Par SIMON PAUL. Quinze chansons de Paul Simon arrangées pour piano/chant avec symboles d'accord. Inclus 'Bridge Over Troubled Water', 'El Condor Pasa' et 'Scarboro' Fair'. / Niveau : Facile / Rép International / Recueil / Piano, Chant et Guitare

Paul Phoenix's Choral Workshop Collection is the first in a series of Edition Peters choral compilations selected by choral clinicians, primarily to support their programme of choral workshops. This edition focuses on performance practice, bringing together a variety of styles, languages and challenges in order to display the unique principles developed by Paul Phoenix as a world-renowned performance coach. / Choeur Mixte (SATB)

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Paul Mealor's Behold A Tender Babe is a work for Unaccompanied SATB Choir commissioned by the Hauser-Oberschneider family to celebrate the 150th anniversary of Summer Fields School. The work sets extracts from Robert Southwell's 'In Freezing Winter Night' and lasts around 4 minutes. A review in the September 2016 issue of Organist's Review states that the 'music responds sensitively and dramatically to the lines of the lyric it chooses to set rising triumphantly at the words 'with joy approach' before gently falling away as it repeatedly insists 'behold a tender babe'.' No less difficult but also no less rewarding is PaulMealor’s Behold a tender babe written a year earlier. But it is carefully written so that the difficulties are manageable. The two places where sopranos have a top C are the only points where sopranos divide so only the first sopranos ascend there. The music follows the details of the words with drama at ‘do homage to thy King’ and then falling away most beautifully to ‘behold a babe’. - Julian Elloway

For SSA chorus Piano Harp Percussion and Strings.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selected and adapted by PaulMealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13

Par TCHAIKOVSKI PIOTR ILITCH. Nr. 8 Romanze Paulinens Und Rissisches Lied/ Répertoire / Chant et Piano

Par SMITH PAUL. Written for SATB choir and piano, with optional audience participation, Pas de deux is a work consisting of five movements by Paul Smith, the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as one complete work. Pas de deux is inspired by the dance duet found in ballet, and the music takes the duet element of the dance to create a relationship between the performers and audience, enabling interaction between them and giving the option for performers and audience to make music together. Suitable for all ages, this piece offers opportunities both to create and to perform, informed by Paul Smith’s expertise in leading participatory music events with hundreds of thousands of people around the world. A five-movement work inspired by the dance, pas de deux Incorporates a wide range of musical styles, from contemporary classical to traditional Zulu Encourages a musical interaction between performer and audience Suitable for singers (and audiences) of all ages Incorporates well-known themes from the ballets of Tchaikovsky Paul Smith’s Pas de deux is part of the Edition Peters Choral Workshop Series. / Choral Music / Répertoire / Voix Mixtes SATB et Piano