| Trio Op. 14 - Pour
Flûte (Ou Violon),
Violoncelle Et Piano
En Français Flûte, Violon, Violoncelle Et
Piano Armiane
/ Flûte, Violon, Violoncelle Et Piano
24.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Concerto (GIANELLA LUIGI) Flûte, Violon, Violoncelle et
Piano Vigormusic
Par GIANELLA LUIGI. / Date parution : 2022-11-08/ Répertoire / Flûte, Violon,...(+)
Par GIANELLA LUIGI. / Date parution : 2022-11-08/ Répertoire / Flûte, Violon, Violoncelle et Piano
48.46 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Pariser Quartette Flûte, Violon, Violoncelle et
Piano [Partition] - Intermédiaire/avancé Barenreiter
/ Flûte Traversière, Violon, Viole De Gambe (Ou Violoncelle) Et Basse Continu...(+)
/ Flûte Traversière, Violon, Viole De Gambe (Ou Violoncelle) Et Basse Continue / Partition
68.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Pariser Quartette Flûte, Violon, Violoncelle et
Piano [Partition] - Intermédiaire/avancé Barenreiter
/ Flûte Traversière, Violon, Viole De Gambe (Ou Violoncelle) Et Basse Continu...(+)
/ Flûte Traversière, Violon, Viole De Gambe (Ou Violoncelle) Et Basse Continue / Partition
68.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Haflidi Hallgrímsson:
Verse 1 for Flute and
Cello: Flute & Cello:
Instrumental Flûte, Violon, Violoncelle et
Piano [Partition] Chester
'Verse 1' marks the beginning of a more ambitious and intense style of compositi...(+)
'Verse 1' marks the beginning of a more ambitious and intense style of composition. The ideas are relatively simple and develop gradually in a cyclic fashion within a one movement sectional design. Progressively faster tempi leadto the main climax of the work near the end of the piece. Then a short coda leads to a very quiet ending and a return to the original tonal centre of C.Quoting composer:'In April 1975 I occupied a flat in Aldeburgh Suffolk near the seafront. As a member of the English Chamber Orchestra I had come to work for a week on a recording of Britten’s opera ‘Death in Venice’ so the real and suggested sound of the sea was in my ears so to speak for dayson end. A few weeks later when I started work on 'Verse 1' it became clear in the first few bars that I was recalling and suggesting the sea and the beach at Aldeburgh. I am not aware of any direct influence from Britten’smusic but I do however quote a small fragment from a theme to be found in a piano quartet by Mahler played early in the piece by the flute (bars 6 & 7).This work was awarded the First Prize in the Viotti InternationalCompetition for composers in Italy in 1975.
10.99 GBP - vendu par Musicroom GB |
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