Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. Messen, lateinisch - Langue : Latin/ Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. Messen, lateinisch - Langue : Latin/ Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Solistes:SATB-Choeur:SSAATTB-2.2.2.2.-4.2.3.0-Timb

Aus: Biblische Lieder. Par DVORAK ANTONIN. Die 'Biblischen Lieder' op. 99 entstanden während Dvoráks Aufenthalt in den Vereinigten Staaten. Diese Zeit von 1892 bis 1895 brachte dem Komponisten triumphale Erfolge und begründete seinen Weltruhm. Sie war aber andererseits auch von schweren psychischen Bealstungen bestimmt, die Dvorák zu ertragen hatte. So führte die lange Abwesenheit von seiner Heimat zu einem sich verstärkenden Heimweh. Die Lieder sind in ihrer Schlichtheit der Faktur, dem Fehlen jeglicher Künstlichkeit sowie im freien Fluss unmittelbarer Inspiration Ausdruck dieser besonderen psychischen Situation des Komponisten. / Psaumes / Répertoire / Choeur SATB, 2 Trompettes, 2 Trombones, 2 Violons,

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. Messen, lateinisch - Langue : Latin/ Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Choeur

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. Messen, lateinisch - Langue : Latin/ Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Par DVORAK ANTONIN. Reihen bei Carus: Gesamtausgaben - Verwendung / Anlässe: Psalmvertonungen - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Voix Moyenne et Orgue

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

Vl2. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Solistes:SATB-Choeur:SSAATTB-2.2.2.2.-4.2.3.0-Timb

Par DVORAK ANTONIN. Dvorák's Opus 29 choruses are infused with all the nationalistic style and spirit of his more famous orchestral and chamber works. Presented in the original Czech with a simple pronunciation guide plus English singing translations. A most rewarding sing./ Répertoire / SATB

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,