(Customizable Weekly Organizer for Teachers and Students). For Guitar. This edition: Planner, Student Journal and Manuscript Paper Book. Book; Guitar Manuscript Paper. 64 pages. Published by Alfred Music

(Jazz Guitar -- Organ-Trio Blues). By Doug Munro. For Guitar. Guitar Method or Supplement; Method/Instruction. 21st Century Pro Method. Jazz. Spiral-Bound Book and CD. 120 pages. Published by Alfred Music Publishing

(The Music of Jobim, Bonfa, and Baden Powell for Solo Guitar). Arranged by Brian Hodel. For classical guitar. Guitar Solo. Bossa Nova and Samba. Difficulty: medium. Instrumental Solo Songbook. Standard guitar notation and fingerings. 32 pages. Published by TRO - The Richmond Organization

Learn to channel improvisational impulses into great solos with this amazing book and CD by outstanding jazz performer and educator, Mark Dziuba. Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so topics such as melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn. This is a must-have book for all jazz guitarists that will be used for years to come.

Using Generic Modality Compression. Berklee Guide. Instruction. Softcover Audio Online. 104 pages. Published by Berklee Press

Guitar solo - Advanced

SKU: DZ.DZ-4319

Composed by Paolo Rosini. Score. Les Productions d'OZ #DZ 4319. Published by Les Productions d'OZ (DZ.DZ-4319).

ISBN 9782898522369.

The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.
The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements.
The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.

La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.
L’ utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.
Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical.

By Aaron Shearer. For Guitar (Classical). Method. Classic. Level: Beginning. Book. Size 9x11.75. 154 pages. Published by Mel Bay Publications, Inc.

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Guitar

SKU: BT.HITPCKROO01

Composed by J-D Crouhy. Method. Book with CD. Composed 2011. 96 pages. Hit Diffusion #HITPCKROO01. Published by Hit Diffusion (BT.HITPCKROO01).

French.

Jouez rapidement 20 morceaux connus !

Une méthode unique et novatrice, accessible tous les débutants même ceux qui ne connaissent pas le solfège (tablatures, grilles et diagrammes).

Un recueil ultra complet et agréable utiliser :présentation claire, pages intérieures en couleurs et spirales.

Cette méthode de guitare progressive et facile est organisée en deux parties:
La première introduit la guitare en présentant les différentes parties de l’instrument, lesdifférences de modèles (classique, folk, électrique) mais aussi en expliquant comment la tenir, l’accorder et la faire sonner !
La deuxième partie propose une formule novatrice. 20 chansons sous forme de leçon cequi permet d’introduire un largechoix de styles musicaux : rock, pop, jazz, ballade, reggae...
Dès le début de l’apprentissage : place au jeu gr ce l’explication technique, musicale et historique de chaque titre sur une double page.
Le morceau est écrit sous forme d’accords(grilles et tablatures) avec les paroles intégrales pour chanter et s’accompagner.
Bref, dans cette méthode tout est l pour apprendre avec plaisir et jouer tous ses morceaux préférés.

Sur le CD audio : tous les morceaux et leurs play-backainsi que certains passages plus difficiles un rythme lent pour faciliter lapprentissage.

By Don Latarski. For Guitar. Guitar Method or Supplement. The Ultimate Guitar Chord Book Series. Book. 60 pages. Published by Alfred Publishing.

Guitar

SKU: FG.55011-465-4

Composed by Mikko Heinio. Fennica Gehrman #55011-465-4. Published by Fennica Gehrman (FG.55011-465-4).

ISBN 9790550114654.

Thro ugh Green Glass is made up of four contrasting movements osasta (Allegro intenso-Pesante-Sostenuto -Energico), which are played attacca. The sharp cuts at the movement divider transfer the listener suddenly to a new atmosphere and sound texture. Only the final movement, Energico, grows organically into its own being, directly from the tranquil Sostenuto movement. Reoccuring rhythm ostinato 13/8 (8/8 + 5/8) is embedded in the genes of all movements. After the climax of the finale, a kind of synthesis is apparent: the heavy chords of Pesante movement make a reappearance; the final bars of the work are indeed a citation from the beginning of the work.
Though the guitar is not Mikko Heinio's own instrument, this work was born with a guitar on the composer's lap. This lends to the texture being idiomatic, very natural to the guitar, not letting the performer get off easy, though. The fast changes in texture, multiple playing techniques and snappy rhythmic drive with fast arpeggios call for iron-handed guitarist. The title of the work was given after the work was finished. In retrospect the composer says of the title: [the mental image is] green like the nature, fragile and clear as glass, as light filtered by certain frequences of chromium oxide.

By Jerry Snyder. For Guitar. Guitar Method or Supplement. Book and CD. 96 pages. Published by Alfred Publishing.

By Jerry Snyder. For Guitar. Guitar Method or Supplement. Book and CD. 96 pages. Published by Alfred Publishing.

By Wayne Riker. For Guitar. Guitar Method or Supplement. 0. Blues. Book and CD. 96 pages. Published by Alfred Publishing.

(The Easiest Way to Get the Essentials Under Your Fingers). By Ron Manus and Steve Hall. For Guitar. Guitar Method or Supplement. Alfred's Basic Guitar Library. Book. 32 pages

By Don Latarski. For Guitar. Guitar DVD. The Ultimate Beginner Series. DVD. Published by Alfred Publishing.

The Keys To Flamenco Guitar arranged by Dennis Koster. For guitar. This edition: Paperback. Instructional. AIG Flamenco Series. Method. Book and CD. Text Language: English. 128 pages. Published by Santorella Publications

Advanced Flamenco Guitar arranged by Dennis Koster. For guitar. This edition: Paperback. Instructional. AIG Flamenco Series. Method. Book and CD. Text Language: English. 160 pages. Published by Santorella Publications

By Chris Crockarell. Concert Ensemble. For Bells, Xylophone, (Optional Vibes), Tambourine, Cowbell, Congas, (3) Temple Blocks, Suspended Cymbal, Keyboard (Organ), Guitar, Bass Guitar, Drum Set. Level: 1. Duration 2:25. Published by Row-Loff Publications.

Classical guitar - Intermediate

SKU: MB.99904M

Composed by Giovanni De Chiaro. Squareback saddle stitch, Wedding. Style. Book and online audio. 112 pages. Mel Bay Publications, Inc #99904M. Published by Mel Bay Publications, Inc (MB.99904M).

ISBN 9780786697045. 8.75 x 11.75 inches.

This collection provides fresh repertoire for wedding ceremonies offering a wonderful alternative to the church organ. Selections include Canon in D Pachelbel ; Jesu, Joy of Mans Desiring Bach ; Wedding March Mendelssohn ; and other popular and enjoyable pieces suitable for the occasion. Written in standard notation only with suggested fingerings. Includes access to online audio recording.

By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.

Written by Howard Morgan. Instructional book for guitar. With standard guitar notation (no tablature), fingerings, instructional text, black and white photos and illustrations. Series: Howard Morgen Fingerstyle Jazz Series. 188 pages. Published by Alfred Publishing.