Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd. Arranged by Lorenzo Bocci. DHP Pop, Film and Show. Festive and Solemn Music. Set (Score and Parts). Composed 2004. De Haske Publications #DHP 1043663-010. Published by De Haske Publications (BT.DHP-1043663-010). Max Steiner was born in Vienna in 1888, and grew up surrounded by music. He was a student of the Imperial Academy of Music, having among his teachers Gustav Mahler. In 1936 he signed an agreement with Warner. Steiner, considered the father of symphonic music in Hollywood style. One of his most famous and popular masterworks is, without any doubt, Gone with the Wind (1939). The movie was an immediate success and won ten Academy Awards. In spite of the years passed, this movie still moves young audiences around the world. Lorenzo Bocci has chosen the song Tara?s Theme from this movie and turned the romantic music into an arrangement for concert band. Vom Winde verweht ist einer der Filme, der heute noch Generationen vor dem Fernseher vereint. Oft gezeigt, wird jeder doch immer wieder mitgerissen von der tragischen Liebesgeschichte inmitten der Kriegswirren. Einen nicht unwichtigen Anteil an der bewegenden Atmosphäre des Filmklassikers hat die großartige Musik von Max Steiner, der als Urvater der sinfonischen Filmmusik im Hollywoodstil gilt und neben Vom Winde verweht noch zahlreiche weitere erfolgreiche Filme vertonte. Lorenzo Bocci wählte aus der Musik Tara's Theme und bearbeitete die romantische Musik zu einem Arrangement für Blasorchester. Gefühlvoll und mitreißend!

(Symphony No. 10). By Gustav Mahler (1860-1911). Orchestra. Full Orchestra; Larger Works; Masterworks; Score. Faber Edition. Masterwork; Romantic. 196 pages. Published by Faber Music . Masterwork; Romantic.

By Gustav Mahler (1860-1911). Concert Band. Concert Band. Belwin Symphonic Band. Form: Transcription. Romantic. Grade 4. Conductor Score and Parts. 178 pages

Composed by Gustav Mahler (1860-1911). Arranged by Ralph Sauer. Late Romantic. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2878).

By Gustav Mahler (1860-1911). Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet; Masterworks. Eighth Note Publications. Romantic. Duration 00:03:40. Published by Eighth Note Publications

Brass Ensemble - very difficult

SKU: BT.DHP-1145332-070

Op. 118. Composed by Itaru Sakai. De Haske Brass Series. Set (Score and Parts). Composed 2014. 20 pages. De Haske Publications #DHP 1145332-070. Published by De Haske Publications (BT.DHP-1145332-070).

ISBN 9789043136754. 9x12 inches. English-German-French-Dut ch.

This new original composition by the Japanese composer Itaru Sakai for ten-part brass ensemble is characterised by two main ideas: a fanfare section, deriving from a literal quotation from the opening of Mahlerâ??s fifth symphony, and a contrasting,wandering theme thatâ??s rather melancholy.

A BOUNDARY ISLAND is geschreven voor het Brass Ensemble Rose en het RivST Brass Quintet. De première vond op 13 april 2010 plaats in de Rose Hall in het Japanse Toyonaka Osaka, tijdens een concert waarin beide blazersensemblesoptraden. De componistwilde met dit werk het karakter van de muziek als universele taal uitdrukken - een taal waarin mensen uit alle delen van de wereld met elkaar kunnen communiceren.
Aan het begin van de compositie worden tweethemaâ??s ge ntroduceerd: het eerste, in fanfareachtige stijl, is ge nspireerd op een citaat uit de opening van Mahlers vijfde symfonie. Het staat in contrast met het tweede, eerder melancholische thema.Het levendige hoofddeel heeftzijn eigen krachtige thema, maar grijpt ook terug op de twee openingsthemaâ??s, die daarbij in een nieuw jasje worden gestoken. Na een korte terugkeer naar het langzamere tempo van de inleiding wordt het werk met eenvlotter gedeelteafgesloten.
Die Hoffnung, dass in der gemeinsamen Sprache der Musik alle Menschen miteinander sprechen können, ist das zentrale Thema von A BOUNDARY ISLAND.

Zu Beginn des Stückes werden zwei Themen vorgestellt: Das erste, fanfarenartige Thema, das aus einem Zitat vom Beginn von Mahlers SINFONIE NR. 5 entwickelt wurde, steht im Kontrast zum zweiten, eher melancholischen Thema. Der bewegte Hauptteilpräsentiert ein eigenes, kraftvolles Hauptthema, bezieht aber auch beide Einleitungsthemen wieder mit ein und rückt diese teilweise in ein neues Licht. Nach einem kurzen Einschub im langsamen Eingangstempo folgt ein stretta-artiger Schluss.

Dans A BOUNDARY ISLAND, le compositeur souhaitait exprimer le caractère universel de la musique en tant que langage qui permet tout le monde de communiquer.
Deux thèmes sont présentés au début de la pièce : le premier, dans un style de fanfare, rappelle un passage de lâ??introduction de la 5e symphonie de Mahler. Il contraste avec le deuxième motif, plus mélancolique. La section principale, très animée,introduit une nouvelle trame puissante tout en reprenant les premières thèmes en les traitant différemment. Après un bref retour au tempo plus lent de lâ??introduction, la pièce sâ??achève sur un rythme rapide.

Violin 2 (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-16

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 32 pages. Duration 110'. Breitkopf and Haertel #OB 5633-16. Published by Breitkopf and Haertel (BR.OB-5633-16).

ISBN 9790004347911. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Violin 1 (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-15

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 40 pages. Duration 110'. Breitkopf and Haertel #OB 5633-15. Published by Breitkopf and Haertel (BR.OB-5633-15).

ISBN 9790004347904. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Double bass (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.OB-5633-27

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 24 pages. Duration 110'. Breitkopf and Haertel #OB 5633-27. Published by Breitkopf and Haertel (BR.OB-5633-27).

ISBN 9790004347942. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Chorus (with soloists) and orchestra (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.PB-5663

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; Linen. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 288 pages. Duration 110'. Breitkopf and Haertel #PB 5663. Published by Breitkopf and Haertel (BR.PB-5663).

ISBN 9790004216002. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Chorus (with soloists) and orchestra (solo: A - choir: boys ch - fem ch - 4(2picc).4(cor ang).5(2Eb-clar.B-clar).4 (dbn) - 8.4(posthn).4.1 - 2hp.2timp.perc(6) - str)

SKU: BR.PB-5633

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Choir; Softbound. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 288 pages. Duration 110'. Breitkopf and Haertel #PB 5633. Published by Breitkopf and Haertel (BR.PB-5633).

ISBN 9790004215302. 10.5 x 14 inches.

The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.

Fanfare Band - Grade 3

SKU: BT.DHP-1135481-020

Based on Dies Irae. Arranged by Jan de Haan. Musica Sacra. Festive and Solemn Music. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135481-020. Published by De Haske Publications (BT.DHP-1135481-020).

9x12 inches. English-German-French-Dut ch.

This work is based on the 13th Century Dies irae (Day of Wrath) attributed to Thomas von Celano. Many famous composers have already employed this originally Gregorian chant in their works, including Berlioz, Saint-Saëns, Mahler and Lizst. In Jan de Haan’s Song of David - the title of which is taken from the third line of the Dies Irae text - the theme is presented in unison initially and then reappears in various guises.

Dit werk is gebaseerd op het 13e eeuwse Gregoriaanse Dies Irae zoals we dit ook kennen uit werken van Berlioz, Saint-Saëns, Mahler en Liszt. Voor de titel van dit werk waarin hij het thema verschillende gedaantes meegeeft, haalde Jan de Haan zijn inspiratie in de derde zin van het Dies Irae, waarin verwezen wordt naar David.

Dieses Werk basiert auf dem Dies Irae (Tag des Zorns) aus dem 13. Jahrhundert, das Thomas von Celano zugeschrieben wird. Bereits mehrere berühmte Komponisten, wie Berlioz, Saint-Saëns, Mahler und Liszt, haben den ursprünglichen gregorianischen Choral in ihren Werken verwendet. In Jan de Haan Song of David, dessen Titel auf die dritte Textzeile von Dies Irae verweist, wird das Thema zunächst einstimmig präsentiert und erscheint dann in verschiedenen Gewändern.

Cett e œuvre s’inspire du Dies Irae attribué Tomaso da Celano, que l’on considère comme l’auteur de la version définitive de ce poème écrit au XIIIe siècle. Plusieurs compositeurs célèbres tels que Berlioz, Saint-Saëns, Mahler et Liszt, ont intégré des passages de chant grégorien dans leurs œuvres. Dans sa composition Song of David, dont le titre fait référence la troisième ligne du texte original, Jan de Haan présente un thème l’unisson qui sera repris ensuite dans différentes couleurs orchestrales.

Ques to brano si ispira a Dies Irae attribuito a Tommaso da Celano, considerato l’autore della versione de_x001E_finitiva di questo poema scritto nel XIII secolo. Numerosi celebri compositori quali Berlioz, Saint-Saëns, Mahler e Liszt hanno integrato passaggi di questo canto gregoriano nelle loro opere. In Song Of David (il titolo fa riferimento alla terza strofa del testo originale), Jan de Haan presenta un tema all’unisono ripreso in seguito con diverse dinamiche.

Violin 2 (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.0.0 - hp.timp.perc(4) - str)

SKU: BR.OB-5634-16

Final Version 1911 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 55'. Breitkopf and Haertel #OB 5634-16. Published by Breitkopf and Haertel (BR.OB-5634-16).

ISBN 9790004345047. 10.5 x 14 inches.

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.

Orchestra (4(3picc).4(cor ang).4(clar[Eb],B-clar)3( dble bsn) - 7.4.3.1 - 2timp.perc(3).hp(2nd ad lib) - str)

SKU: BR.PB-5631

Final Version 1910 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

final version 1910

Symphony; Romantic; Late-romantic. Full score. 200 pages. Duration 54'. Breitkopf and Haertel #PB 5631. Published by Breitkopf and Haertel (BR.PB-5631).

ISBN 9790004215289. 10.5 x 14 inches.

The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).

Voice(s) and orchestra (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.0.0 - hp.timp.perc(4) - str)

SKU: BR.PB-5664

Final Version 1911 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; Linen. Partitur-Bibliothek (Score Library). Symphony; Late-romantic. Full score. 172 pages. Duration 55'. Breitkopf and Haertel #PB 5664. Published by Breitkopf and Haertel (BR.PB-5664).

ISBN 9790004216019. 10.5 x 14 inches.

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.

Double bass (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.0.0 - hp.timp.perc(4) - str)

SKU: BR.OB-5634-27

Final Version 1911 - Textcritical Edition. Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 16 pages. Duration 55'. Breitkopf and Haertel #OB 5634-27. Published by Breitkopf and Haertel (BR.OB-5634-27).

ISBN 9790004345078. 10.5 x 14 inches.

Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.

65 Songs by 13 Composers. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Size 8.5x11 inches. 264 pages. Published by Hal Leonard.