| Ivor Gurney: Seven Sappho
Songs: Soprano: Vocal
Score Soprano, Piano [Partition] - Intermédiaire Thames Publishing
Ivor Gurney doubly gifted as both poet and composer was born in 1890. The wonde...(+)
Ivor Gurney doubly gifted as both poet and composer was born in 1890. The wonderful song cycle presented here was inspired by Gurney's discovery of William Bliss Carmen's poems in 1919. Carmen's poems were imaginative reconstructions of the surviving fragments of the nine volumes written by Sappho who was born in 612BC. Sappho is said to have been the leader of a band of maidens who worshipped Aphrodite Goddess of Love. Sappho's affections seem to have been directed exclusively at women and the sensuously erotic fragments that have come down through millennia to us tell of one of Sappho's passionate love affairs. This wonderful song cycle full of beauty andemotion transports us back to the isle of Lesbos and with words of great tenderness and beauty tells the story of a heady passionate all-consuming love that is so strong the pain of parting becomes overwhelming and almost too much to endure.
10.99 GBP - vendu par Musicroom GB |
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| Michael Hurd: King And
Conscience: Voice:
Classroom Musical Chorale Unison Unison/2-parties, Piano [Partition] Novello & Co Ltd.
Michael Hurd. The ill-fated friendship between Henry Plantagenet and Thomas Beck...(+)
Michael Hurd. The ill-fated friendship between Henry Plantagenet and Thomas Beckett forms the basis of this ballad cantata on one of the momentous clashes between church and state in English history. With his customary melodic skill and literary clarity Hurd provides a very direct and immediately appealing account of the events which is designed to provide a starting point for further creativity in primary and middle schools.Performable as a concert or stage piece the cantata can provide the basis for original work in art design dance drama history environmental and English literary studies.Duration: 21 minutes. Scored for narrator unison voices and piano for performance as either concert or stage piece. Woodwind and String parts on hire.
4.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Nico Muhly: Malmesbury
Motets: SATB: Part Chorale SATB St Rose Music Publishing
Viola da Gamba Part for Nico Muhly's Malmesbury Motets. Commissioned for ...(+)
Viola da Gamba Part for Nico Muhly's Malmesbury Motets. Commissioned for the choir of Malmesbury Abbey Wiltshire by Revd Canon Neill Archer (vicar) and Dr Annie Davis (Lay Precentor). First performed on 26 & 27 November 2016 at the Advent Carol Services at Malmesbury Abbey by the Abbey Choir directed by John Hughes and Rebecca Saunders. Duration approximately: 8 minutes. '...one hopes there are enough good (Gamba) players available to take on the challenge so that Muhly's imaginative collection can be widely appreciated'. Choir & Organ December 2017
7.99 GBP - vendu par Musicroom GB |
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| Bob Chilcott: Sweet
Prospect: Mixed Choir:
Vocal Score [Vocal Score] Oxford University Press
for SATB and organ This setting of a fervent and uplifting text by Samuel Stenne...(+)
for SATB and organ This setting of a fervent and uplifting text by Samuel Stennett is both direct and effortlessly melodic. The impression is one of great joy and freshness: an irresistible combination.
2.95 GBP - vendu par Musicroom GB |
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| Seth Riggs: Singing For
The Stars: Voice: Vocal
Tutor Voix seule [Partition + CD] Alfred Publishing
The same singing technique the pros use is now available to you! In the world of...(+)
The same singing technique the pros use is now available to you! In the world of show-business where time is money Seth Riggs is the man professionals turn to for results. He has worked with some of the biggest names including Stevie Wonder Luther Vandross and Michael Bolton. You will learn how to sing with a strong clear and flexible voice over a range that you never dreamed possible. No matter what style of music you sing - pop rock gospel or opera Seth Riggs's method of voice training is the proven to bring fantastc results. Includes two professionally recorded CD's of exercises instructions and practice. A great teacher is able to direct a singertoward a healthier more extensive use of his voice without losing that special quality that sets him apart Seth Riggs is such a teacher. His assistance on my albums Thriller Bad Dangerous and HIStory confirmed my confidence in his approach. Michael Jackson.
45.95 GBP - vendu par Musicroom GB |
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| Giuseppe Verdi: Falstaff:
Mixed Choir: Vocal Score [Vocal Score] Schirmer
Giuseppe Verdi was born into a period when Italian comic opera after more than ...(+)
Giuseppe Verdi was born into a period when Italian comic opera after more than a century of world-wide triumph was losing its appeal and the musical tragedy had become the preferred form. Hence Verdi directed himself towards the musical tragedy and it was here that he achieved his towering stature - Othello will stand for a long time as an unsurpassed masterpiece.However Verdi remained convinced that opera needed laughter as well as tears and receiving the draft of a libretto in 1889 from Arrigo Boito he set to work on the monumental Falstaff the central character of which is an amalgam of two Shakespearean characters - the finely drawn figure from KingHenry IV and the caricature of knightliness gone to seed from The Merry Wives Of Windsor. The plot is taken from the latter comedy. This is the Schirmer Edition of the Vocal Score and is in Italian with an English translation by Walter Ducloux.
44.99 GBP - vendu par Musicroom GB |
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| Vocalize! 2 (BECK ANDY) Chant [Partition] Alfred Publishing
36 More Accompanied Exercises that Teach Technique. Par BECK ANDY. Each exercise...(+)
36 More Accompanied Exercises that Teach Technique. Par BECK ANDY. Each exercise in this valuable resource is designed to reinforce fundamental vocal concepts for choral and solo singers of any age. Organized in 12 focused categories, the purpose of every warm-up is evident, and clearly stated directions optimize growth. Supportive piano accompaniments, including progressive modulations, are lightly orchestrated (available online)---perfect for ensemble rehearsals, studio lessons, or at-home practice. As an added bonus, downloadable PDFs provide extracted vocal lines on reproducible singer pages. An instructional book you will use again and again! Topics include: beginning warm-ups, posture/freedom, vowels, breath support, tone quality, resonance, diction, intonation, range, expression, harmony, and more. / Date parution : 2022-10-12/ Etude / Chant
58.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| John Tavener: Mother Of
God Here I Stand: SATB:
Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Chester
Written for SATB choir and Organ.The Veil of the Temple was commissioned by the ...(+)
Written for SATB choir and Organ.The Veil of the Temple was commissioned by the Temple Music Trust. The world premiere took place on 27th June 2003 at the Temple Church London performed by the Choir ofthe Temple Church and the Holst Singers with Patricia Rozario (soprano) conducted by Stephen Layton as part of The City of London Festival 2003.The anthem Mother of God here I stand was sponsored by the ToulminFamily and it is dedicated to the Choir of the Temple Church its Director of Music Stephen Layton and the Master of the Temple the Rev. Robin Griffith-Jones. It was first performed on 13th May 2004 by the Choir of the TempleChurch conducted by Stephen Layton. Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
3.75 GBP - vendu par Musicroom GB Délais: En Stock |
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| Morten Lauridsen: Sure On
This Shining Night: Mixed
Choir a Cappella: Vocal Chorale SATB SATB A Cappella Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for my choral cyc...(+)
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric ?Sa nuit d'ete,? several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's ?Soneto de la Noche,? from his Cien Sonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long, lyrical vocal lines. Agee's wondrous ?Sure on this Shining Night? is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant ?Voici le soir? recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends.
11.25 GBP - vendu par Musicroom GB |
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| Morten Lauridsen: Sure On
This Shining Night: Lower
Voices a Cappella: Vocal Chorale TTBB [Vocal Score] Peermusic Classical
Four poems sharing a common motif of 'Night' provide the texts for my choral cyc...(+)
Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric “Sa nuit d'ete ” several melodic themes are supported by dense colorful harmonies in both the choral and piano parts leading to a climactic section where all are combined and stated simultaneously. Neruda's “Soneto de la Noche ” from his Cien Sonetos de Amor speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet serene and folk-like utilizing direct harmonies accompanying long lyrical vocal lines. Agee's wondrous “Sure on this Shining Night” is set much like a song from the American musical theater a genre for which I have held a life-long esteem. Rilke's poignant “Voici le soir” recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue quietly concluding this cycle of night songs as darkness descends.
11.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Sure On This Shining
Night (LAURIDSEN MORTEN) Chorale SATB SATB, Piano [Partition] Peermusic Classical
Par LAURIDSEN MORTEN. Four poems sharing a common motif of 'Night' provide the t...(+)
Par LAURIDSEN MORTEN. Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric 'Sa nuit d'ete,” several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's 'Soneto de la Noche,” from his Cien Sonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long, lyrical vocal lines. Agee's wondrous 'Sure on this Shining Night” is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant 'Voici le soir” recalls the opening bell sounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends.
--Morten Lauridsen/ Feuillet / Choeur Mixte (SATB) et Piano
4.30 EUR - vendu par LMI-partitions Délais: En Stock |
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| James Whitbourn: Introit
And Kyrie (Missa Carolae)
- Vocal Score: SATB:
Vocal Chorale SATB SATB, Orgue [Partition] Chester
Composed for the Eucharist of Christmas Night 2004 at the Cathedral Church of C...(+)
Composed for the Eucharist of Christmas Night 2004 at the Cathedral Church of Christ and the Blessed Virgin Mary Rochester in the year of the 1400th anniversary of the cathedral's foundation.Missa Carolae wascommissioned for Rochester Cathedral and first performed there on 24 December 2004 by the Rochester Cathedral Choirs directed by Roger Sayer.Missa Carolæ was written for the 1400th anniversary of Rochester Cathedral thesecond oldest cathedral in England. Performances there begin with a ceremonial procession that follows the movement of a boy chorister accompanied by pipe and drum from the High Altar to a large crib placed in the Nave gathering the choirs (singing from different parts of the cathedral) and principal clergy in the course of the procession. The work though not literally for dancing is intended to invoke a dance-like spirit which is true to theorigin of the carol as a simple dance form. The choir parts should be very well known so that the singers can sing with the whole of their bodies and not just their voices. It is suitable for liturgical or concert use.
3.99 GBP - vendu par Musicroom GB |
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| Chansons Pour La Loterie
Pierrot Et Jean
Lagrèle (LEVINAS
MICHAEL)
En Français 5 Voix de Femmes [Partition] Lemoine, Henry
Par LEVINAS MICHAEL. Commande de l'IMEC et de l'Abbaye de Royaumont, ces trois c...(+)
Par LEVINAS MICHAEL. Commande de l'IMEC et de l'Abbaye de Royaumont, ces trois chansons qui mettent en musique des textes de Valère Novarina ont été écrites pour l'ensemble vocal De Caelis (cinq voix de femmes spécialisées dans l'interprétation de la musique médiévale).
Ces trois chansons ont été crées en mai 2008 à Caen, à l'Abbaye d'Ardenne.
Les choix qui ont guidé l'écriture de cette pièce sont liés à des préoccupations concernant, non seulement la relation texte-musique, la structure littéraire d'un texte et la forme musicale. Ces préoccupations portent sur une problématique très circonscrite: décrypter un lien plus originaire entre des structures linguistiques et sémiotiques d'une phrase et celles qui génèrent ce que j'entends par le terme: phrase musicale.
Dans Trois Chansons pour la Loterie Pierrot et Jean la Grêle, tout comme dans Le 'O' du Haut, le travail de composition se fonde sur cette relation complexe qui se noue entre 'le son et le sens'.
Il en résulte une écriture polyphonique, basée sur l'Arsis et Thésis de la phrase musicale soulignée par des processus harmoniques, une organisation de l'accentuation et du rythme basé, à la fois sur la tension-détente harmonique, l'évolution des échelles et la prosodie si souple d'une langue française pour laquelle j'exige l'exactitude d'une prononciation populaire, telle que j'ai pu l'entendre dans mon enfance chez les 'gens de la campagne'... (la deuxième chanson en particulier La loterie Pierrot...)
La chair de l'Homme de Valère Novarina, livre puissamment original, à la fois prose, poésie et théâtre virtuel correspondait exactement à mes attentes et aux orientations de mon écriture.
Les cinq chanteuses de l'ensemble De Caelis, placées en pentagone sur la scène, s'interpellent... Elles fragmentent dans l'espace les noms propres, les mots, les formes grammaticales de la langue de Novarina.
Les voyelles opèrent des cycles giratoires dans l'espace. Elles passent ainsi d'une voix à l'autre, faisant évoluer par ce déplacement dans l'espace les hauteurs chantées, comme un effet doppler.
Il ne faut pas se méprendre sur l'apparente simplicité grammaticale des textes que j'ai choisi dans La Chair de l'Homme de Novarina: le sujet, le verbe et le complément d'objet direct.
Cette apparente simplicité grammaticale, sans cesse réitérée, révèle pour moi l'essence de la phrase musicale et une forme qui s'inspire de ce théâtre virtuel de Novarina et sa quête métaphysique.
Ce livre de Novarina est aussi une allégorie de la temporalité de ses pièces et des personnages de son théâtre.
Jean la Grèle et la multitude des autres noms morts ou vivants apparaissent, sortent de leurs mondes modestes, leurs tombes. Ils participent à une fête foraine onirique, puis la 'loterie Pierrot qui s'arrête (doucement...) sur le huit'.
Le prologue à la deuxième chanson, consiste à réveiller les morts par une longue énumération liturgique des noms. Novarina consacre plusieurs pages de La chair de l'Homme à cette énumération des noms.
La dernière des trois chansons est consacrée au nom presque imprononçable de 'Deus'.
Michaël Lévinas / contemporain / Répertoire / 5 Voix de Femmes
26.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Giacomo Puccini: Tosca:
Mixed Choir: Vocal Score [Vocal Score] Schirmer
In 'Tosca' Puccini explored the dark side of human emotion a marked change fro...(+)
In 'Tosca' Puccini explored the dark side of human emotion a marked change from the late-Romantic sentimentality of 'La Boheme'. Also in contrast to 'La Bohème' where the villain was fate and so the stage action was minimal both heros and villains are humans who struggle on stage and the clashes are always between single individuals. It is a story of cheating and doubt - nothing seems honest and direct even love is troubled by jealousy. Luigi Illica and Giuseppe Giacosa based the libretto on Victorien Sardou's play La Tosca (1887). This is the Schirmer edition of the Vocal Score and contains an English version by John Gutman.
29.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ethel Smyth: The March Of
The Women: Unison Voices:
Vocal Work Voix seule [Partition] - Intermédiaire J. Curwen and Sons
As a work of historic interest of the period The March of the Women is an essen...(+)
As a work of historic interest of the period The March of the Women is an essential work.British composer Ethel Smyth was a prolific important composer of the late 19th and early 20th centuries. In 1910 she joined the Women’sSocial and Political Union for whom she wrote this anthem. It was taken up and sung everywhere including Holloway Prison where Smyth and other suffragettes had been imprisoned for breaking windows and other acts of politicaldisorder. When Sir Thomas Beecham visited her there he found the women marching around the inner yard and singing while Smyth directed the impromptu Chorus with her toothbrush.
2.25 GBP - vendu par Musicroom GB |
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| John Tavener: The Lament
Of The Mother Of God:
Soprano & SATB: Vocal
Score Chorale SSATB SSATB, Piano [Partition] Chester
This work for soprano solo and SATB chorus was commissioned by the Norwich Festi...(+)
This work for soprano solo and SATB chorus was commissioned by the Norwich Festival of Contemporary Church Music.Tavener:'In the Orthodox Church the Lament of the Mother of God is normally sung on Holy and Great Friday. Inits full length it lasts about half and hour and it is intoned by the Priest or Bishop while the people venerate the Epitaphios (or Shroud of the Dead Christ) which is in the centre of the church and decorated withflowers.The Lament must be sung with an ikon-like stillness and great purity. It grows in intensity as it climbs in tessitura but without anything sudden or remotely melodramatic.For the Orthodox Church there is never thesense of absolute desolation felt by the Western Church on Good Friday. Hence the cry of the Mother of God 'Dost thou change my grief to gladness by thy Resurrection?' followed by the full forces: 'Rise O God and judge theearth.'Mother of God also features in the film Philomena starring Judi Dench and Steve Coogan and directed by Stephen Frears.
4.50 GBP - vendu par Musicroom GB |
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| Charlotte Bray: On The
Green: SSA: Vocal Score Chorale 3 parties SSA Novello & Co Ltd.
Charlotte Bray's On The Green was comissioned in 2013 by the Royal Philharmonic ...(+)
Charlotte Bray's On The Green was comissioned in 2013 by the Royal Philharmonic Society and Britten-Pears Foundation to celebrate the centenary of the birth of the composer Benjamin Britten and the bicentenary of the Royal Philharmonic Society.The piece was first performed as part of the Aldeburgh Festival on 9 June 2013 at Orford Church Suffolk by the New London Children’s Choir directed by Ronald Corp.Scored for SSA with Piano accompaniment On The Green incorporates words by the English romantic poet William Blake.
3.99 GBP - vendu par Musicroom GB |
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| Tarik O'Regan: Ecce Puer:
SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Novello & Co Ltd.
Ecce Puer was first performed on 14 December 2012 at St Thomas’ Cathedral...(+)
Ecce Puer was first performed on 14 December 2012 at St Thomas’ Cathedral Portsmouth by The Portsmouth Grammar School Chamber Choir directed by Sam Gladstone with Oliver Hancock (organ). For SATB mixed chorus and organ.
3.25 GBP - vendu par Musicroom GB |
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| Tito Manlio, Rv 738 Piano, Voix Ricordi
Tito Manlio was performed for the fi rst time in Mantua as second work of the Ca...(+)
Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719. Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during the Carnival season, elaborate stage sets being provided by Francesco Bibbiena. The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi's autograph and a copy realized by fi ve copyists under the direct control of the composer. / Voix Et Piano
40.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sadie Harrison: My Hazara
People: Mezzo-Soprano:
Vocal Work [Vocal Score] University Of York Music Press
'My Hazara People is a setting of two texts the title work by Shukria Rezaei a...(+)
'My Hazara People is a setting of two texts the title work by Shukria Rezaei a young Afghan poet and Lalai lalai babe bacha shikar rafta (Baby's father went hunting) a traditional Hazari lullaby. Although their characters are entirely different the two poems share much in common. The importance of family and home and beyond that connection with country and heritage are at the centre of both. Shukria's poem is a direct expression of love and despair for Afghanistan with intimate moments of terror - a cup falling from her mother's hand during an explosion her aunt fainting - set against the suffering of Hazaras across the world. In the contextof this devastating contemporary experience Lalai lalai is nostalgic and poignant - open gates straw latches a sleeping child. The tune of the lullaby is heard in two highly contrasted versions. For Shukria's words it is dark and restrained a repeating rhythm illustrating the Hazara's seemingly never-ending pain and for Lalai lalai it is bright and joyful with sounds of the hunt a crackling fire and a gentle chorus as the child is rocked. A further thread runs through the music - a quotation of my favourite traditional Afghan Herati lullaby Allah Hu (God is great) reflecting Shukria's reference to her people's religious heritage. I have adapted the text at the end of Lalai Lalai to bring it into the Shukria's world a reminder that each innocent person caught up in conflict is a mother a brother a sister a father a daughter .... kids like us. The work exists in two versions for voice and piano and voice and strings. The former was premiered by Charlotte Tetley (mezzo-soprano) and Graeme Bailey (piano) on 20 June 2018 at Somerville College Oxford as part of a panel discussion on women refugees. The work was commissioned by the Orchestra of St. Johns. I am indebted to Shukria for allowing to set her poem and to Cayenna Ponchione for inviting me to be part of this
7.95 GBP - vendu par Musicroom GB |
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| Essential Acoustic
Playlist 2 - Chord Book Piano, Voix et Guitare I.M.P.
Le suivi de la Playlist acoustique essentiel couronné, ce volume de compagnon c...(+)
Le suivi de la Playlist acoustique essentiel couronné, ce volume de compagnon comporte un autre 70 airs classiques pour la guitare acoustique. Cet ouvrage met l'accent sur indie classique hits des années 80, 90 s et au-delà. Avec des noms comme les pâtes, Manic Street Preachers, Supergrass, Radiohead, Blur et The Verve tous représentés, indie acoustique ventilateurs besoin cherchez pas plus loin. Le livre comporte également quelques pistes rarement imprimés, tels que le classique 'Shine On' de la maison de l'amour et de Jeff Buckley belle version de ' Vin de lilas '. Chaque chanson est présenté très simplement, avec des paroles et des symboles de la corde, donc il n'y a pas besoin d'être capable de lire de la musique. Comme avec tous les produits sur ce site, les arrangements sont garanties précises et ont été vérifiés par un éditeur expérimenté. Les formes de corde données sont grands authentique et sonores sur une guitare acoustique. Le livre caractéristiques ' paroles et accords ' format simple - formes de corde simple et authentique pour chaque chanson - includes capo et le réglage des renseignements... / Pop & rock / Recueil / Piano, Chant et Guitare
18.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Smash! Autumn 2002 Piano, Voix et Guitare [Partition] I.M.P.
A collection of the season's biggest hits from artists including Britney, Moby, ...(+)
A collection of the season's biggest hits from artists including Britney, Moby, Pink, Sugababes, Nickleback and many more. Arranged at intermediate standard for piano, voice and guitar. / Pop & rock / Recueil / Piano, Chant et Guitare
13.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Silence pour ch?ur
(MATARASSO RUTH)
(MATARASSO RUTH)
En Français Chorale [Partition] Editions Buissonnieres
Par MATARASSO RUTH. Écrire pour la voix... Cela m?a « enchantée »... La voix...(+)
Par MATARASSO RUTH. Écrire pour la voix... Cela m?a « enchantée »... La voix humaine est porteuse de multiples and remarquables richesses quant à toutes les possibilités qu?elle peut nous offrir. Mes recherches se sont alors dirigées vers le rythme and les sons, le timbre and les intensités, vers la and les couleur(s), vers la résonance... Par quoi ai-je débuté, je ne saurai vous le dire. Est-ce par la lecture and relecture de textes littéraires ou de textes musicaux' Musicalement, j?ai été guidé par Scelsi, Berio, Ligeti and Oscar Strasnoy. Mon travail s?est également engagé en direction du bruit. Mais qu?est-ce que le bruit ' qu?est-ce que le bruitage ' des chuchotements ' des accords en désaccords ' ou des accords qui assemblent, comme nous le dit Mozart , « des sons qui s?aiment » ' Mais quels sont ces sons qui s?aiment ' Quelles sont ces voix qui nous enchantent ' ...et pourtant... - Ruth Matarasso - « J?écoute le chant de l?oiseau non pour sa voix, mais pour le silence qui le suit » Noguchi Yonejiro / Date parution : 2011-09-01/ Répertoire / 6 Voix et Gong
5.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Pavarotti - Music From
The Motion Picture Piano, Voix Ricordi
Ce recueil rassemble les morceaux interprétés par le grand ténor italien dans...(+)
Ce recueil rassemble les morceaux interprétés par le grand ténor italien dans le documentaire biopic Pavarotti, réalisé par Ron Howard et sorti en juin 2019. La liste des titres contient 23 chansons, provenant pour la plupart du répertoire de l'opéra mais également de la pop. Partenaires de ce projet, Decca Music Group ont également sorti un CD avec les mêmes titres.
27.00 EUR - vendu par Woodbrass Délais: En Stock |
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