Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Viola. Composed
1716. BWV 186a. 4 pages.
Duration 20 minutes.
Carus Verlag #CV
31.186/13. Published by
Carus Verlag
(CA.3118613).
ISBN
9790007050702. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Orchestra Soli Voices
ATBarB (ATB), SATB Choir,
Picc, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, 3 Trb,
Timp, Gran Tamburo e
Piatti, 2 Vl, Va, Vc, Cb
- Level 3
SKU:
CA.4013809
Ballad
for chorus and
orchestra. Composed
by Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. 1x 40.138/21
flute 1, 1x 40.138/22
flute 2, 1x 40.138/23
piccolo, 1x 40.138/24
oboe 1, 1x 40.138/25 oboe
2, 1x 40.138/26 clarinet
1, 1x 40.138/27 clarinet
2, 1x 40.138/28 bassoon
1, 1x 40.138/29 bassoon
2, 1x 40.138/31 horn 1,
1x 40.138/32 horn 2, 1x
40.1. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Secular
choral music. Set of
Orchestra Parts. MWV D 3.
Duration 30 minutes.
Carus Verlag #CV
40.138/09. Published by
Carus Verlag
(CA.4013809).
ISBN
9790007249373. Language:
German/English. Text:
Goethe, Johann
Wolfgang.
Goethe's
dramatic ballad The First
Walpurgis Night inspired
Mendelssohn to write a
magnificent and vivid
portrayal of the conflict
between an old heathen
community and the new
aspirations of
Christianization, between
belief and superstition
on both sides. In 1833
Mendelssohn had his
ballad premiered, but he
decided to make
far-reaching revisions
before he finally had the
work published in 1844.
The Carus edition by the
leading Mendelssohn
scholar R. Larry Todd is
based on the first
printed edition of the
score and thus the last
authentic version of the
work. This important
choral work by
Mendelssohn is now
available in a modern
Urtext edition, with full
score (in two languages),
vocal score, choral score
and orchestral material
available on sale, as
well as a CD recording by
the Kammerchor Stuttgart
conducted by Frieder
Bernius (planned for
autumn 2019). Score and
parts available
separately - see item
CA.4013800.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Version Koch.
Composed by Johann
Sebastian Bach and
Johannes H. E. Koch. 1x
10.365/21 flute 1, 1x
10.365/22 flute 2, 1x
10.365/23 oboe d'amore 1,
1x 10.365/24 oboe d'amore
2, 1x 10.365/48 lute.
German title:
Markus-Passion 5. Sacred
vocal music. Set of
Orchestra Parts. Composed
1723. BWV 247. 40 pages.
Carus Verlag #CV
10.365/09. Published by
Carus Verlag
(CA.1036509).
ISBN
9790007190446. Language:
German.
Reconstruct
ion (based parodies) of
Bach's St. Mark Passion
by Diethard Hellmann
(1964), with new composed
recitatives (texts of the
evangelium) and turba
choirs by Johannes Koch
(1999). The words of
Jesus are accompanyed by
2 gambas and organ. Score
and parts available
separately - see item
CA.1036500.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Set of Orchestra Parts.
Composed 1725. BWV 183.
Duration 15 minutes.
Carus Verlag #CV
31.183/19. Published by
Carus Verlag
(CA.3118319).
ISBN
9790007136956. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Composed
by Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Magnificat In D
(Leisinger). Innovative
practice aids, Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Single Part,
Viola. BWV 243. 8 pages.
Duration 27 minutes.
Carus Verlag #CV
31.243/13. Published by
Carus Verlag
(CA.3124313).
ISBN
9790007211172. Key: D
major. Language:
Latin.
Johann
Sebastian Bach's
Magnificat BWV 243 was
composed in its first
form in E flat, right at
the beginning of Bach's
period in Leipzig, for
the Visitation of Mary on
2.7.1723; for a further
performance on the 1st
day of Christmas, Bach
added four extra
Christmas movements
following a Leipzig
tradition. Only in the
1730s did Bach arrange
the Magnificat in the
well-known version in D;
the orchestration was
slightly altered,
particularly improving
the considerable
practical performance
problems encountered in
the E flat major version.
Our critical new edition
contains the version of
the Magnificat in D,
based on Bach's autograph
score. For Christmas
performances the extra
movements are available
separately, transposed
for performance with the
D major version of the
Magnificat (Carus
31.243/50). Score and
part available separately
- see item
CA.3124300.
Orchestra Soli Voices
ATBarB (ATB), SATB Choir,
Picc, 2 Fl, 2 Ob, 2 Clt,
2 Fg, 2 Cor, 2 Tr, 3 Trb,
Timp, Gran Tamburo e
Piatti, 2 Vl, Va, Vc, Cb
- Level 3
SKU:
CA.4013815
Ballad
for chorus and
orchestra. Composed
by Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. Secular
choral music. Stuttgart
Urtext Edition:
Mendelssohn. Double bass.
Secular choral music.
Single Part, Double Bass.
MWV D 3. Duration 30
minutes. Carus Verlag #CV
40.138/15. Published by
Carus Verlag
(CA.4013815).
ISBN
9790007249427. Language:
German/English. Text:
Goethe, Johann
Wolfgang.
Goethe's
dramatic ballad The First
Walpurgis Night inspired
Mendelssohn to write a
magnificent and vivid
portrayal of the conflict
between an old heathen
community and the new
aspirations of
Christianization, between
belief and superstition
on both sides. In 1833
Mendelssohn had his
ballad premiered, but he
decided to make
far-reaching revisions
before he finally had the
work published in 1844.
The Carus edition by the
leading Mendelssohn
scholar R. Larry Todd is
based on the first
printed edition of the
score and thus the last
authentic version of the
work. This important
choral work by
Mendelssohn is now
available in a modern
Urtext edition, with full
score (in two languages),
vocal score, choral score
and orchestral material
available on sale, as
well as a CD recording by
the Kammerchor Stuttgart
conducted by Frieder
Bernius (planned for
autumn 2019). Score and
part available separately
- see item
CA.4013800.
Cantata
for the 11th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Siehe zu,
dass deine Gottesfurcht.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Cello/Double Bass.
Composed 1723. BWV 179.
12 pages. Duration 19
minutes. Carus Verlag #CV
31.179/14. Published by
Carus Verlag
(CA.3117914).
ISBN
9790007050030. Key: G
major / a minor.
Language:
German/English.
Sco
re available separately -
see item CA.3117900.
Cantata
for the 19th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger, Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich will den Kreuzstab
gerne tragen. Sacred
vocal music, Cantatas,
End of the church year.
Choral Score. Composed
1726. BWV 56. 2 pages.
Duration 21 minutes.
Carus Verlag #CV
31.056/05. Published by
Carus Verlag
(CA.3105605).
ISBN
9790007103088. Key: G
minor / c dorian.
Language:
German/English.
Sco
re available separately -
see item CA.3105600.
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Praise and thanks. Single
Part, Viola. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/13. Published by
Carus Verlag
(CA.3119213).
ISBN
9790007210267. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.
Cantata for the 2nd
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.068/21 oboe 1, 1x
31.068/22 oboe 2, 1x
31.068/23 oboe da caccia,
1x 31.068/31 cornett, 1x
31.068/32 trumpet 1, 1x
31.068/33 trombone 1, 1x
31.068/34 trumpet 2, 1x
31.068/35 trombone 2, 1x
31.068/36 trombone 3.
German title: Also hat
Gott die Welt geliebt 9.
Sacred vocal music,
Cantatas, Whitsun. Set of
Orchestra Parts. Composed
1725. BWV 68. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.068/09. Published by
Carus Verlag
(CA.3106809).
ISBN
9790007044169. Key: D
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
Composed by Johann
Sebastian Bach. Edited by
Gunter Graulich. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Sanctus. Sacred vocal
music, Mass sections.
Single Part, Cello/Double
Bass. Composed circa
1723. BWV 238. 4 pages.
Duration 2 minutes. Carus
Verlag #CV 31.238/14.
Published by Carus Verlag
(CA.3123814).
ISBN
9790007051082. Key: D
major. Language:
Latin.
Cantata
for New Year.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Lobe den Herrn, meine
Seele. Sacred vocal
music, Cantatas, New
year, Whitsun. Single
Part, Violin 2. Composed
circa 1708. BWV 143. 4
pages. Duration 14
minutes. Carus Verlag #CV
31.143/12. Published by
Carus Verlag
(CA.3114312).
ISBN
9790007049256. Key: B
flat major. Language:
German/English.
A
new edition of the
Neujahrs-Kantate, which
previously appeared in an
edition based on
manuscript copies from
the 19th century. The
present edition is based
on a manuscript from 1762
which was first
discovered in 1971; this
source varies
considerably from the
previously known
manu-scripts and it
presents a clearer
version of the cantata.
Score and part available
separately - see item
CA.3114300.
Cantata
for the 3rd Sanday after
Trinity/all
occasions. Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich hatte viel
Bekummernis. Sacred vocal
music, Cantatas. Choral
Score. Composed 1713. BWV
21. 24 pages. Duration 45
minutes. Carus Verlag #CV
31.021/05. Published by
Carus Verlag
(CA.3102105).
ISBN
9790007103002. Key: C
dorian / c major.
Language:
German/English.
The
edition allows for the
performance of this
cantate in the various
forms which Bach himself
used. The solo parts for
high voice are always
allotted primarily to the
voice specified by Bach
in Leipzig, with the
alternative authorized by
the Weimar and Cothen
parts placed afterwards
in brackets. Score
available separately -
see item CA.3102100.
Chorus for St.
Michael's Day.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Nun Ist Das Heil
Und Die Kraft (Kubik).
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
Composed circa 1740. BWV
50. 4 pages. Duration 5
minutes. Carus Verlag #CV
31.050/62. Published by
Carus Verlag
(CA.3105062).
ISBN
9790007206277. Key: D
major. Language:
German/English.
Com
posed in the late period,
around 1740 A lively
discussion about the
choral movement Nun ist
das Heil und die Kraft
has been carried on, in
which not only all
previous assumptions have
been called into
question-including Bach's
authorship-but also show
how little we know about
the history of this
magnificent movement.
Even though there is
little to refute the 1982
presumption that the work
was handed down in the
form of an arrangement,
the question remains open
concerning the identity
of the arranger, as well
as the alleged form of
the original design.
Therefore it seemed
appropriate to forego any
attempts at
reconstruction. Rather,
for the present new
edition the music has
been critically examined
and commented upon based
on the surviving copy
from Bach's
circle.
Cantata
for Christmas.
Composed by Johann
Sebastian Bach. Edited by
Ruprecht Langer. This
edition: urtext. 1x
31.191/21 flute 1, 1x
31.191/22 flute 2, 1x
31.191/23 oboe 1, 1x
31.191/24 oboe 2, 4x
31.191/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas,
Christmas. Set of
Orchestra Parts. BWV 191.
Duration 18 minutes.
Carus Verlag #CV
31.191/09. Published by
Carus Verlag
(CA.3119109).
ISBN
9790007210168. Text
language:
German/English.
The
Christmas cantata Gloria
in excelsis Deo BWV 191,
which has always
presented researchers
with many challenging
problems, is among the
few works to Latin words
set by Johann Sebastian
Bach. It consists of
three sections - a
finely-woven duet flanked
by two festive choral
movements - which we are
to encounter again almost
note for note in the
world-famous Mass in B
minor. Score and parts
available separately -
see item CA.3119100.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Alles nur
nach Gottes Willen.
Sacred vocal music,
Cantatas, Epiphany.
Choral Score. Composed
1726. BWV 72. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.072/05. Published by
Carus Verlag
(CA.3107205).
ISBN
9790007044541. Key: A
minor. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
SATB Choir, organ SKU: CA.9705020 Aus Lieder mit Worten. Composed ...(+)
SATB Choir, organ
SKU:
CA.9705020
Aus
Lieder mit Worten.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Bernd
Stegmann. German title:
Wach auf, mein Herz.
Sacred vocal music, Hymn
settings, Easter and
Eastertide. Full score.
Composed 2010. Carus
Verlag #CV 97.050/20.
Published by Carus Verlag
(CA.9705020).
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 19th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: Paperbound.
German title: Wo soll ich
fliehen hin. Sacred vocal
music, Cantatas. Vocal
score. Composed 1724. BWV
5. 32 pages. Duration 23
minutes. Carus Verlag #CV
31.005/03. Published by
Carus Verlag
(CA.3100503).
ISBN
9790007041595. Key: G
minor. Language:
German/English. Text:
Heermann, Johann. Text:
Johann
Heermann.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 1. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/11. Published by
Carus Verlag
(CA.3110811).
ISBN
9790007047955. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata
for the 10th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.102/21 flute, 1x
31.102/22 oboe 1, 1x
31.102/23 oboe 2. German
title: Herr, deine Augen
sehen 3. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1726. BWV 102. 16 pages.
Duration 24 minutes.
Carus Verlag #CV
31.102/09. Published by
Carus Verlag
(CA.3110209).
ISBN
9790007047399. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and parts available
separately - see item
CA.3110200.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Violin 1. Composed 1725.
BWV 42. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
31.042/11. Published by
Carus Verlag
(CA.3104211).
ISBN
9790007205843. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Aus: Paulus.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Paul Horn.
Separate edition with
choral collection. Sacred
vocal music, Easter and
Eastertide, Fear and
trust. Full score. Op.
36, MWV A 14. Duration 1
minute. Carus Verlag #CV
03.224/30. Published by
Carus Verlag (CA.322430).
ISBN 9790007158002.
Key: A minor. Language:
German. Text: Stegmann,
Josua. Text: Josua
Stegmann.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 103. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.103/14. Published by
Carus Verlag
(CA.3110314).
ISBN
9790007047528. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
Cantata for the 1st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Die Elenden sollen
essen. Sacred vocal
music, Cantatas, Easter
and Eastertide, Trinity,
Praise and thanks. Choral
Score. Composed 1723. BWV
75. 16 pages. Duration 40
minutes. Carus Verlag #CV
31.075/05. Published by
Carus Verlag
(CA.3107505).
ISBN
9790007044824. Key: E
minor / g minor.
Language:
German/English.
Sco
re available separately -
see item CA.3107500.
Cantata for the 1st
day of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Wer mich liebet,
der wird mein Wort.
Sacred vocal music,
Cantatas, Whitsun,
Reformation day. Set of
Orchestra Parts. Composed
1723. BWV 59. Duration 14
minutes. Carus Verlag #CV
31.059/19. Published by
Carus Verlag
(CA.3105919).
ISBN
9790007136215. Key: C
major. Language:
German/English. Text:
Neumeister, Erdmann.
Text: Erdmann
Neumeister.
Based
on the first version;
composed for Pentecost
1723, or possibly
earlier. Score and parts
available separately -
see item CA.3105900.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meinen Jesum lass ich
nicht. Sacred vocal
music, Cantatas,
Epiphany. Study score.
Composed 1725. BWV 124.
32 pages. Duration 17
minutes. Carus Verlag #CV
31.124/07. Published by
Carus Verlag
(CA.3112407).
ISBN
9790007103149. Key: E
major. Language:
German/English. Text:
Keymann, Christian. Text:
Christian
Keymann.
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Christmas.
Single Part, Organ.
Composed 1724. BWV 133.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.133/49. Published by
Carus Verlag
(CA.3113349).
ISBN
9790007207984. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and part available
separately - see item
CA.3113300.
Coro S (SA, SAM), Pfte, [instrumentale Ober- und Mittelstimme, Blaser (S-Sax, A-...(+)
Coro S (SA, SAM), Pfte,
[instrumentale Ober- und
Mittelstimme, Blaser
(S-Sax, A-Sax, T-Sax,
Trb), Git, Bass, Drums]
SKU: CA.744500
Composed by Ludwig van
Beethoven. Arranged by
Peter Schindler. Secular
choral music. Full Score.
Duration 5 minutes. Carus
Verlag #CV 07.445/00.
Published by Carus Verlag
(CA.744500).
ISBN
M-007-25002-7.
German/English. Text:
Schiller,
Friedrich.
Friedric
h Schillers Ode an die
Freude (Ode to Joy) went
on to become world-famous
through the setting by
Ludwig van Beethoven in
1824 in the final
movement of his 9th
Symphony. Today
Beethoven's Ode to Joy is
one of the most popular
works of classical music
worldwide - celebratory
and powerful music which
is an expression of joy,
community, protest, and
thanks. This catchy
arrangement of Schiller's
and Beethoven's Ode for
chorus and piano, or
optionally for chorus,
band and wind instruments
by Peter Schindler,
stands for all these
emotions. Brass riffs,
jazzy harmonies, a choral
setting in one to three
parts, and an adaptation
of the text are all
highlights of special
musical moments which the
whole audience can join
in at the end! An English
singing text is
included.