La partition Motet : Deus Judicium Tuum Regida/Choeur Satbb Sans Accompagnement de Telemann a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Choeur SATBB Sans Accompagnement. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Choeur Satbb Sans Accompagnement / Partition

Par ROUWKEMA DANIEL. Daniel Rouwkema's setting of A Celtic Prayer was written for SSATB chorus and Organ, for the Choir Of Chester Cathedral. / Niveau : Assez Facile / Feuillet / Choeur

Arch Gwyn (Arranger). Par ARCH GWYN. Gwyn Arch presents some hot and spicy choral arrangements of five classics of Latin America, written specially for SATB chorus and guaranteed to thrill and delight at any occasion! The pieces include Sloop John B , Guantanamera and, of course, Jobim's much-loved Girl From Ipanema . Full Piano accompaniments are included where required. Add a funky dash of sunshine to your choral repertoire! / Niveau : Assez Facile / Feuillet / SATB

Paul Mealor wrote In My Dreams for The Military Wives Choir, Jonjo Kerr and Gareth Malone for their first album In My Dreams . This version is for SATB chorus and Piano. Also available for Tenor solo, SSA chorus, Piano, Harp, Percussion and Strings, and for SATB chorus and Piano. / SATB Et Piano

Carols for Everyone is a brand new collection of seven festive pieces written specifically for both adult and children's voices to sing together. Making Music commissioned Carols for Everyone to help fill the gap in choral repertoire for combined adult and children's voices and, in doing so, bring more people and communities together to make music. The collection, funded by the Carnegie UK Trust and published by Novello, includes six arrangements of well-known carols and six arrangements of well-known carols, from Silent Night and Adam lay ybounden to The angel Gabriel and Rudolph, the red-nosed reindeer and an original piece by Paul Mealor. Every piece can be performed by SATB adult choir and children, or by children with piano accompaniment alone, making this group of pieces flexible and approachable for all. / Choeur Mixte (SATB) Et Piano

Par MARTIN MATTHEW. A festive choral work for SATB and organ by composer Matthew Martin. Commissioned by The Chapter of York for the Festival of Nine Lessons and Carols in York Minster, 22 and 24 December 2014./ Feuillet / Choeur Mixte (SATB) et Piano

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal baby. This vocal score presents the piece arranged for SATB chorus and Piano. Also available for solo soprano and ensemble: Full Score NOV163889 Vocal Score (solo Soprano and Piano version) NOV163900 / Choeur Mixte (SATB) Et Piano

Three Songs by Philip Glass is a work for unaccompanied SATB Choir featuring three different settings of words by three different poets and songwriters.Featuring There Are Some Men by Leonard Cohen, Quand Les Hommes Vivront D'Amour by Raymond Lévesque and Pierre De Soleil by Octavio Paz, these wonderful lyrics are matched by Glass's brilliantly unmistakeable music, ensuring that each of the Three Songs combine to form an unforgettable live performance. / Choeur Mixte (SATB)

Par WILLIAMS RODERICK. A setting for unaccompanied SATB choir with divisi of George Herbert’s poem. The richly textured homophonic piece ends with a beautiful ostinato. Duration 4’30'/ Répertoire / Chœur SATB [divisi] sans Accompagnement

Par WILLIAMS RODERICK. This beautiful 5-minute piece takes William Byrd’s famous motet and re-imagines it for 3 unaccompanied SATB choirs, with opportunity to space the choirs at a distance from each other./ Répertoire / 3 Chœurs SATB

Arrangeur: John Rutter. Par CARTER SYDNEY. Sydney Carter's Lord Of The Dance arranged for SATB Choir with Piano accompaniment by John Rutter./ Feuillet / SATB et Piano

Par KELLY BRYAN. Magnificat and Nunc Dimittis for SATB and Organ. Kentucky Canticles pay homage to the unforgettable music of the deep south, and in particular to the legendary black singer Paul Robeson. Dancing spiritual rhythms infuse the Magnificat's energetic song of joy, and there are lively musical illustrations for the mighty, the proud, the rich, and the humble and meek before the return of the opening phrases heralds an exultant Gloria. In contrast, the Nunc Dimittis draws on the expressivity at the heart of the spiritual style to capture the deep yearning of Simeon's song of farewell. Both movements have short passages for solo voices that maybe taken by members of the choir. The Kentucky Canticles are dedicated to John Scott and the Choir of St Thomas Fifth Avenue, New York, and are the latest addition to a long and distinguished output with which Kelly has enriched the musical heritage of Anglican worship./ Feuillet / SATB et Orgue