Hit Songs Saxophone Alto [Partition + Accès audio] Hal Leonard
Alto Sax SKU: HL.374357 Alto Sax Play-Along. By Various. Instrumen...(+)
Alto Sax
SKU:
HL.374357
Alto Sax
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374357).
ISBN 9781705150108.
UPC: 196288016847.
9.0x12.0x0.107
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
* Bad Habits (Ed Sheeran)
* Blinding Lights (The
Weeknd) * drivers license
(Olivia Rodrigo) * Kings
and Queens (Ava Max) *
Therefore I Am (Billie
Eilish) * Willow (Taylor
Swift) * and more.
By Olivia Rodrigo. Arranged by Mark A. Brymer. Pop Choral Series. Ballad, Pop,...(+)
By Olivia Rodrigo.
Arranged
by Mark A. Brymer. Pop
Choral
Series. Ballad, Pop, Show
Choir. Octavo. 12 pages.
Duration 160 seconds.
Published by Hal Leonard
By Olivia Rodrigo. Arranged by Mark A. Brymer. Pop Choral Series. Ballad, Pop,...(+)
By Olivia Rodrigo.
Arranged
by Mark A. Brymer. Pop
Choral
Series. Ballad, Pop, Show
Choir. Octavo. 12 pages.
Duration 160 seconds.
Published by Hal Leonard
Hit Songs Alto seul [Partition + Accès audio] Hal Leonard
Viola SKU: HL.374363 Viola Play-Along. By Various. Instrumental Pl...(+)
Viola
SKU:
HL.374363
Viola
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374363).
ISBN 9781705150160.
UPC: 196288016908.
9.0x12.0x0.093
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
* Bad Habits (Ed Sheeran)
* Blinding Lights (The
Weeknd) * drivers license
(Olivia Rodrigo) * Kings
and Queens (Ava Max) *
Therefore I Am (Billie
Eilish) * Willow (Taylor
Swift) * and more.
Hit Songs Clarinette [Partition + Accès audio] Hal Leonard
Clarinet SKU: HL.374356 Clarinet Play-Along. By Various. Instrumen...(+)
Clarinet
SKU:
HL.374356
Clarinet
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374356).
ISBN 9781705150092.
UPC: 196288016830.
9.0x12.0x0.102
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
* Bad Habits (Ed Sheeran)
* Blinding Lights (The
Weeknd) * drivers license
(Olivia Rodrigo) * Kings
and Queens (Ava Max) *
Therefore I Am (Billie
Eilish) * Willow (Taylor
Swift) * and more.
Hit Songs Flûte traversière [Partition + Accès audio] Hal Leonard
Flute SKU: HL.374355 Flute Play-Along. By Various. Instrumental Pl...(+)
Flute
SKU:
HL.374355
Flute
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374355).
ISBN 9781705150085.
UPC: 196288016823.
9.0x12.0x0.1
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
• Bad Habits (Ed
Sheeran) • Blinding
Lights (The Weeknd)
• drivers license
(Olivia Rodrigo) •
Kings and Queens (Ava
Max) • Therefore I
Am (Billie Eilish)
• Willow (Taylor
Swift) • and
more.
Hit Songs Cor [Partition + Accès audio] Hal Leonard
Horn SKU: HL.374360 Horn Play-Along. By Various. Instrumental Play...(+)
Horn
SKU:
HL.374360
Horn
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374360).
ISBN 9781705150139.
UPC: 196288016878.
9.0x12.0x0.098
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
• Bad Habits (Ed
Sheeran) • Blinding
Lights (The Weeknd)
• drivers license
(Olivia Rodrigo) •
Kings and Queens (Ava
Max) • Therefore I
Am (Billie Eilish)
• Willow (Taylor
Swift) • and
more.
(for percussion ensemble). By Jeffrey D. Grubbs. Arranged by Jeffrey D. Grubbs. ...(+)
(for percussion
ensemble). By Jeffrey D.
Grubbs. Arranged by
Jeffrey D. Grubbs. 4. For
Xylophone, chimes, snare
drum, concert bass drum,
four timpani (4 players).
This edition: Percussion
quartet. Concert
Percussion Ensembles.
Written for minimal
instrumentation and
maximum effect, Jeffrey
D. Grubbs' Fanfare for
Percussion Quartet
provides an exciting
curtain-raiser for small
ensembles. Written in
5/4, the themes in this
piece are inspired by
percussively driven
action-adventur.
Medium-Easy. Folio
parts on CD-Rom. 12
pages. Duration 2:15
Piano SKU: HL.49046469 5 Virtuoso Pieces Piano. Composed by Melani...(+)
Piano
SKU:
HL.49046469
5
Virtuoso Pieces
Piano. Composed by
Melanie Spanswick. Piano.
Classical. Softcover. 32
pages. Schott Music
#ED23222. Published by
Schott Music
(HL.49046469).
UPC:
842819109839.
Simpl
y Driven is a collection
of five pieces for
advanced to virtuoso
level pianists. Each
piece has a completely
different character,
whilst still reflecting
minimalist
influences.
EAST SOUND RESEARCH.
Guitar Pedal. Duration
240 seconds. Hal Leonard
#CM0230. Published by Hal
Leonard (HL.911071).
UPC: 852940000981.
10.0x5.5x3.0
inches.
The world
of music has changed and
the world of guitar
playing has changed along
with it. It is becoming
normal to not see the
full guitar rigs of the
'70s, '80s, and '90s, and
instead just see guitar
players with minimal
systems to achieve their
signature sounds.
Introducing the Carl
Martin Ampster ... from
the company that has
shone the single analog
light down that deep
digital tunnel. The
Ampster, a single tube
driven amp/speaker
simulator that can either
supplement your amp, or
replace it. A fully
analog unit with controls
that are the same as your
amplifier with the
addition of a mute
switch, a speaker
selection switch and a
voicing switch. What's
more important, the
Ampster reacts to your
playing in the same way
your full size amp does,
giving you the same
organic feel with zero
latency! The Ampster is
housed in a solid metal
box with the standard EQ
(Bass Middle Treble), pre
and post volume/gain
controls (Master &
Gain) plus a Presence
Control. There is a Mute
Switch for obvious
reasons and a Cabinet
Switch with an LED
Indicator light ( Red for
a 2x12 Open Backed Cab,
and Green for a 4x12
Closed Back Cab). On the
back of the pedal you
will find a Ground Lift
and a Voicing Switch (a
subtle low end cap
controlled voicing
adjustment). Input, Link
(output to your amp or
powered speaker) Balanced
DI (XLR output to go to a
mixing or recording
console), a Send and
Return for those specific
effects that shouldn't be
in front of the amp, a
Remote Input for use with
digital or analog effect
controllers like the Carl
Martin Octaswitch
“The Strip,â€
and your standard 9v 1A
power input. It couldn't
be simpler! Plug your
guitar straight in, or
plug your pedal board
into the input jack,
choose your output and
open your ears to a
surprisingly big round
clean sound, or by
adjusting the Gain, that
decidedly British
Overdrive sound for which
Carl Martin has become so
well known. Our test
players have fallen in
love, telling us the
Ampster reacts just like
their standard amps,
organic and responsive to
your playing style or
attack. In fact, the
Ampster sounds just like
a full size amp, but it
fits on your pedalboard.
Take a look at the videos
... we are certain you
will want to take the
Ampster for a test
drive!
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to
Musical Styles and the
Legends Who Defined Them.
By Rich Lackowski. For
Drum Set. Percussion -
Drum Set Method or
Collection. Instructional
Book and Examples CD. 244
pages. Published by
Alfred Publishing.
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Beatmüller Piano seul [Partition + Accès audio] - Intermédiaire De Haske Publications
Piano - intermediate SKU: BT.DHP-1064042-404 25 Piano pieces in swing,...(+)
Piano - intermediate
SKU:
BT.DHP-1064042-404
25 Piano pieces in
swing, rock and
latin. Composed by
Fons Van Gorp. Book with
Online Audio. Composed
2022. 52 pages. De Haske
Publications #DHP
1064042-404. Published by
De Haske Publications
(BT.DHP-1064042-404).
ISBN 9789043164511.
English-German-French-Dut
ch.
The 25 pieces
in Beatmüller
have been composed by
Fons van Gorp as an
alternative or homage to
the popular 25
romantic studies
Opus 100 by good old
Friedrich Burgmüller.
They are written in
twentieth centuryidioms:
rock, swing, latin and
funk styles are all
there, but romance is
also present. All the
pieces in
Beatmüller are
meant to be played solo,
but the audio tracks
available online in MP3
format are a perfect tool
tohelp develop the right
drive and beat.
De 25 stukken in
Beatmüller zijn
gecomponeerd als
alternatief voor of
aanvulling op de aloude,
geliefde 25
romantische etudes
(opus 100) van
Friedrich Burgmüller.
Ze zijn geschreven in
idiomen van de
twintigsteeeuw: de
stijlen rock, swing,
latin en funk passeren de
revue, maar ook de
romantiek is present.
Alle stukken in
Beatmüller zijn
bedoeld om solo te
spelen, maar de online in
mp3-formaat beschikbare
audiotracks zijn eenprima
hulpmiddel om de juiste
‘drive’ en
‘beat’ te
ontwikkelen.
Die
25 Stücke in
Beatmüller
wurden als Alternative
oder Ergänzung zu den
beliebten 25
romantischen
Etüden
opus 100 des guten
alten Friedrich
Burgmüller komponiert.
Fons van Gorp ist es
gelungen, die
wertvollenklaviertechnisc
hen Lerninhalte aus
Burgmüllers Etüden
in neue Stücke zu
übertragen. Diese
wurden alle in
Stilidiomen des 20.
Jahrhunderts geschrieben:
Rock, Swing, Latin und
Funk sind vertreten, aber
ebenso auch die Romantik.
AlleStücke in
Beatmüller sind
für das Solospiel
gedacht die online im
MP3-Format verfügbaren
Audiotracks sind jedoch
die perfekte
Unterstützung, um den
richtigen Drive und Beat
zu entwickeln.
I 25
studi contenuti in
Beatmüller sono
stati composti come
alternativa o supplemento
ai famosi 25 romantici
Studi Opus 100 di
Friedrich Bergmüller.
Sono stati scritti negli
stili cardini del XX
secolo: rock, swing,latin
e funk, non dimenticando
lo stile romantico. Tutti
i pezzi di questo libro
sono pensati per
l’esecuzione in
assolo. Le tracce audio
disponibili online in
formato MP3 fornisce il
giusto supporto per
sviluppare il
“Drive
andBeatâ€.
Concert Band (SCORE) SKU: HL.4006993 The Fastest Mouse in all Mexico(+)
Concert Band (SCORE)
SKU: HL.4006993
The Fastest Mouse in
all Mexico. Composed
by Peter Kleine Schaars.
Beriato Music Concert
Band Set. Concert.
Softcover. Duration 135
seconds. De Haske
Publications #032820.
Published by De Haske
Publications
(HL.4006993).
UPC:
840126949438.
Speed
y Gonzales is a
well-known cartoon
character from the series
Looney Tunes and Merrie
Melodies by Warner Bros.
Pictures. This super-fast
Mexican mouse with its
large yellow sombrero
drives both Daffy Duck
and the cat Sylvester to
distraction time and
again. The song that was
inspired by the shrewd
little mouse, of which
many cover versions in
different languages have
been made throughout the
years, has been arranged
for flexible
instrumentation by Peter
Kleine Schaars. His
arrangement has the same
drive and energy as the
original - and leaves
room to feature Speedy's
renowned catchphrase
Ãndale! Ãndale!
Arriba! Arriba!
Score and Parts Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4006992 (+)
Score and Parts Concert
Band (SCORE+PARTS) -
Level 2.5
SKU:
HL.4006992
The
Fastest Mouse in all
Mexico. Composed by
Peter Kleine Schaars. De
Haske Concert Band.
Concert. Softcover.
Duration 135 seconds. De
Haske Publications
#032820. Published by De
Haske Publications
(HL.4006992).
UPC:
840126949421. 9.0x12.0
inches.
Speedy
Gonzales is a well-known
cartoon character from
the series Looney Tunes
and Merrie Melodies by
Warner Bros. Pictures.
This super-fast Mexican
mouse with its large
yellow sombrero drives
both Daffy Duck and the
cat Sylvester to
distraction time and
again. The song that was
inspired by the shrewd
little mouse, of which
many cover versions in
different languages have
been made throughout the
years, has been arranged
for flexible
instrumentation by Peter
Kleine Schaars. His
arrangement has the same
drive and energy as the
original - and leaves
room to feature Speedy's
renowned catchphrase
Ãndale! Ãndale!
Arriba! Arriba!
by William Bay. For electric bass. solos. Easiest. Rock and Blues. Level: Beginn...(+)
by William Bay. For
electric bass. solos.
Easiest. Rock and Blues.
Level: Beginning. Book.
Size 8.75x11.75. 24
pages. Published by Mel
Bay Publications, Inc.
Grade 4 SKU: CL.032-3799-01 Composed by Stanton. Jazz Ensemble. Audio rec...(+)
Grade 4
SKU:
CL.032-3799-01
Composed by Stanton. Jazz
Ensemble. Audio recording
available separately
(item CL.991-2009-02).
Extra full score.
Composed 2009. Duration 4
minutes, 11 seconds. C.L.
Barnhouse #032-3799-01.
Published by C.L.
Barnhouse
(CL.032-3799-01).
And the prize
goes to your rhythm
section! They will
absolutely love this
half-time/double-time
rock chart! The bell-ride
cymbal work and eighth
note bass line really
drive this tune. Your sax
section will shine on the
true unison sax soli and
then the brass section
then kicks it into
overdrive with a
contrasting bridge
section. This chart
sounds harder than it
really is. And all solos
are optional as the chart
cooks with just the great
sax soli and brass kicks.
A guitar performance
helper part includes
tablature for licks and
chord shape suggestions.
A sure winner!
SKU: HL.1138127 Lewitt Audio. Audio Interface Unit. Hal Leonard #CONNECT6...(+)
SKU: HL.1138127
Lewitt Audio. Audio
Interface Unit. Hal
Leonard #CONNECT6.
Published by Hal Leonard
(HL.1138127).
ISBN
9781705183397. UPC:
847986002242.
8.5x11.0x3.0
inches.
CONNECT 6
is a Dual USB-C audio
interface with
game-changing flexibility
for creators and
musicians. It features
extensive analog and
digital connectivity,
full iOS/Android device
integration, and
crystal-clear sounding
studio-grade preamps. The
onboard DSP effects
provide fantastic sound
for vocals and
instruments with
zero-latency. Auto Setup
helps to find your
optimal settings
automatically. The
included CONTROL CENTER
software offers virtual
channels, a mixer,
loopback, and individual
audio routing. You can
set up workflows from
basic to complex easily.
Since your audio is
processed via the
hardware-based DSP, your
setup is highly stable
and independent of your
computer's performance.
Everything is
conveniently managed on a
single device–no
more workarounds.
Features: • Dual
USB-C audio interface for
creators and musicians
• 2 Crystal-clear
studio-grade preamps with
72 dB gain and low-noise
performance of -133 dBV
EIN • Auto Setup
dials in optimal settings
for your voice or
instrument automatically
• Powerful
hardware-based DSP for
routing, mixing,
zero-latency FX
(Compressor, 4-band EQ,
Expander, Maximizer) and
monitoring • 2
Independent headphone
outputs powerful enough
to drive any studio
headphone (6.35 mm &
3.5 mm) • Full
mobile device audio
integration with charging
via USB-C (Apple MFI
certified - Made for
iPhone, iPad / Android)
• 2 Balanced
speaker outputs (6.35 mm
/ 1/4 inch) • 1
Stereo speaker out (3.5
mm / 1/8 inch) • 1
Stereo aux input for
additional audio devices
(3.5 mm / 1/8 inch)
• 3 Virtual stereo
channels for custom audio
routing • 1
Loopback channel to
digitally record your
computer's audio •
2 Independent master
mixes with one-knob
Maximizer • ASIO
driver included •
CONTROL CENTER for Mac
and Windows •
Licenses for Steinberg's
Cubase LE, Cubasis LE
included • 1 USB-C
to USB-C and 1 USB-C to
USB-A cable included.
Rock Bass Bible Basse electrique [Partition] - Intermédiaire Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and
voice. Format: bass
tablature songbook. With
bass tablature, standard
notation, vocal melody,
lyrics, chord names and
bass notation legend.
Series: Hal Leonard Bass
Recorded Versions. 200
pages. 9x12 inches.
Basse electrique [Partition] - Intermédiaire Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and
voice. Format: bass
tablature songbook. With
bass tablature, standard
notation, vocal melody,
lyrics, chord names and
bass notation legend.
Rock and pop rock.
Series: Hal Leonard Bass
Recorded Versions. 1023
pages. 8.5x11 inches.
Published by Hal Leonard.