| American Negro Songs Piano, Voix [Partition] Dover Publications
230 folk songs and spirituals, religious and secular, arranged for piano and voi...(+)
230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano
14.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Rodrigo (Vincer Se Stesso
E La Maggior Vittoria)
(HAENDEL GEORG FRIEDRICH) Chant [Partition] Barenreiter
Par HAENDEL GEORG FRIEDRICH. 'Rodrigo” was premiered in autumn 1707 in Florenc...(+)
Par HAENDEL GEORG FRIEDRICH. 'Rodrigo” was premiered in autumn 1707 in Florence and is therefore one of Handel's early stage works. The composer, only 22 years old, wrote a densely-woven musical scenario for his first opera composed in Italy .
It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception, betrayal , adultery, war as well as the transformation wrought by Rodrigo's abdication. The work was not, as was long thought, a commission from the Prince of Medici. Despite this, ' Rodrigo” seems to have been so popular that Handel extended his stay in Italy and was able to compose several operas during the following period. In ' Rodrigo” , the mastery which made Handel's succeeding opera ' Agrippina” such a success, is already clearly evident .
' Agrippina” consequently made Handel's name famous throughout Europe and soon led to his first journey to London .
The new vocal score is based on Volume II/2 of the 'Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel's lifetime./ Répertoire / Chant
68.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Wer Nur Den Lieben Gott
Läßt Walten
(MENDELSSOHN-BARTHOLDY
FELIX) Solo S, Choeur SATB, 2 Violons, Alto
et Violoncell [Partition] Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of stu...(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Solo S, Choeur SATB, 2 Violons, Alto et Violoncell
14.09 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Jamaican Voiceworks (HUNT
PETER / BURNETT MICHAEL) Chant [Partition] - Débutant Oxford University Press
23 Traditional And Popular Jamaican Songs. Par HUNT PETER / BURNETT MICHAEL. 23 ...(+)
23 Traditional And Popular Jamaican Songs. Par HUNT PETER / BURNETT MICHAEL. 23 chansons appel à une variété de notations
Idéal pour des chorales de jeunes et de la communauté, les groupes scolaires (à la hausse KS2), et des chorales de tous âges et de l'expérience
Une leçon complète ou un plan de répétition pour chaque chanson
2 CDs avec des performances et de supports
Accessible accompagnements au piano, et les symboles d'accord pour des accompagnements de guitare
Pages photocopiables
Morceaux dans une variété de styles reggae jamaïcain, y compris, le mento, Revival, ska, et rastafari
Une excellente ressource pour la World Music brin d'AQA GCSE Music
Jamaïcain VoiceWorks est une collection exceptionnelle de amusant et attrayant chansons jamaïcaines présenté dans le format pratique VoiceWorks. Y compris les joyaux méconnus et des plats traditionnels aux côtés de hits pop classique, ces accords couvrent un large éventail de styles et de genres jamaïcaine. Avec l'enseignement pratique et les notes de répétition, et 2 CDs contenant des représentations et des supports, de la Jamaïque VoiceWorks est une ressource formidable pour les groupes de chanteurs de tous les âges ' / Niveau : Débutant / Recueil / Chant
69.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Jesu, Meine Freude
(CRUGER JOHANN /
MENDELSSOHN-BARTHOLDY
FELIX) Chorale SATB SATB, Cordes [Partition] Carus Verlag
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an...(+)
Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1998-03-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
12.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Requiem (MOZART WOLFGANG
AMADEUS) Choeur Mixte SATB et Piano Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal...(+)
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano
18.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Ben Fielding Reuben
Morgan: Mighty to Save:
SATB: Vocal Score Chorale SATB [Vocal Score] Integrity Music
Mighty to Save has already become a favorite of many congregations and could be...(+)
Mighty to Save has already become a favorite of many congregations and could be a great song of celebration for any Sunday but especially on Easter morning. Available separately: SATB Orchestration (fl 1 2 ob [=ssx] cl 1 2 tpt 1 2 3 hn 1 2 [=asx] tbn 1 2 [=tsx/bar] tbn 3/tba [=barsx] perc 1 2 timp hp rhythm vn 1 vn 2 va [=cl 3] vc/bn [=bcl] b keyboard string reduction) CD Accompaniment Trax. Duration: ca. 4:55.
11.25 GBP - vendu par Musicroom GB | |
| Lotario Livret Barenreiter
Handel's opera Lotario was first heard at the King's Theater in the Haymarket on...(+)
Handel's opera Lotario was first heard at the King's Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer's lifetime, Handel reused many of its arias in his later operas, sometimes altering the words.The historical background of the plot is the conflict between Otto I (912-973) and Berengar of Ivrea for the Italian crown and Otto's marriage to the Italian queen Adelaide in 951. In the course of composition, the name of the hero (' Ottone ? in Salvi's libretto) was altered to ' Lotario ? since Handel had already written an opera entitled Ottone on the life of Otto II (955-983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition. / Chant/Vocal/Choeur
70.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Wer Nur Den Lieben Gott
Läßt Walten
(MENDELSSOHN-BARTHOLDY
FELIX) Chorale SATB [Partition] Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of stu...(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Solo S, Choeur SATB, 2 Violons, Alto et Violoncell
5.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Christe, Du Lamm Gottes
(MENDELSSOHN-BARTHOLDY
FELIX) Chorale SATB [Partition] Carus Verlag
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of stu...(+)
Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists./ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con
4.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
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