soprano, Piano [Partition] Chester
A Spanish Liederbooklet is a short song cycle(of about eight minutes’ dur...(+)
A Spanish Liederbooklet is a short song cycle(of about eight minutes’ duration) for high soprano and piano written for Eileen Hulse in 1988. Eileen gave the first performance accompanied by Graham Johnson at the 1988 CheltenhamFestival. The texts are all Spanish Romances by anonymous authors from the 15th/16th centuries. The songs are sung in the original Spanish.
13.99 GBP - vendu par Musicroom GB |
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| James MacMillan: Lassie
Wad Ye Loe Me?: Mixed
Choir: Vocal Score Chorale SATB SATB [Choral Score] Boosey and Hawkes
A touching setting of an anonymous love poem in broad Scots this part-song was ...(+)
A touching setting of an anonymous love poem in broad Scots this part-song was composed for the wedding of some friends of the composer.A welcome addition to the canon of MacMillan's secular choral works the piece displays scoring similar to that in his Burns arrangement 'So Deep': the attractive folk-like melody is clearly stated sometimes with full harmony and in other places picked out by supporting drones. Multiple divisi are scored in all voices and also an optional soprano solo. Suitable for intermediate standard choirs.
3.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Just a Closer Walk with
Thee: SATB: Vocal Score Chorale SATB [Vocal Score] Hinshaw Music Inc.
Anonymous-One of the early 20th century's most popular gospel hymns Graham Farr...(+)
Anonymous-One of the early 20th century's most popular gospel hymns Graham Farrell has arranged the work here for mixed chorus organ and trumpet. Try this contemporary setting in church or festival gatherings.
14.25 GBP - vendu par Musicroom GB |
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| Ronald Corp: Susanni:
SATB: Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
Ronald Corp's Susanni is a work scored for Unaccompanied SATB Choir with words ...(+)
Ronald Corp's Susanni is a work scored for Unaccompanied SATB Choir with words from the popular anonymous 15th century text 'A Little Child There Is Yborn'.
2.25 GBP - vendu par Musicroom GB |
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| Francis Pott: There Is No
Rose Of Such Virtue:
SATB: Vocal Score Chorale SATB SATB [Vocal Score] Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...(+)
(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
2.99 GBP - vendu par Musicroom GB |
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| Drew Collins Hildegard
von Bingen: O Frondens
Virga: Women's Choir:
Vocal Score [Vocal Score] Walton Music
For more ambitious choirs who would like to emulate the sound of the Anonymous 4...(+)
For more ambitious choirs who would like to emulate the sound of the Anonymous 4. This setting of a text by Hildegard von Bingen emphasizes the purity of the female voice. In Latin.
2.20 GBP - vendu par Musicroom GB |
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| Giovanni Battista
Pergolesi: Il prigionier
superbo: Mixed Choir Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Ricordi
Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIO...(+)
Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto?s complicated literary lineage and illustrates the circumstances of the opera?s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.
207.90 GBP - vendu par Musicroom GB |
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| 28 Italian Songs and
Arias (Medium Low):
Medium Voice: Vocal Album Voix basse, Piano [Partition] Schirmer
of the 17th & 18th Centuries-Most Voice teachers and singers still prefer the pi...(+)
of the 17th & 18th Centuries-Most Voice teachers and singers still prefer the pianistic wonderfully gratifying arrangements of this early Italian material made by Alessandro Parisotti in the 1880s. This new edition newly researched and engraved includesthe original Schirmer 24 plus four additional songs: Sento nel core (A. Scarlatti) O leggiadri occhi belli (Anonymous) Intorno all'idol mio (Cesti) Delizie contente che l'alma beate(Cavalli). With IPA word for word translations and historical information on each song and composer. A version with accompaniment CDs is also available: HL50485631.
12.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Birdsong: Mixed Choir a
Cappella: Vocal Score Chorale 3 parties SAB [Vocal Score] Transcontinental Music Publications
A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum set to ...(+)
A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum set to a poem written by an anonymous author at Terezin concentration camp.
11.25 GBP - vendu par Musicroom GB |
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| Roger Quilter: Fair House
Of Joy In D Flat op.
12/7: Voice: Vocal Work [Vocal Score] Boosey and Hawkes
A terrific song in D flat completed in 1908 by the great English vocal composer...(+)
A terrific song in D flat completed in 1908 by the great English vocal composer Roger Quilter. He was inspired by a 16th Century traditional text by an anonymous poet which he has set to music for Voice and Piano creating an evocative and stirring work.
6.50 GBP - vendu par Musicroom GB |
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| Giovanni Battista
Pergolesi: Il prigionier
superbo: Voice Piano, Voix Ricordi
Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonym...(+)
Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeoin Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised aperennially popular subject centered around the dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe bystorm.The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph.Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias.
18.50 GBP - vendu par Musicroom GB |
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| Philip Moore: All this
time: Double Choir: Vocal
Score Chorale SATB SATB, Orgue Boosey and Hawkes
A lively carol setting the anonymous 16th-century text ‘All this time this...(+)
A lively carol setting the anonymous 16th-century text ‘All this time this song is best: Verbum caro factum est [The word was made flesh]” originally composed for the choirs of Harrow School England. The main SATB chorus is supported by a semi-chorus of tenors and basses which may be positioned a distance away and the clever interplay between the two groups coupled with the syncopated rhythm and close yet approachable harmony make for an exciting carol both to sing and to hear.
3.25 GBP - vendu par Musicroom GB |
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| Alan Bullard: Health And
Safety: Vocal Score [Vocal Score] Oxford University Press
Alan Bullard's Health And Safety for CCBar and Piano. This original suite writt...(+)
Alan Bullard's Health And Safety for CCBar and Piano. This original suite written for the Warwickshire Youth Choir represents an extended concert item at the centre of the Emerging Voices series. It sets anonymous instructions found in packaging to general household goods providing amusing and theatrical highlights as well as musical interplay and formal episodes.
3.75 GBP - vendu par Musicroom GB |
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| Benjamin Britten: Corpus
Christi Carol - High
Voice/Piano: High Voice:
Vocal Voix haute, Piano [Partition] Chester
Britten's luminous setting of the anonymous sixteenth-century hymn. This edition...(+)
Britten's luminous setting of the anonymous sixteenth-century hymn. This edition is arranged for high voice with piano accompaniment in F. Duration: 2½ minutes. Difficulty Level: 3
5.50 GBP - vendu par Musicroom GB Délais: En Stock |
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