Puccini est un mystère. Populaire et pourtant méconnu. Médiatique et pourtant secret. Mimì, Tosca et Madame Butterfly, si émouvantes et immédiates, font oublier la modernité musicale de La Fille du Far West ou de Turandot. Car Puccini est un homme de son temps et son temps est le xxe siècle. Siècle de l'image : l'opéra puccinien sera cinématographique autant qu'intimiste.Ce Mode d'emploi se propose d'éclairer ce mystère de l'intérieur. / Voix

Ed. Tradizionale - Opera Completa (Testo Cantato In Italiano-Inglese). Par PUCCINI GIACOMO. The Vocal Score for Il Tabarro, the one-act Opera by Giacomo Puccini. With a libretto by Giuseppe Adami, Il Tabarro is the first of three operas that make up Puccini 's triptych. Along with 'Suor Angelica' and 'Gianni Schicchi', Il Tabarro is one of Puccini 's most famous and best-loved works. Typically known as the 'tragic panel' of the triptych, this work was composed in two stages - in 1913 and then between 1915 and 1916. Il Tabarro heralds a move towards an expressionist form of language and drama for Puccini, a truly unique work ofart./ Répertoire / Chant et Piano

Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano

Par PUCCINI GIACOMO. Giacomo Puccini's O Mio Babbino Caro from his Opera Gianni Schicchi in the original key for Soprano with Piano accompaniment./ Répertoire / Chant et Piano

Giacomo Puccini: La Rondine UE9653B Lyric Comedy in 3 Acts Edition type: piano reduction Composer: Puccini Giacomo Version: 1. Fassung [Edition 1917] Languages: English, Italian

Par PUCCINI GIACOMO. Vocal Score to Giacomo Puccini's Messa Di Gloria for mixed voice choir and Piano accompaniment./ Répertoire / Chant et Piano

Ce document, unique par son ISBN 9790041401256 a été conçu par Puccini Giacomo et a pour titre CANTOLOPERA: PUCCINI GOLD. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Par PUCCINI GIACOMO. Puccini wrote the short Requiem – actually the setting of the antiphon to the Introit of the Mass for the Dead – as a commission for the publisher Giulio Ricordi for the fourth anniversary of the death of Giuseppe Verdi, which occurred on _x000D_27 January 1905. Today the work is often performed, since this setting for three voices can be easily performed by amateur choirs and requires only a viola and a harmonium (or organ) as accompanying instruments. / Musique religieuse / Répertoire / Choeur STB, Alto Solo et Orgue

Par PUCCINI GIACOMO. Puccini’s first known sacred work was composed during his school days at the “Istituto Pacini” in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together./ Répertoire / Choeur et Orchestre

Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin' (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff' (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).

Ce document, unique par son ISBN 9790041355856 a été conçu par Puccini Giacomo et a pour titre ARIAS FOR TENOR PER CANTO E PIANOFORTE . Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Ce document, unique par son ISBN 9790041391885 a été conçu par Puccini Giacomo et a pour titre COMPOSIZIONI VOCALI DA CAMERA, PER CANTO E PIANOFORTE . Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Horn, Paul (Arr.). Par PUCCINI GIACOMO. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes s TB, Choeur SATB, Piccolo, 2 Flûtes Trav

Horn, Paul (Arr.). Par PUCCINI GIACOMO. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes (S) TB, Choeur SATB, Piccolo, 2 Flûtes Tr