(For Solo Double Bass). Composed by Jean-Sebastien Bach. Arranged by Richard Dubugnon. For double bass. Collection Richard Dubugnon. Intermediate - advanced. Full score - study. 7 pages. Duration 15 minutes. Gerard Billaudot Editeur #514-05539. Published by Gerard Billaudot Editeur

(Volume 1: Nos. 1-3) Composed by Johann Sebastian Bach (1685-1750), edited by H. Samuel Sterling. BWV 1007-1009. For double bass. Format: double bass solo book. Baroque. 20 pages. 9x12 inches. Published by C.F. Peters.

Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 20 pages. Published by Alfred Publishing.

(Urtext of the New Bach Edition). By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler; Alfred Durr. For Contrabass/Violone. Single Part; Urtext Edition. BWV 1050, BWV 1050a. Duration 24', 19'

Double bass

SKU: BR.OB-5509-27

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27).

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. Book; CD; Method/Instruction; String - Bass (Suzuki); Suzuki. Suzuki Bass School. 20 pages. Published by Alfred Music

Double bass

SKU: KU.OCT-10164_KB

Composed by Carl Philipp Emanuel Bach. Edited by Istvan Mariassy. Bach format (230 x 302). Wtq 164. Folded. Part. 4 pages. Edition Kunzelmann #OCT-10164_KB. Published by Edition Kunzelmann (KU.OCT-10164_KB).

ISBN 9790206202940. Key: Bb major.

Auffuhrungsmaterial nach der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Heinrich Besseler. For Contrabass, Violone. Single Part. BWV 1049. Published by Baerenreiter-Ausgaben (German import). (BA5204 85)

(Auffuhrungsmaterial nach der Neuen Bach-Ausgabe). By Johann Sebastian Bach (1685-1750). Edited by Heinrich Besseler. For Contrabass/Violone. Single Part; Urtext Edition. BWV 1048

Double bass

SKU: KU.OCT-10177_KB

Composed by Carl Philipp Emanuel Bach. Edited by Istvan Mariassy. Bach format (230 x 302). Wtq 165. Folded. Part. 6 pages. Edition Kunzelmann #OCT-10177_KB. Published by Edition Kunzelmann (KU.OCT-10177_KB).

ISBN 9790206203992. Key: Eb major.

Heft 1: zusammengestellt aus den organ werken von Johann Sebastian Bach. Composed by Johann Sebastian Bach (1685-1750). Edited by Heinrich Schneikart. String music. Composed 1970. 28 pages pages. Published by Doblinger Music Publishers (DB.03-00906).

Double bass solo

SKU: BR.DV-32113

Composed by Konrad (Hrsg.) Siebach. Edited by Konrad Siebach. Solo instruments; Softbound. Deutscher Verlag. Music pedagogy. Score. 128 pages. Deutscher Verlag fur Musik #DV 32113. Published by Deutscher Verlag fur Musik (BR.DV-32113).

ISBN 9790200426502. 9 x 12 inches.

Double bass

SKU: KU.OCT-10287_KB

Composed by Joseph Eybler. Edited by Franz Beyer. Bach format (230 x 302). Staple Bound. Part. 19 pages. Edition Kunzelmann #OCT-10287_KB. Published by Edition Kunzelmann (KU.OCT-10287_KB).

ISBN 9790206203657.

Double bass

SKU: KU.OCT-10176_KB

Composed by Antonio Vivaldi. Edited by Istvan Mariassy and Árpád Pejtsik. Bach format (230 x 302). Rv 399, Pv 33, F. Iii/6, Ric. 211. Single Sheet. Part. 2 pages. Edition Kunzelmann #OCT-10176_KB. Published by Edition Kunzelmann (KU.OCT-10176_KB).

ISBN 9790206202360. Key: C major.

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violone (double bass). Stapled. Single part. No. 2. Published by Baerenreiter Verlag

Double bass

SKU: KU.OCT-10260_KB

Composed by Francois Borne. Edited by Raymond Meylan. Arranged by Reymond Meylan. Bach format (230 x 302). Folded. Part. 4 pages. Duration 15 minutes. Edition Kunzelmann #OCT-10260_KB. Published by Edition Kunzelmann (KU.OCT-10260_KB).

ISBN 9790206207013.

Double bass

SKU: KU.GM-328_KB

Composed by Tomaso Giovanni Albinoni. Edited by Walter Kolneder. Bach format (230 x 302). Folded. Part. Op. 5/6. 4 pages. Edition Kunzelmann #GM-328_KB. Published by Edition Kunzelmann (KU.GM-328_KB).

Key: C major.

By Johann Sebastian Bach. Edited by August Wenzinger. For Violone/Contrabass. Single Part. BWV 1050. Published by Baerenreiter-Ausgaben (German import). (BA5112 85)

Double bass - Level 4

SKU: KU.GM-1967_KB

Composed by Wolfgang Amadeus Mozart. Edited by Bruno Borralhinho. Arranged by Bruno Borralhinho. Bach format (230 x 302). Aus Kv 492. Folded. Part. 2 pages. Duration 7 minutes. Edition Kunzelmann #GM-1967_KB. Published by Edition Kunzelmann (KU.GM-1967_KB).

ISBN 9790206208850. Key: C major.

Double bass

SKU: KU.GM-325_KB

Composed by Tomaso Giovanni Albinoni. Edited by Walter Kolneder. Bach format (230 x 302). Folded. Part. Op. 5/3. 3 pages. Edition Kunzelmann #GM-325_KB. Published by Edition Kunzelmann (KU.GM-325_KB).

Key: D major.

Double bass

SKU: KU.GM-1234_KB

Composed by Jacques Offenbach. Edited by Werner Thomas-Mifune. Arranged by Werner Thomas-Mifune. Bach format (230 x 302). Folded. Part. 2 pages. Edition Kunzelmann #GM-1234_KB. Published by Edition Kunzelmann (KU.GM-1234_KB).

ISBN 9790206208485.

Double bass

SKU: KU.OCT-10021_KB

Composed by Antonio Vivaldi. Edited by Laszlo Hara. Bach format (230 x 302). Rv 497, Pv 72, F. Viii/7, Ric. 72. Folded. Part. 3 pages. Edition Kunzelmann #OCT-10021_KB. Published by Edition Kunzelmann (KU.OCT-10021_KB).

ISBN 9790206203176. Key: A minor.

(Motette). By Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. For Violone/Contrabass. Chor-Archiv. Sacred. Single Part. BWV 230. Published by Baerenreiter Verlag

Double bass

SKU: KU.GM-324_KB

Composed by Tomaso Giovanni Albinoni. Edited by Walter Kolneder. Bach format (230 x 302). Single Sheet. Part. Op. 5/2. 2 pages. Edition Kunzelmann #GM-324_KB. Published by Edition Kunzelmann (KU.GM-324_KB).

Key: F major.

Double Bass

SKU: HL.48180215

For Double Bass. Composed by Johann Sebastian Bach. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL16658. Published by Alphonse Leduc (HL.48180215).

UPC: 888680794958. 9x12 inches.

For Double Bass.