From Quatre Motets Sur Des Themes Gregoriens-Duruflé grew up in Louviers in the northern French region of Haute-Normandie (Upper Normandy) where as a boy he was a chorister and studied piano. At the age of 17 he moved to Paris to study organ with Charles Tournemire. A year later Duruflé wasadmitted to the Paris Conservatoire where he studied organ piano and composition and was awarded five first prizes in various subjects. Upon graduation Duruflé became musical assistant to Louis Vierne at Notre Dame but soon after this wasappointed organist at Saint Étienne-du-Mont in Paris where he would remain for the rest of his life. In 1943 he was appointed professor of harmony at the Conservatoire a position he maintained for 27 years. From 1926 until 1977 Duruflé published 14compositions including the Requiem Op. 9 (1947). Duruflé traveled extensively as a concert organist and was active as a recording artist. Later in life he and his second wife often performed as an organ duo. The composer suffered severe injuriesin an automobile accident in 1975 which left him nearly bed-ridden for the final decade of his life.Composed in 1960 Quatre Motets sur des thèmes grégoriens Op. 10 (Four Motets on Gregorian Themes) were dedicated to Auguste le Guennant director of the Gregorian Institute in Paris. Each of the four motets begins with an incipit of Gregorianchant which serves as melodic inspiration for the composition that follows. The four motets are (in order): ?Ubi caritas ? ?Tota pulchra es ? ?Tu es Petrus ? and ?Tantum ergo.? ?Ubi caritas? is an early Christian antiphon traditionally used in the Maundy Thursday service during the washing of the feet an act of Jesus from the Last Supper. The antiphon has become closely associated with the Eucharist and is sometimes alsoused at weddings. Duruflé sets only the first of the four stanzas of the text.

Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) Debussy's Nuit d'étoiles arranged for SATB. One of Debussy's first published works Nuit d'étoiles features many of the characteristics that can be found in later Debussy compositions but is more traditional in it's melodic construction and structure.

No other work by Mozart is so enshrouded in myth as his final composition the D-minor Requiem. Mozart died before its completion and the missing sections had to be added by others. The many handwritten copies circulated after his death added to the corruption of the text by contributing errors of their own. Now Peters is publishing a new urtext edition of this staple of the choral repertoire edited by David Black. The edition relies on Mozart’s composition and the traditional completion by Franz Xaver Süssmayr. For the first time however it incorporates sources previously unavailable to earlier editions including the Neue Mozart-Ausgabe.

Volume 1-Moeran was the last major representative of the group of English composers who in the first two decades of the 20th century sought musical inspiration in the melodic beauty of traditional folksong. All of Moeran's single choral pieces most of which have been long out of print or difficult to obtain have been collected together and printed in these five fabulous volumes. Volume One is a collection of choral pieces for Mixed Voices.

Luke 2. Par TROTTA MICHAEL JOHN. Explore the majesty, mystery, and wonder of the Nativity with this five-movement work for choir, soprano, bass, and orchestra which tells the story of the Nativity according to the Gospel of Luke. Within the full work are two a cappella movements that paint a more intimate portrait of the birth using traditional text and a text by Margaret Deland. Songs included are: Adeste Fidelis; Shepherd's Carol (a cappella); And there was in the same country; O Magnum Mysterium (a cappella); By the splendor of the heavens. Work may be performed in Latin and English or English only. / Date parution : 2021-11-03/ Répertoire / Choeur Mixte SATB

Songs in English for Classical Voice Students-In Introduction To Art Song Joan Boytim has selected some of the easiest songs in English from The First Book of Solos series and transposed them for different Voice types making the songs availableto more students. Additionally other suitable songs not found in other Boytim collections have been included. Each Voice type has a unique song list. These books are perfect for use by students in traditional Voicelessons or by Voice classes. This volume for Baritone/Bass features the songs The Black Dress Down By The Sally Gardens Weep You No More Under The Greenwood Tree Wayfaring Stranger and more.

with Joyful Joyful We Adore Thee-This exciting and upbeat a cappella version of the traditional spiritual Mary Had A Baby has been combined with Beethoven's ever-popular tune from the Ninth Symphony Joyful Joyful We Adore Thee. New seasonal lyrics for the Beethoven will be perfect for any winter concert! SSAA version.

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year./ Répertoire / Solistes STB, Choeur SATB, ou Basson, Instruments

The King's Singers have a following the world over for their outstanding performance of both traditional and popular songs. This volume brings together a top selection of British folk songs from their repertoire in brilliant mixed voice arrangements commissioned by them from leading arrangers. Perennial hits for the King's Singers both in concert and on disc they will bring equal enjoyment and success to vocal groups worldwide. This fantastic collection will adapt equally well to mixed or male-voice ensembles. The range of each part is indicated at the beginning of each song. A cappella with Piano accompaniment for rehearsal purposes.

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,

German/English Urtext Edition edited A. Oppermann.The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.Instrumentation: Soprano solo Tenor solo Bass solo Mixed Choir-SATB Orchestra

Kantate Zum 1. Advent. Par BACH JOHANN SEBASTIAN. The opening chorus uses the first verse of the old plainsong hymn 'Veni redemptor gentium', which in the paraphrase by Martin Luther has become the most important Advent hymn of the Protestant Church. Bach introduces the traditional plainsong melody in the form of a French overture, here symbolizing the entry of the King of Heaven, thus creating an unusual and splendid opening piece for the beginning of the church year./ Répertoire / Solistes STB, Choeur SATB, ou Basson, Instruments