Par MOZART WOLFGANG AMADEUS. Le 'Köchel' indique toujours l'autographe d'air de Mozart tant apprécié, mais a étiqueté 'manquantes' depuis 1964. La 'Neue Mozart Ausgabe-' n'était donc plus en mesure de prendre en considération. Maintenant, cependant, le manuscrit a réapparu et a été utilisé comme une source authentique pour cette nouvelle édition (1997). préface 'Eine Aria in die Oper, der von Balbier Seviglien. Für MADAME Hoffer. 2 Violini, viole, 2 Clarinetti, 2 Fagotti, 2 Corni e Bassi. Schon lacht Frühling der Holde.' Cette entrée dans le catalogue de Wolfgang Amadeus Mozart travail manuscrite se trouve sous la date du 17 Septembre 1789. Toutefois, étant donné que la performance prévue d'un accord allemand de Barbier de Paisiello a été apparemment abandonné, Mozart semble avoir mis de côté la pièce sans l'achever. Josepha Hofer (née Weber), le plus jeune soeur Constanze Mozart, était d'avoir chanté cet air, destiné à Rosina. En tant que membre de la Freihaustheater Schikaneder, elle a chanté la Reine de la Nuit à la première représentation de la Flûte enchantée. En plus de la partie vocale, le score fragmentaires ne contient que la ligne de basse ainsi que des répliques instrumentales pour une orchestration avenir. La version de l'éditeur orchestralement complété, délivré par le même éditeur, est basé sur le manuscrit autographe conservé à la Österreichische Nationalbibliothek à Vienne. Cette autographe a été redécouvert qu'en 1988. Nous avons poursuivi nos efforts pour fournir un son mozartien dans la réalisation instrumentale de la partition tout en préparant cet arrangement pour soprano, clarinette et piano. Depuis la première clarinette tisse à plusieurs reprises autour de la partie de soprano dans thr version orchestrale, il semblait parfaitement naturel producc l'arrangement actuel. En outre, il apportera inévitablement à l'esprit de Franz Schubert Der Hirt auf dem Felsen (même clé, section du milieu en sol mineur). Nous tenons à remercier la Österreichische Nationalbibliothek à Vienne pour mettre des copies de la source à notre disposition. Franz Beyer Munich, printemps 1997/ Répertoire / Alto

Sonata for Viola and Piano, Op. 5, #3 (J. Hummel/D. Preucil) * Andante e Rondo ungarese, Op. 35 (C.M. v. Weber/D. Preucil) * Sonata in A minor, D 821 (F. Schubert/D. Preucil) / Alto

Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of ?RAPsody? from ?Pop Music for Violin and Piano?. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Alto

Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7 exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés avec l´accompagnement du CD, mais aussi accompagnés au piano. Des versions intégrales et de démonstration figurent sur les CD 1 et 2, ce dernier comprenant aussi les partitions du piano sous forme de fichiers PDF.

Music Minus One Viola-Schubert's seminal chamber composition the Piano Quintet in A major D667 commonly known as The Trout or Die Forelle is certainly one of the greatest pieces of music ever penned. Its rich textures and lovely melody create an unforgettable musical experience. Its celebration of nature's beauty stems from a summer trip in the Austrian Alps which inspired the young Schubert to rework a song into this complex chamber-piece. Composed of five alternating movements The Trout uses unique orchestration (substituting a double bass for the second violin) and gives special emphasis to the piano as well. But all the instruments take an equal role and this may also be a reason for thepiece's eternal popularity. The Trout instantly brings to mind the calm serenity of the summer mountain air and its sparkling melody and gentle poignancy leave a particularly happy feeling in both player and listener. It is a joy-filled piece but at the same time is filled with a serene quality that makes it one of the most exhilarating pieces for any musician to play and one of the most important compositions for any musician to learn. This Music Minus One edition gives you that opportunity in the comfort of your own home. Contains a high-quality printed solo part with informative liner notes and digitally remastered compact disc with accompaniments indexed for ease of practice. Accompaniment: Harriet Wingreen piano The Classic String Quartet

Indiana Jones and the Kingdom of the Crystal Skull-Play a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This book is part of an instrumental series arranged for Violin Viola and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed Piano part that can easily be played by a teacher or intermediate piano student and a carefully crafted removable part complete with bowings articulations and keys well suited to the level 2-3 player. A fully orchestrated accompaniment CD containing a demonstration track of each song featuring live instrumental performance plusa Play-Along track. This terrific edition also contains a tuning note plus a host of full-colour stills from the film.

Following on from the very successful After Hours piano volumes Pam Wedgwood has now penned eight atmospheric pieces for the intermediate clarinettist. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About series. The book contains piano accompaniments but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track isprovided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic ‘live’ instrument for those players who choose to play along with this version of the backing.

Book/Insert/Online Audio-The seventeen Christmas songs in this volume arranged in comfortable keys can be used for players at different levels and for all kinds of occasions. All three editions (Violin Viola and Cello) include two parts foreither solo or duet performance and Piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The online audioavailable for download provides the Piano accompaniments alone. It can be used for back-up improvisatory play-along or for pleasant listening by itself. Includes two 24-page pull-out parts for Viola I and Viola II.

The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser? (?As the hart pants after the waterbrooks?) for soloists mixed choir and full orchestra dates back to 1837.The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingual foreword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

Providing much-needed engaging literature for the student violist this collection of viola/ piano arrangements is derived from Handel's sonatas orchestral works and incidental pieces. The relatively easy viola parts are allplayable in first position. A convenient pull-out part for the soloist features fingering and bowing indications. This collection begins with easier arrangements and progresses in its level of difficulty.

I Used to Play Viola is a new book for adults looking to get back into playing the Viola and will help jumpstart their memory and comfort with music. Its no. 1 goal is to get people re-acquainted with their instrument by providing them with types of music they want to play like pop jazz and classic tunes rather than etudes. The book contains a CD with audio MP3 files of complete performances of most songs plus accompaniment-only versions. The CD also contains printable PDFs of piano parts for practice or performance opportunities. It’s just the push former players need to fall back in love with the Viola again!

Music through the Ages in Two Volumes-Twelve pieces for Viola and Piano accompaniment Grades 4-5 standard. Includes from the Renaissance to the present day.