| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
13.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird./ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
17.70 EUR - vendu par LMI-partitions Délais: En Stock |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Wolfgang Amadeus Mozart:
Lucio Silla K.135: Voice:
Vocal Score Opéra [Partition] Barenreiter
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Moz...(+)
Lucio Silla K. 135Dramma per musica in three actsOn 13 December 1769 Leopold Mozart and his son Wolfgang set out on their first tour of Italy. It was not until 28 March 1771 that they finally returned to Salzburg. The trip brought the young composer two commissions for opere serie. In March 1770 he was commissioned to write Mitridate K.87 (74a) for the 1770–71 Carneval season at the Regio Ducal Teatro in Milan. Mozart started work on the opera in Bologna on 29 September 1770 and the première duly took place on the Feast of St. Stephen (26 December) in 1770. The second Lucio Silla (K. 135) again commissioned for the 1771–72 Carneval season inMilan doubtless resulted from the success of Mitridate. News of the commission reached the Mozarts in March 1771 in Verona where they had stopped on their return to Salzburg. (At roughly the same time Wolfgang received an invitation from Vienna to supply a serenata teatrale for the wedding of Archduke Ferdinand the third son of Maria Theresia scheduled to take place in Milan in October 1771. This invitation ultimately resulted in Ascanio in Alba K. 111.)- Urtext of the New Mozart Edition- Full score (BA4590-01) and vocal score (BA4590-90) available for sale- Performance material (BA4590-72) available for hire
78.00 GBP - vendu par Musicroom GB |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
2.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
6.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Veni Sancte Spiritus
(MOZART WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzb...(+)
Pfingstsequenz. Par MOZART WOLFGANG AMADEUS. In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen auf Leopold Mozart, Eberlin und Michael Haydn. Mozart schrieb hier ein Werk mit großer klanglicher Pracht, die zudem durch Bläser und Pauken verstärkt wird. / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.50 EUR - vendu par LMI-partitions Délais: En Stock |
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| Missa In A (MOZART
LEOPOLD) Solistes SATB, SATB, 2 Violons et
Basse Continue, [Partition] Carus Verlag
Par MOZART LEOPOLD. If, during his lifetime, Leopold Mozart was highly regarded ...(+)
Par MOZART LEOPOLD. If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A [ca. 1765], in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance./ Répertoire / Solistes SATB, SATB, 2 Violons et Basse Continue,
9.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Cello & Double
Bass: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
35.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
41.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Voice: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Partition] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Die Schuldigkeit Des
Ersten Gebots K.35:
Voice: Vocal Piano, Voix [Partition] Barenreiter
This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrat...(+)
This work possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach was assigned to three Salzburg composers: W. A. Mozart (part 1) Michael Haydn (part 2) and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701 1785) town councillor and mayor of Salzburg. Mozart wrote out many of theappoggiaturas in this early work thereby providing a useful guide to the vocal practices of his day. Aria No.2 has come down to us with an instructive passage in which the Vocal part is ornamented in the hand of Leopold Mozart.
23.00 GBP - vendu par Musicroom GB |
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| Beate Es, Virgo Maria
(MOZART LEOPOLD) Solo S, Choeur SATB, 2 Clarines,
Timbales, 2 Violo [Partition] Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...(+)
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
3.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Beate Es, Virgo Maria
(MOZART LEOPOLD) Solo S, Choeur SATB, 2 Clarines,
Timbales, 2 Violo [Partition] Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...(+)
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
3.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Beate Es, Virgo Maria
(MOZART LEOPOLD) Solo S, Choeur SATB, 2 Clarinettes,
Timbales, 2 Vi [Partition] Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...(+)
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarinettes, Timbales, 2 Vi
13.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Beate Es, Virgo Maria
(MOZART LEOPOLD) Solo S, Choeur SATB, 2 Clarines,
Timbales, 2 Violo [Partition] Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...(+)
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
6.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Beate Es, Virgo Maria
(MOZART LEOPOLD) Solo S, Choeur SATB, 2 Clarines,
Timbales, 2 Violo [Partition] Carus Verlag
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th cen...(+)
Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' orchestration with trumpets and timpani would support. / Musique religieuse / Répertoire / Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo
3.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Mixed Choir: Parts Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
19.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Continuo: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
8.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa In C Major K.259:
Vocal: Score Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Barenreiter
The Mass K.259 known as the Organ Solo Mass on account of an important organ pa...(+)
The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
27.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Missa Brevis In G Major
K.49: Mixed Choir: Part Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
15.00 GBP - vendu par Musicroom GB |
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