Opera SKU: HL.14028156 Composed by Aulis Sallinen. Music Sales America. O...(+)
Opera
SKU:
HL.14028156
Composed
by Aulis Sallinen. Music
Sales America. Opera or
Operetta. Book
[Softcover]. Music Sales
#NOV060015. Published by
Music Sales
(HL.14028156).
ISBN
9780853603955.
<
strong>The
Palace is an
Opera in a prologue and
three acts with music by
Aulis Sallinen
and libretto by Irene
Dische and Hans Magnus
Enzensberger.
This
work was commissioned by
the Savonlinna Opera
Festival and was first
performed in Olavinlinna
Castle, Finland, on 26
July 1995. This libretto
includes a Finnish
translation. Duration:
approx. 2 hours.
Orchestra SKU: HL.14003801 Composed by Anders Nordentoft. Music Sales Ame...(+)
Orchestra
SKU:
HL.14003801
Composed
by Anders Nordentoft.
Music Sales America.
Score. Music Sales
#KP00916. Published by
Music Sales
(HL.14003801).
ISBN
9788759882498.
Danish.
'Beggars'
Palace' is the name of a
fictive railway station,
a metaphor that can evoke
many associations, for
example as a place from
which one journeys on,
where one is forced to
stay for a short or long
period, or a place where
one simply gets stuck and
must watch others journey
on. The fictive station
has something worn-out
and shabby about it, but
the worn and shabby can
have its own poetry and
beauty. At the end the
music stands still for a
minute or two, while a
voice talks about
Beggars' Palace.
'Beggars' Palace' was
composed in January 2000
for the Aarhus Symphony
Orchestra. Anders
Nordentoft.
Winter Palace Orchestre à Cordes - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Pop/Rock;
Winter. Grade 3.5. 140
pages. Published by
Alfred Music
By Various. For Piano. Written For You Collections. Contents include: The Wild W...(+)
By Various. For Piano.
Written For You
Collections. Contents
include: The Wild West
(Brown); Mystic Legend
(Goldston); Black Cat
Scherzo (Bober); Souvenir
of Old Vienna (Brown);
Crystal Palace Waltz
(Bober); Midnight Chase
(Goldston); At a Paris
CafE (Olson); Rodeo
Roundup! (Bober);
Romantic Promenade
(Brown). Level:
Intermediate. Book.
Published by The FJH
Music Company, Inc.
Score Only Concert Band (Score) - Grade 2 SKU: HL.4002868 Composed by Ric...(+)
Score Only Concert Band
(Score) - Grade 2
SKU:
HL.4002868
Composed
by Richard L. Saucedo.
MusicWorks Grade 2.
Overture. Softcover. 28
pages. Duration 250
seconds. Published by Hal
Leonard (HL.4002868).
UPC: 884088353018.
9.0x12.0x0.096
inches.
Described
by the composer as
“bombastic, but with a
groove” this work for
young players opens with
striking percussion
statements. The band
enters gradually, first
with unison figures along
with the percussion, and
then additional layers. A
contrasting slow section
with flowing lines and
minor harmonies sets the
stage for the dramatic
final section. A great
way to showcase your
percussion section. Dur:
4:10 (Grade 2).
Winter Palace Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
(As performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Score; SmartMusic; String
Orchestra. Pop Concert
String Orchestra. Light
Concert; Pop/Rock;
Winter. Grade 3.5. 28
pages. Published by
Alfred Music
Orchestra SKU: HL.14028646 Composed by Aulis Sallinen. Music Sales Americ...(+)
Orchestra
SKU:
HL.14028646
Composed
by Aulis Sallinen. Music
Sales America. Opera or
Operetta. Book
[Softcover]. 28 pages.
Music Sales #NOV890191.
Published by Music Sales
(HL.14028646).
ISBN
9780853609629.
8.25x11.75x0.113
inches.
Opus 68a;
Overture to the opera The
Palace (1994). The
libretto (by Irene Dische
and Hans Magnus
Enzenberger) is strongly
influenced by Mozart's
Die Entfuhrung aus dem
Serail and it alludes to
the original
Bretzner/Stephanie text
as wellas the book King
of The Kings by Ryszard
Kapuscinski which tells
of the downfall of Haile
Selassie's court in
Ethiopia. Facsimile Study
Score. Duration 6-7mins.
Orchestration: 2.2.2.2
4.2.2.1 Timpani, 2
Percussion, Harp,
Strings.
KiSolisten, KiChor (1-3stg, 2. und 3. Stimme ad lib.), Pfte SKU: CA.1244803(+)
KiSolisten, KiChor
(1-3stg, 2. und 3. Stimme
ad lib.), Pfte
SKU:
CA.1244803
Composed
by Thomas Nutzenberger.
Musicals for children,
Secular choral music.
Piano score. Duration 60
minutes. Carus Verlag #CV
12.448/03. Published by
Carus Verlag
(CA.1244803).
ISBN
9790007252687. German.
Text: Hauff, Wilhelm /
Liebenspacher-Helm,
Sigrid.
This is the
bizarre and fantastic
story of the boy Jacob
who is transformed into a
dwarf with a huge nose by
an mysterious fairy. He
spends seven years in the
fairy's palace, and
during this time becomes
a marvellous cook. The
years go by as in a
dream, and he does not
imagine that he is in
truth in the body of a
loathsome dwarf. When he
sees his parents again,
they do not recognize
him. He is mocked and
rejected by everyone. But
Jakob is not
disheartened! He has to
protect himself and
survive setbacks and
tests until at the end of
the story he regains his
true form. Zwerg Nase,
based on the fairy tale
of the same name by
Wilhelm Hauff, is a story
which gives courage and
hope. It is a story which
tells of self-confidence
and friendship. There are
the animals in the
fairy's palace, who stand
alongside Zwerg Nase, and
above all his girlfriend
the goose Mimi who is
herself an enchanted
maiden and is saved from
the oven by Zwerg Nase.
Mimi knows which magic
herb can give him back
his true form. And
everything turns out well
in the end. The text and
music convey the magical
content of the fairy tale
in a playful, yet
convincing way. The
libretto is catchy in its
verse and rhyme, comic
ideas alternate with
touching and atmospheric
passages. Classic and
contemporary elements mix
together in the setting,
oriental borrowings stand
alongside rhythmic pieces
such as boogie-woogie,
tango, and waltz. Written
for chorus and solo
voices, the Singspiel is
suitable for children and
young people from 6 to 14
years. It is about an
hour in length. This is
the bizarre and fantastic
story of the boy Jacob
who is transformed into a
dwarf with a huge nose by
an mysterious fairy. He
spends seven years in the
fairy's palace, and
during this time becomes
a marvellous cook. The
years go by as in a
dream, and he does not
imagine that he is in
truth in the body of a
loathsome dwarf. When he
sees his parents again,
they do not recognize
him. He is mocked and
rejected by everyone. But
Jakob is not
disheartened! He has to
protect himself and
survive setbacks and
tests until at the end of
the story he regains his
true form. Zwerg Nase,
based on the fairy tale
of the same name by
Wilhelm Hauff, is a story
which gives courage and
hope. It is a story which
tells of self-confidence
and friendship. There are
the animals in the
fairy's palace, who stand
alongside Zwerg Nase, and
above all his girlfriend
the goose Mimi who is
herself an enchanted
maiden and is saved from
the oven by Zwerg Nase.
Mimi knows which magic
herb can give him back
his true form. And
everything turns out well
in the end. The text and
music convey the magical
content of the fairy tale
in a playful, yet
convincing way. The
libretto is catchy in its
verse and rhyme, comic
ideas alternate with
touching and atmospheric
passages. Classic and
contemporary elements mix
together in the setting,
oriental borrowings stand
alongside rhythmic pieces
such as boogie-woogie,
tango, and waltz. Written
for chorus and solo
voices, the Singspiel is
suitable for children and
young people from 6 to 14
years. It is about an
hour in length.
KiSolisten, KiChor (1-3stg, 2. und 3. Stimme ad lib.), Pfte SKU: CA.1244805(+)
KiSolisten, KiChor
(1-3stg, 2. und 3. Stimme
ad lib.), Pfte
SKU:
CA.1244805
Composed
by Thomas Nutzenberger.
Musicals for children,
Secular choral music.
Choral Score. Duration 60
minutes. Carus Verlag #CV
12.448/05. Published by
Carus Verlag
(CA.1244805).
ISBN
9790007250133. German.
Text: Hauff, Wilhelm /
Liebenspacher-Helm,
Sigrid.
This is the
bizarre and fantastic
story of the boy Jacob
who is transformed into a
dwarf with a huge nose by
an mysterious fairy. He
spends seven years in the
fairy's palace, and
during this time becomes
a marvellous cook. The
years go by as in a
dream, and he does not
imagine that he is in
truth in the body of a
loathsome dwarf. When he
sees his parents again,
they do not recognize
him. He is mocked and
rejected by everyone. But
Jakob is not
disheartened! He has to
protect himself and
survive setbacks and
tests until at the end of
the story he regains his
true form. Zwerg Nase,
based on the fairy tale
of the same name by
Wilhelm Hauff, is a story
which gives courage and
hope. It is a story which
tells of self-confidence
and friendship. There are
the animals in the
fairy's palace, who stand
alongside Zwerg Nase, and
above all his girlfriend
the goose Mimi who is
herself an enchanted
maiden and is saved from
the oven by Zwerg Nase.
Mimi knows which magic
herb can give him back
his true form. And
everything turns out well
in the end. The text and
music convey the magical
content of the fairy tale
in a playful, yet
convincing way. The
libretto is catchy in its
verse and rhyme, comic
ideas alternate with
touching and atmospheric
passages. Classic and
contemporary elements mix
together in the setting,
oriental borrowings stand
alongside rhythmic pieces
such as boogie-woogie,
tango, and waltz. Written
for chorus and solo
voices, the Singspiel is
suitable for children and
young people from 6 to 14
years. It is about an
hour in length. This is
the bizarre and fantastic
story of the boy Jacob
who is transformed into a
dwarf with a huge nose by
an mysterious fairy. He
spends seven years in the
fairy's palace, and
during this time becomes
a marvellous cook. The
years go by as in a
dream, and he does not
imagine that he is in
truth in the body of a
loathsome dwarf. When he
sees his parents again,
they do not recognize
him. He is mocked and
rejected by everyone. But
Jakob is not
disheartened! He has to
protect himself and
survive setbacks and
tests until at the end of
the story he regains his
true form. Zwerg Nase,
based on the fairy tale
of the same name by
Wilhelm Hauff, is a story
which gives courage and
hope. It is a story which
tells of self-confidence
and friendship. There are
the animals in the
fairy's palace, who stand
alongside Zwerg Nase, and
above all his girlfriend
the goose Mimi who is
herself an enchanted
maiden and is saved from
the oven by Zwerg Nase.
Mimi knows which magic
herb can give him back
his true form. And
everything turns out well
in the end. The text and
music convey the magical
content of the fairy tale
in a playful, yet
convincing way. The
libretto is catchy in its
verse and rhyme, comic
ideas alternate with
touching and atmospheric
passages. Classic and
contemporary elements mix
together in the setting,
oriental borrowings stand
alongside rhythmic pieces
such as boogie-woogie,
tango, and waltz. Written
for chorus and solo
voices, the Singspiel is
suitable for children and
young people from 6 to 14
years. It is about an
hour in length.
Composed by
Patrick Glenn Harper.
Cps. Set of Score and
Parts.
8+8+4+8+8+8+4+4+4+4+4+4+4
+4+4+4+4+8+8+6+4+8+1+2+2+
2+4+8+4+32 pages.
Duration 5:22. Carl
Fischer Music #CPS261.
Published by Carl Fischer
Music (CF.CPS261).
ISBN 9781491161272.
UPC:
680160919864.
Sahar
a is an exciting
programmatic work for
concert band that
musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final destination.
Performance Notes You may
use a set of congas in
addition to or in lieu of
the dumbek part to bring
out that pitched drum
sound. At m. 4, emphasize
the accented quarter
notes in the horns and
euphonium. Measures
17-26, make sure that the
sixteenth note marimba
part is heard clearly. In
measures 48-92, this
entire middle section may
be played in a rubato
style at the director's
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm. 76-81.
Measures 109-112, make
sure to bring out the
trills in the Flute and
oboe parts and sustain
them all the way through
the measure with a
release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. Sahara is an
exciting programmatic
work for concert band
that musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final
destination.Performance
NotesYou may use a set of
congas in addition to or
in lieu of the dumbek
part to bring out that
pitched drum sound. At m.
4, emphasize the accented
quarter notes in the
horns and euphonium.
Measures 17-26, make sure
that the sixteenth note
marimba part is heard
clearly. In measures
48-92, this entire middle
section may be played in
a rubato style at the
director’s
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm.
76-81.Measures 109-112,
make sure to bring out
the trills in the Flute
and oboe parts and
sustain them all the way
through the measure with
a release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts.
The Forbidden City Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s)...(+)
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin
Beginning Band. Folk.
Grade 1. 140 pages.
Published by Belwin Music
200 B.C. Orchestre d'harmonie - Intermédiaire/avancé Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
Nessun dorma Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Turandot). By Giacomo Puccini (1858-1924). Arranged by Jacques D...(+)
(from the Opera
Turandot). By Giacomo
Puccini (1858-1924).
Arranged by Jacques
Dubois. For Tenor and
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:30