Zweistimmige Organa und Motetten des 14. Jahrhunderts. Das Erbe Deutscher Musik VII/10 und 11. / Mottet / Recueil / Voix

A setting of Psalm 109 for SATB soli and chorus, string orchestra and organ continuo. Edited by John Steele. Vocal score with organ part. / Voix

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Frederick John Easthope Martin (1882-1925) was a British composer and organist. He studied Piano Organ Harmony and Composition at Trinity College of Music in London. Best known for Evensong which has beenarranged for Piano Organ and even Orchestra the vast majority of his works were actually for Voice. Come To The Fair is probably his best known song; it was first published in 1917 as the first inthe volume Three More Songs Of The Fair. The text was written by Helen Taylor. It has been transposed to the key of G making it suitable for Medium Voices. Ideal for any school group this song of greatgusto and celebration will enliven any choral programme!

Gudserkendelsen-In Deo (Gudserkendelsen). Instrumentation: Voice and organ (or mixed choir a cappella). BVN406

Mater Ora Filium is an Irish folk song arranged as a carol to anonymous 15th-century words by Charles Wood. This version has been re-arranged for treble voices (two-part with optional solo) and organ by Harrison Oxley.

CHANGING VOICES CHRISTMAS is an exciting collection of Christmas carols and popular songs specifically arranged for changing or ‘cambiata’ male voices. These arrangements are intended to be sung by boys aged approximately 11 years and upwards; precisely the time when many boys give up singing as their changing voices cease to fit comfortably within traditional vocal ranges. Progressive in difficulty and ranging from classic carols to more contemporary Christmas hits the pieces in this collection are suitable for performance in both sacred and secular settings. Together they provide a dynamic and festive selection of music for boys’choral groups of all abilities. As well as the printed score this book is supported by SoundWise: eBook: a digital edition of your music to read on any device. Audio: full demonstration recordings of each piece plus accompaniment-only solo-only and rehearsal backing tracks. 'The arrangements by Ian Crawford are freely imagined bot most distinctive and novel here is the desire to provide a repertoire for teenage boys.' - Geoffrey Webber of choirandorgan.com