(Conductor's Score). By Peter Boonshaft and Chris Bernotas. Concert Band. For Co...(+)
(Conductor's Score). By
Peter Boonshaft and Chris
Bernotas. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations
Series for Band. 568
pages. Published by
Alfred Music Publishing
(Flute). By Peter Boonshaft and Chris Bernotas. Concert Band. For Flute. Band Me...(+)
(Flute). By Peter
Boonshaft and Chris
Bernotas. Concert Band.
For Flute. Band Method;
Book; Method/Instruction.
Sound Innovations Series
for Band. 56 pages.
Published by Alfred Music
Publishing
Volume 102 - Jerry Bergonzi "Sound Advice" by Jerry Bergonzi. Edited by Jamey Ae...(+)
Volume 102 - Jerry
Bergonzi "Sound Advice"
by Jerry Bergonzi. Edited
by Jamey Aebersold. For
any C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Tasty
compositions from this
modern jazz tenor man,
Jerry Bergonzi..
Intermediate, advanced.
Book and CD. 76 pages.
Published by Jamey
Aebersold Jazz
(Includes: The Sound of Music). By Oscar Hammerstein and Richard Rodgers. Arrang...(+)
(Includes: The Sound of
Music). By Oscar
Hammerstein and Richard
Rodgers. Arranged by Jay
Dawson. Score and Parts.
Arrangers' Publ Marching
Band. Grade 3. Published
by Arrangers' Publishing
Company
(A Revolutionary Method for Individual or Class Instruction). By Aaron Stang and...(+)
(A Revolutionary Method
for Individual or Class
Instruction). By Aaron
Stang and Bill Purse. For
Guitar. Book; DVD; Guitar
Method or Supplement;
Method/Instruction. Sound
Innovations Series. 56
pages. Published by
Alfred Music
(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. ...(+)
(E-Flat Alto Saxophone
2). By Peter Boonshaft
and Chris Bernotas.
Concert Band. For E-Flat
Alto Saxophone 2. Band
Method; Book;
Method/Instruction. Sound
Innovations Series for
Band. 56 pages. Published
by Alfred Music
Publishing
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Es ist
nichts Gesundes an meinem
Leibe. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 25.
Duration 16 minutes.
Carus Verlag #CV
31.025/19. Published by
Carus Verlag
(CA.3102519).
ISBN
9790007136031. Language:
German/English.
Thi
s cantata for the 14th
Sunday after Trinity was
composed in August 1723
and is from Bach's first
cycle of cantatas for
Leipzig. It is
distinguished by its
unique opening chorus,
which is a four-part
choral fugue with
independent instrumental
parts in which Bach has
interwoven a four-part
chorale (Herzlich tut
mich verlangen) played by
the winds. This is an
artistic combination
which expands to as many
as ten real parts. The
second aria Offne meinen
schlechten Liedern, is
distinguished by an
unusual instrumental
coloring in which the
soprano and the strings,
supported by the oboes,
are joined by 3
recorders. The edition is
the product of a new
evaluation of the source
situation (see
Bach-Jahrbuch 2006).
Score and parts available
separately - see item
CA.3102500.
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Study
score. Composed 1723. BWV
25. 40 pages. Duration 16
minutes. Carus Verlag #CV
31.025/07. Published by
Carus Verlag
(CA.3102507).
ISBN
9790007092931. Language:
German/English.
Thi
s cantata for the 14th
Sunday after Trinity was
composed in August 1723
and is from Bach's first
cycle of cantatas for
Leipzig. It is
distinguished by its
unique opening chorus,
which is a four-part
choral fugue with
independent instrumental
parts in which Bach has
interwoven a four-part
chorale (Herzlich tut
mich verlangen) played by
the winds. This is an
artistic combination
which expands to as many
as ten real parts. The
second aria Offne meinen
schlechten Liedern, is
distinguished by an
unusual instrumental
coloring in which the
soprano and the strings,
supported by the oboes,
are joined by 3
recorders. The edition is
the product of a new
evaluation of the source
situation (see
Bach-Jahrbuch 2006).
Score available
separately - see item
CA.3102500.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#4103314. Published by
Hal Leonard (HL.3710609).
UPC: 697643111332.
14.0x14.0x0.077
inches.
Series
Description: The
“Precisionâ€
series is created using
Paiste's proprietary
Signature Alloy, and
features the typical
hallmarks of Paiste's
original Signature sound
- brightness, fullness,
strong presence and
projection, with
brilliant musicality. A
particular quality of the
Signature
“Precisionâ€
is its clean and focused
character in combination
with a very articulate,
straight-ahead sound. The
finish of Signature
“Precisionâ€
purposely follows the
tradition established by
the original Signature
series. Fans of the
original Signature sound,
look and feel will thus
find these cymbals a
compelling choice for
their cymbal sets.
“The goal for the
Signature 'Precision' was
to create a more
affordable Signature
sound. We specifically
researched and designed
the manufacturing process
to achieve that goal.
Part of the success of
this project is the
incredible sound potency
that already exists
within the Signature
Alloy.†-Erik
Paiste Size: 14″
Volume: Medium Weight:
Medium Sound character:
Bright, cutting,
brilliant with a warm
touch. Wide range, clean
mix. Quick, responsive
feel. Sharp open sound,
strong, cutting chick
sound. Piercing hi-hat
for articulate, precise
playing.
Audio Fundamentals Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve He...(+)
(Signal Flow --
Fundamental Tools of
Sound Production). By
Matt Donner, Steve
Heithecker, and George
Peterson. Book; Books and
DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind
Training Series. 248
pages. Published by
Alfred Music Publishing