Par GALLOIS PASCAL. This new Bassoon method by the celebrated Bassoonist, Pascal Gallois, outlines for the first time extended techniques and different ways of creating sound on Bassoon. An indispensable and practical tool for composers, performers and teachers. Topics covered: Traditional Effects and Current Sounds; Spectral Effects; Percussive Effects; Effects Without the Reed; Vibrato; Air Noise / Pédagogie / Répertoire / Basson

Editée il y a moins de 10 ans par les éditions Henle sous la référence 966, cette partition de musique Bassoon Sonata op. 168 du compositeur SaintSaëns Camille a été composée pour Basson. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Basson / Chanson En Séparée

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. / Pièce de concert / Recueil / Basson

Par WATTS SARAH. Bassoon Hub is a collection of colourful and quirky new pieces, studies, duets and trios for bassoons. The book will inspire elementary and intermediate players, providing new music that will support exam preparation, as well as fun arrangements of well-known tunes. There are also duets and trios to play with other bassoonists. Bassoon Hub is a highly useful resource with plenty of new material for teachers and students./ Etude / Basson

Exercises for the organization and discipline of daily study of the bassoon. Par CARLINI PAOLO . A collection of exercises for bassoonists in their indispensable daily study, aimed at the development and consolidation of the basic techniques, including the development and care of emission in all its components, flexibility and uniformity of sound, intonation, dynamics, timbre, articulations and agility, as well as encouraging the awareness of related aspects such as: posture, relaxation, breathing, and aesthetic imagination in sound and timbre. The volume is aimed at both students, who will find a useful tool for their learning path, and professionals, who will have practical and organized material to use in their daily technical study./ Etude / Basson

History and Technique. Par INCONIS RAIMONDO. The aim of this book is to provide the student with a thorough knowledge of the technical and expressive fundamentals of the contrabassoon. It is the ideal book to accompany students throughout their professional career, acting as a constant guideand offering assistance to improve and perfect the skills required to build a career in the world of music. The book also addresses the needs of teachers, offering useful suggestions for the entire academic period including fingering and trills, basic and advanced exercises, orchestral excerpts, how to construct reeds, and the history of the contrabassoon. / Niveau : Intermédiaire / Méthode / Date parution : 1905-07-04/ Méthode / Basson

Series: Student Instrumental CourseCategory: Woodwind - Bassoon Method or CollectionFormat: BookInstrument: BassoonLevel: IntermediateThe Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

Follow-up to Anselma's New Bassoon Method, Book 1.Brings aspiring bassonists from Adam and Eve to Mozart. In this second book, we are already a bit closer to Mozart than to the apple tree - o)Completely revised and happily optimized edition, fully packed with great bassoon pieces.- Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience.- lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears- pitch range book 2: Bb - g1 (chromatically)- original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn- traditional pieces and entertaining music are combined for enjoyment and variety- in many duets both parts can be mastered by the student- chapters with rhythm only exercises for gettin' the groove- chapters with study pieces to apply and train newly introduced notes and rhythms- chapters with sight reading tests to see what sticksHumorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle? for a special contemporary look and artwork.A bassoon method that makes progress easy and learning fun and effortlessly. It helps you making learning fun and effective. For a colorful learning experience that builds naturally a strong foundation and makes you fall in love with music making. The new standard method! / Basson

Edward Elgar's Romance for Bassoon and Orchestra arranged for Bassoon and Piano. / Basson

A method for individual and group learning. Par HARRIS PAUL. Paul Harris's Basics Series is widely regarded as the leading method for beginner players and their teachers. Bassoon Basics offers helpful fingering diagrams and rhythm boxes, activities, duets, and a wide range of repertoire, including original pieces and well-loved favourites from every genre. Starting at absolute beginner level the tutor progresses to about Grade 2 level. Audio tracks of accompaniments are available to download online. Paul Harris and rsquo - Basics Series is widely regarded as the leading method for beginner players and their teachers. Bassoon Basics offers helpful fingering diagrams and rhythm boxes, activities, duets, and a wide range of repertoire, including original pieces and well-loved favourites from every genre. Starting at absolute beginner level the tutor progresses to about Grade 2 level. Audio tracks of accompaniments are available to download online. / Niveau : Facile / Méthode / Méthode / Basson

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Basson

Par ARNOLD MALCOLM. Malcolm Arnold's Fantasy For Bassoon. / Niveau : Elémentaire / Répertoire / Basson

Aka Moodys Blues. Par GERNOT WOLFGANG. Eine Aufnahme ist auf David Breidenthals CD 'Bassoon Power' zu hören / Date parution : 2001-01-01/ Répertoire / Basson

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.