Released in December 2017, Volume 2 of Stapleton's From 'A” Room recordings is his third album release which reached #2 on the Billboard® 200 album charts. Our piano/vocal/guitar folio includes all 9 songs: Drunkard's Prayer - Friendship - Hard Livin' - Midnight Train to Memphis - Millionaire - Nobody's Lonely Tonight - Scarecrow in the Garden - A Simple Song - Tryin' to Untangle My Mind. Released in December 2017, Volume 2 of Chris Stapleton 's From and ldquo - A and rdquo - Room recordings is his third album release which reached #2 on the Billboard and reg - 200 album charts. Our Piano/Vocal/Guitar folio includes all 9 songs: 'Drunkard's Prayer', 'Friendship', 'Hard Livin'', 'Midnight Train to Memphis', 'Millionaire', 'Nobody's Lonely Tonight', 'Scarecrow in the Garden', 'A Simple Song' and 'Tryin' to Untangle My Mind'. / Pop and rock / Recueil / Piano, Chant et Guitare

Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral music. As founder and director of Vienna's Philharmonic Chorus he led world premieres and first performances of works by contemporary composers. It is surprising, therefore, that Schreker wrote relatively few independent choral works; only three of these works [with various scorings] were published in his lifetime. Now, for the first time this critical edition, prepared by Christopher Hailey, director of the Franz Schreker Foundation, makes available a body of works that sheds new light on Schreker’s musical evolution and, in its own right, constitutes a notable addition to twentieth-century choral literature. / Mottet / Répertoire / Choeur Mixte

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Weltliche Chorsätze - Langue : Allemand/ Répertoire / Solistes SB, Choeur SATB et Piano

Edition no.: BA 11202ISMN: 9790006526444Volume / Series: organ plus brass, Volume IIEditor: Klomp, Carsten / Petersen, HeikoLanguage(s) of work: GermanLanguage(s) of text: German, EnglishProduct format: Performance score(s), Wind instruments score, AnthologyIncludes the following individual parts: Organ, Wind instrumentsBinding: StapledPages / Format: 17/10 S. - 30,0 x 23,0 cmThe series ?organ plus brass? presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs.The full score comes with an inserted wind score in C, which is also available separately. Wind parts in C and B-flat can also be purchased, enabling the performance by brass ensembles of varying instrumentation.Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year.- Literature for brass ensemble and organ- Suitable for amateur brass ensembles and non-professional organists- Transposed parts allow for flexible instrumentationContentsChristian Fink (1831?1911): ?Wie schön leuchtet der Morgenstern?Emil Dercks (1849?1911): ?Jesus lebt, mit ihm auch ich?Theophil Forchhammer (1847?1923): ?Sollt ich meinem Gott nicht singen?Max Gulbins (1862?1932): ?Nun danket alle Gott?Otto Scherzer (1821?1886): ?Christus, der ist mein Leben?

Lieder und Chansons Für Frauenchor und Klavier. Par KREISLER GEORG. Georg Kreisler – das ist scharfer, tiefsinnig schwarzer Humor! Die Singphoniker haben Georg Kreislers bekannteste Lieder für Männerensemble arrangiert und auf CD aufgenommen. Nun erscheint die zugehörige Notenausgabe für Frauenchor SSAA mit Klavierbegleitung. Die Themen reichen vom Tauben vergiften über das Verehren des schönen Heinrich bis zu einer Hommage an die Triangel. Diese kurzweiligen Arragements mit Kreislers humoristischen Texten sorgen im Konzert garantiert für ausgelassene Stimmung. Alle in diesem Band enthaltenen Stücke sind auch als Einzelausgaben erhältlich./ Recueil / Chœur de Femmes (SSAA) et Piano