Eight seasonal carols for mixed choir-Eight popular carols for SATB choir unaccompanied. This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist antiquarian linguist and musician G.R. Woodward who both composed his own music and provided many of the texts set by Wood. Seven of the included carols are for Christmas with the remaining one for Easter.

Hail Gladdening Light is an expressive anthem for Double Choir as composed by Charles Wood with words by John Keble.

Charles Wood's Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest Act 1 Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is included for rehearsal purposes only.

Par BEDNALL DAVID. La grêle, Gladdening Light a été rédigé à la demande de Matthew Owens pour le choeur de la cathédrale de Wells et fut créé à la Chandeleur 2006. Le compositeur a longtemps été un admirateur de l'établissement par Charles Wood et donc voulu créer une oeuvre avec une atmosphère totalement différente, particulièrement en mettant l'accent sur la lumière mystique. L'ouverture et la clôture articles utilisent le Chant grégorien pour Chandeleur - un paramètre troped de la dimittis Nunc. Où ces articles psalmodiés se produisent qu'ils devraient être unconducted et chantées avec la liberté et le rythme du plain-chant. L'accent tout au long de la pièce doit être sur la luminosité./ Feuillet / SSAATTBB

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

Par CORP RONALD. Among the UK's most noted choral composers and conductors, Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion, following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple harmonised setting in a flexible verbal rhythm reflecting the measure of the words, this is a heartfelt plea for spiritual release uttered in a quietly elegiac tone, in which the serenity of the entreaty rather than its pathos is to the fore./ Feuillet / SATB a Cappella

Jocelyn Pook’s Hearing Voices was commissioned by BBC3 for the BBC Concert Orchestra who gave the first performance at the Queen Elizabeth Hall London on 3 December 2012 with Melanie Pappenheim mezzosoprano conducted by Charles Hazlewood.The text for Hearing Voices was written by Emma Bernard. It also uses the words of artists Bobby Baker and Julie McNamara Jocelyn's relatives Phyllis Williams and Mary Pook and the seamstress Agnes Richter inmate in a German asylum in the 1890s who covered her straightjacket with densely embroidered text.

Snoopy!!! La comédie musicale par Larry Grossman et Hal Hackady est basée sur la bande dessinée de Charles M. Schulz arachides. Le ' complot ' est rempli de scènes placés de façon aléatoire, semblables à la bande dessinée elle-même et combine l'humour avec leçons de vie sur l'amitié et de croire en vous. / Chant/Vocal/Choeur

A setting of a poem by Ursula Wood later to become Ursula Vaughan Williams. The dedication reads 'To the memory of Charles Villiers Stanford and his Blue Bird'.

Oeuvre a capella superbement composée pour choeur SATB (divisi: 2 Soprano, 2 Alto, 2 Tenor, 2 Basse). La musique fut composée à l'origine pour correspondre au poème écrit par Robert Frost, 'Stopping by Woods', mais à cause de problèmes juridiques complexes concernant la propriété du poète, l'oeuvre a dû être retirée. Le compositeur, après une longue délibération, a décidé de demander à un de ses amis poète, Charles Anthony Silvestri, d'écrire un nouveau texte, avec la réplique exacte de la structure du poème de Frost. / Voix