Aus: Kleine Geistliche Konzerte I. Par SCHUTZ HEINRICH. Tonalité : dorisch - Mo...(+)
Aus: Kleine Geistliche Konzerte I. Par SCHUTZ HEINRICH. Tonalité : dorisch - Moller, Martin (Trad. ) - SWV 285 / Musique religieuse / Répertoire / Solo T (S) et Orgue
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph...(+)
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph (Arr.) - Lunn, Jean (Trad.) - deest/ Répertoire / Solo S (T), 2 Violons et Orgue
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph...(+)
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph (Arr.) - Lunn, Jean (Trad.) - deest/ Répertoire / Solo S (T), 2 Violons et Orgue
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph...(+)
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph (Arr.) - Lunn, Jean (Trad.) - deest/ Répertoire / Solo S (T), 2 Violons et Orgue
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph...(+)
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph (Arr.) - Lunn, Jean (Trad.) - deest/ Répertoire / Solo S (T), 2 Violons et Orgue
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph...(+)
d-Moll. Par SCHUTZ HEINRICH. Tonalité : d-Moll - Horn, Paul / Kittel, Christoph (Arr.) - Lunn, Jean (Trad.) - deest/ Répertoire / Solo S (T), 2 Violons et Orgue
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the fam...(+)
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the fam...(+)
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the fam...(+)
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the fam...(+)
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the fam...(+)
Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Missa Puerorum (Kleiner Und Leichter Messgesang). Par RHEINBERGER JOSEF GABRIEL....(+)
Missa Puerorum (Kleiner Und Leichter Messgesang). Par RHEINBERGER JOSEF GABRIEL. Of Josef Rheinberger's eighteen masses, five are for unaccompanied voices, four with accompaniment by a small instrumental ensemble and nine with organ. Among the last group the 'leicht ausführbare' [easy to perform] works take a special place: Considered by their composer as purely 'utility music', they achieved great popularity during his lifetime and soon became part of the standard repertory of small church choirs. / Messe / Répertoire / Solo S (Choeur S) et Orgue
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Missa Puerorum (Kleiner Und Leichter Messgesang). Par RHEINBERGER JOSEF GABRIEL....(+)
Missa Puerorum (Kleiner Und Leichter Messgesang). Par RHEINBERGER JOSEF GABRIEL. Of Josef Rheinberger's eighteen masses, five are for unaccompanied voices, four with accompaniment by a small instrumental ensemble and nine with organ. Among the last group the 'leicht ausführbare' (easy to perform) works take a special place: Considered by their composer as purely 'utility music', they achieved great popularity during his lifetime and soon became part of the standard repertory of small church choirs. / Messe / Répertoire / Solo S (Choeur S) et Orgue
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 [therefore during the same period as the first performance of Bach’s Christmas Oratorio]. Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann’s _x000D_sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which _x000D_bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach’s Christmas Oratorio). Of the four _x000D_solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of thechoir, and the tenor recitative can be sung by the soprano soloist./ Répertoire / Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol
Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion canta...(+)
Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which includes ad libitum parts for tutti violins and oboe. / Date parution : 1980-12-01/ Répertoire / Solo S (T), Viola da braccio (Viole de Gambe) et B
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David erö...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S
Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion canta...(+)
Passionskantate. Par TELEMANN GEORG PHILIPP. In this five-movement Passion cantata dating from Telemann’s Frankfurt years, the vocalist and the violist are each given attractive, though not excessively difficult tasks. This edition contains the original version for voice, viola and bassocontinuo, as well as the version by Telemann’s successor at Frankfurt, Johann Balthasar König [1691–1758], which includes ad libitum parts for tutti violins and oboe. / Date parution : 1980-12-01/ Répertoire / Solo S (T), Viola da braccio (Viole de Gambe) et B
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David erö...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David erö...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David erö...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David erö...(+)
Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S
Ich Habe Genug (II) Solo S, Flûte
Traversière, 2 Violons, Alto et
Bass[Partition] Carus Verlag
Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor...(+)
Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass