Référence unique par son ISBN 73999238402 cette partition musique de Verdi Giuseppe n'est autre que Verdi Requiem For Four Solo Voices And Chorus qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50323840. / Voix / Partition

Vocal Score / Softcover. Par VERDI GIUSEPPE. In a letter of 2 January 1851, Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful, imaginative, and full of strong situations'. Once he had settled on the subject, the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi 's account of the performances, contained in a letter to his friend Clarina Maffei, was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?. . . ' Notwithstanding Verdi 's pessimism, Il Trovatore circulated rapidly. In fact, no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success./ Répertoire / Chant et Piano

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known editions. By means of parallel passages, editorial additions attempt to make Verdi's intentions clearer through the judicious use of diacritical markings. A clearly organized disposition of the engraved music makes the full score and vocal score easy to read. Outstanding legibility of the parts. With an excellently playable vocal score by Paul Horn in tried and true quality. As a reasonably-priced alternative, a choral score is also available. With a foreword in three languages and a critical report. Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Alessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language wholly in the service of a dramatized liturgy./ Répertoire / Choeur Mixte (SATB) et Orchestre

Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin' (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff' (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).

Full Vocal score of Giuseppe Verdi's complete opera Luisa Miller. With Italian lyrics and synopsis in Italian English French and German. A short opera packed with interest movement and passion. It was was extremely well received and one contemporary critic Abramo Basevi even claimed that it inaugurated Verdi’s second manner. The preparation of the libretto as documented by the abundant correspondence between Verdi and Cammarano is a topic of great interest in the study of Verdi’s dramaturgy. Luisa Miller was first staged at the Teatro San Carlo of Naples on 8 December 1849.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ' A un dottor della mia sorte (Il Barbiere di Siviglia) ' Cornelius: Mein Sohn (Der Barbier von Bagdad) ' Smetana: Kezal's Aria (The Bartered Bride) ' Puccini: Vecchia zimarra (La Boheme) ' Mussorgsky: I have attained to power (Boris Godunov) ' Varlaam's Song (Boris Godunov) ' Pimen's Tale (Boris Godunov) ' Verdi: Dormiro sol nel manto mio regal (Don Carlo) ' Infelice! e tuo credevi (Ernani) ' Infin che un brando vindice (Ernani) ' Come dal ciel precipita (Macbeth) ' Il lacerato spirito (Simon Boccanegra) ' Di due figli vivea, padre beato (Il Trovatore) ' Mozart: Madamina! il catalogo e questo (Don Giovanni) ' Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ' Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ' Se vuol ballare, signor Contino (Le Nozze di Figaro) ' Non piu andrai (Le Nozze di Figaro) ' In diesen heil'gen Hallen (Die Zauberflöte) ' O Isis und Osiris (Die Zauberflöte) ' Donizetti: Ah, un foco insolito (Don Pasquale) ' A tanto amor (La Favorita) ' Dalle stanze, ove Lucia (Lucia di Lammermoor) ' Tchaikovsky: Gremin's Aria (Eugene Onegin) ' Gounod: Vous qui faites l'endormie (Faust) ' Le veau d'or (Faust) ' Beethoven: Hat man nicht auch Gold daneben (Fidelio) ' Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ' Mein Herr und Gott (Lohengrin) ' Nun hort und versteht (Pogner's Address) (Die Meistersinger) ' Tatest du's wirklich' (Tristan und Isolde) ' Ponchielli: Ombre die mia prosapia (La Gioconda) ' Meyerbeer: Piff, Paff (Les Heugenots) ' Gluck: De noirs pressentiments (Iphigenie en Tauride) ' Halvey: Si la rigueur (La Juive) ' Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ' Massenet: Epouse quelque brave fille (Manon) ' Flotow: Lasst mich euch fragen (Porter Song) (Martha) ' Thomas: De son coeur j'ai calme la fievre (Mignon) ' Dargomyzhsky: The Miller's Song (Rusalka).

Partitura + C.C. In Inglese - Serie I - Vol.7. Par VERDI GIUSEPPE. Casa Ricordi, in joint publication with The University of Chicago Press, has published the works of Giuseppe Verdi in critical edition, making use of all the available sources - from autographs to sketches, from early manuscript copies to the variouseditions produced during Verdi´s lifetime - and contemporary orchestral parts. Full score: hardbound volume, 26. 5×36. 7 cm (Historical Introduction in Italian and English)/ Répertoire / Oeuvres Théâtrales/Oratorios et Ballets

Among Verdi’s many compositions as a work of sacred music the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni deeply admired by Verdi and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi’s tonal language with musical means wholly in the service of a dramatized liturgy. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In addition to the musical text the score contains a detailed foreword in threelanguages a critical report with information on the source situation the edition and the various readings. The complete performance material will be available for sale.

Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.

Vocal Score-This is the Complete Vocal score of the entire opera with singing text in Italian and English. A beautiful imaginative opera and it is one of Verdi’s most famous works and most successful opera. The premiere occurred on 19 January 1853 at the Teatro Apollo in Rome and was an enormous success. The appreciation of the new work increased with each performance. The third performance was the last that Verdi was contractually obliged to attend: at the end of that evening the audience presented Verdi with two laurel wreaths.

Edited by David Lawton-The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas the series presents his songs his choral music and sacred pieces and his string quartet and other instrumental works. Based on Verdi’s autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts this edition of Il trovatore identifies and resolves numerous ambiguities of harmony melodic detail text and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. _ e introductionto the score outlines the work’s genesis sources and performance history while the critical commentary discusses all editorial decisions.

Opera Completa Per Canto E Pianoforte In Brochure. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Trilogia popolare - Edizione critica (ril. brochure). Par VERDI GIUSEPPE. Anlässlich des 200-jährigen Jubiläums von Giuseppe Verdi erschien 2013 der 4-bändige Schuber POPULAR TRIOLOGY mit den drei bekanntesten Opern des Komponisten: RIGOLETTO (1851) und IL TROVATORE (1853), jeweils in einem Band sowie LA TRAVIATA (1853)in zwei Bänden. Der elegante, kostengünstige Schuber enthält Klavierauszüge, die auf den kritischen Ausgaben der Partituren beruhen, die bei RICORDI in Zusammenarbeit mit THE UNIVERSITY OF CHICAGO PRESS erschienen sind (RIGOLETTO: Martin Chusid, ed. IL TROVATORE:David Lawton, ed. LA TRAVIATA: Fabrizio Della Seta, ed. ) / Opéra-opérette / Répertoire / Voix et Piano Réduction

Vocal Score-Full Vocal score of Giuseppe Verdi's successful and resoundingly popular opera Aida. With Italian and English lyrics and synopsis in Italian English French and German. Commissioned by the khedive of Egypt to celebrate the opening of the Suez Canal Aida was first performed at the Cairo Opera Theatre on the 24th of December 1871. The following year it received its Italian premiere at the Teatro alla Scala in Milan. Verdi set the narrative with a variety of theatrical and musical solutions that effectively illustrate the love story in all its intricate excess resulting in unavoidable tragedy when the volatile and entangled dimensionof personal passions clashes with the power of patriotic conscience.

'La Forza del Destino' is a product of the rich middle period of Verdi’s long creative life and marks an important development in his style. The entire work is pervaded by a dark brooding feeling. Verdi and librettist Francesco Maria Piave have created a tangled tale in which the characters come together through coincidence. Melitone and Preziosilla provide asides and comic elements as the three main characters Donna Leonora Don Carlo and Don Alvaro play out their tragic parts. This is the Schirmer Edition of the Vocal Score in the original Italian with an English translation by Ruth and Thomas Martin.