Orchestra; Violin (Study Score) SKU: HL.49046240 Violin and Orchestra ...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49046240
Violin
and Orchestra Study
Score. Composed by
Alban Berg. Edited by
Douglas Jarman. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1935.
92 pages. Duration 1740
seconds. Eulenburg
Edition #ETP1906.
Published by Eulenburg
Edition (HL.49046240).
ISBN 9783795714536.
UPC: 888680964696.
6.0x9.0x0.237
inches.
The violin
concerto from 1935 is
probably the best-known
and most frequently
performed instrumental
work by Alban Berg.
Written on behalf of the
violinist Louis Krasner,
it is his last completed
composition. Krasner
played the solo part at
the world premiere at the
Palau de la Música
Catalana in Barcelona on
19 April 1936 after
Berg's death. The concert
is dedicated to
“The Memory of an
Angel.†Berg
processed the death of
18-year-old Manon
Gropius, who had
contracted polio, and his
daughter Alma
Mahler-Werfel's marriage
to architect Walter
Gropius. His intention
was “to translate
the traits of the young
girl into musical
charactersâ€. With
more than 1,200 titles
from orchestral and
choral literature,
chamber music and music
theater, Edition
Eulenburg is the largest
score series in the
world. It covers a large
part of music history
from the baroque to
classical modernism and
looks back on a long
tradition.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/12. Published by
Carus Verlag
(CA.2300712).
ISBN
9790007037697. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed
by Paul Tate. Lent 4 Year
B. Sacred. With guitar
chord names. GIA
Publications #017073.
Published by GIA
Publications
(GI.G-017073).
Spanish.
Provide
s basic guidelines for
understanding the role of
music ministry in the
liturgy by recalling the
vast, rich musical
tradition of the Catholic
church. This book
discusses everything from
cultural diversity,
instrumentation, and
copyrights to preparing
and judging music for
worship. A must for music
ministers!
Piano SKU: BT.EMBZ1971 Erste Fassung. Composed by Bela Bartok. Boo...(+)
Piano
SKU:
BT.EMBZ1971
Erste
Fassung. Composed by
Bela Bartok. Book Only.
Composed 1955. 28 pages.
Editio Musica Budapest
#EMBZ1971. Published by
Editio Musica Budapest
(BT.EMBZ1971).
Alto Saxophone; Piano - advanced SKU: HL.49045126 For Alto Saxaphone a...(+)
Alto Saxophone; Piano -
advanced
SKU:
HL.49045126
For
Alto Saxaphone and
Piano. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Woodwind Solo. Classical.
Softcover. Composed 1994.
8 pages. Duration 3'.
Schott Music #ED22544.
Published by Schott Music
(HL.49045126).
ISBN
9790001160667. UPC:
841886028197.
9.0x12.0x0.055
inches.
Hummel's
Vocalise is available in
different editions (each
with piano accompaniment)
and, following
19th-century tradition,
is conducive to breath
phrasing, confidence in
intonation and the
methodological
development of vocal and
instrumental style.
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
IV/3/2. Complete edition,
Score, anthology.
Baerenreiter Verlag
#BA10576_01. Published by
Baerenreiter Verlag
(BA.BA10576-01).
ISBN
9790260108363. 33.3 x 26
cm inches. Language: CS,
Text Language: CZ.
Preface: Brezina,
Aleš.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Horn SKU: FG.55011-555-2 Composed by Tommi Hyytinen. Classical. Book. Fen...(+)
Horn
SKU:
FG.55011-555-2
Composed by Tommi
Hyytinen. Classical.
Book. Fennica Gehrman
#55011-555-2. Published
by Fennica Gehrman
(FG.55011-555-2).
Playing from
the Core is a new method
for practicing the French
horn. With an in-depth
understanding of the
traditions and history of
French horn technique,
Tommi Hyytinen brings new
perspectives to
instrumental practice by
examining the interaction
of mind and body and
incorporating these
insights into his method.
The body is perhaps a
musician's primary
instrument, and it is
important to become
intimately acquainted
with this instrument. A
thorough understanding of
the body makes many
musical and technical
challenges easier to
overcome. Hyytinen also
provides comprehensive
advice on preparing for a
performance and on
overcoming stage fright.
For instance,
understanding the
physiology of stress and
performance-related
nerves helps us better to
understand nervousness as
a natural state. By
employing a range of
physical and mental
exercises, we learn to
control nervous reactions
and turn them into
something that, rather
than hindering, can in
fact help and improve our
performances. In addition
to presenting a wealth of
factual information and
physical exercises, the
book contains many
informative
illustrations, playing
exercises, and an etude
exploring different
aspects of French horn
technique. Through the
presentation of
information, exercises
and examples, Playing
from the Core brings
students to a realisation
that everyone can improve
on the technical and
musical challenges they
face. Tommi Hyytinen is
an experienced
professional musician and
teacher, and he instructs
musicians in the holistic
use of the body. The
exercises presented in
the book form part of his
own daily practice
routine and teaching
material. Tommi thus
manages to explain and
show us the benefit of
both body and mental
exercises in preparation
for musical performance.
He shares all his wisdom
so generously that I have
no doubt that all
performing artists,
especially brass and wind
players as well as
singers will profit
enormously from reading
it. (Radovan Vlatkovic)
https://tommihyytinen.fi/
language/en/front-page/.<
/p>
Old Hundredth Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-238-130 Composed by Louis Bourgeois. Arr...(+)
Brass Band - Grade 3
SKU:
BT.AMP-238-130
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2008. 16
pages. Anglo Music Press
#AMP 238-130. Published
by Anglo Music Press
(BT.AMP-238-130).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Samana Fanfare [Conducteur et Parties séparées] - Intermédiaire Sierra Music
Composed by Manny Albam. Arranged by Bob Curnow. The Stan Kenton Orchestra Libra...(+)
Composed by Manny Albam.
Arranged by Bob Curnow.
The Stan Kenton Orchestra
Library Series; The Bob
Curnow Big Band Series.
Latin/Swing. Score and
set of parts. Published
by Sierra Music
(S1.SMP-573).
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Composed by Anton
Diabelli. 1x 23.007/21
flute, 1x 23.007/22
clarinet 1, 1x 23.007/23
clarinet 2, 1x 23.007/31
trumpet 1, 1x 23.007/32
trumpet 2, 1x 23.007/33
horn 1, 1x 23.007/34 horn
2, 1x 23.007/41 timpani.
German title: Messe in Es
8. Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 107.
44 pages. Duration 25
minutes. Carus Verlag #CV
23.007/09. Published by
Carus Verlag
(CA.2300709).
ISBN
9790007037673. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and
parts available
separately - see item
CA.2300700.
Composed by Antonio
Vivaldi. This edition:
urtext. Stuttgart Urtext
Edition: Vivaldi-Archiv.
German title: Dixit.
Sacred, Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Single Part, Choir 1:
Viola. RV 594. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
40.007/13. Published by
Carus Verlag
(CA.4000713).
ISBN
9790007057626. Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.
Concert Band Concert Band - Grade 2 SKU: FJ.B1666S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1666S
Score
Only. Composed by
Gary Fagen. Concert Band.
FJH Young Band.
Multicultural. Score.
Duration 3:00. The FJH
Music Company Inc
#98-B1666S. Published by
The FJH Music Company Inc
(FJ.B1666S).
English.
Travel
back in time with this
exciting piece
reminiscent of the
American Old West. The
basic syncopations are
easily taught and exhibit
the spirit of the
American West during a
time when the cowboy and
rancher were helping to
shape the agricultural
and livestock tradition
of the young country.
Yeehaw!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Fanfare Band - Grade 3 SKU: BT.DHP-0890148-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0890148-020
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1989. De
Haske Publications #DHP
0890148-020. Published by
De Haske Publications
(BT.DHP-0890148-020).
Dieses
vierteilige Werk basiert
auf alten Volksliedern
aus der Provençe. Der
Komponist verwendet diese
Melodien in einer farbig
instrumentierten Suite
und braucht hierbei eine
Klangsprache, die
einerseits den
volkstümlichen
Charakter
nichtverleugnet, aber
andererseits doch ab und
zu eine pikante Note
enthält.Die Teile
sind: Un ange a fa la
crido, Adam e sa
coumpagno, Lou
Fusti en Lis
Escoubo.
Concert Band Concert Band - Grade 2 SKU: FJ.B1666 Composed by Gary Fagen....(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1666
Composed by
Gary Fagen. Concert Band.
FJH Young Band.
Multicultural. Score and
Part(s). Duration 3:00.
The FJH Music Company Inc
#98-B1666. Published by
The FJH Music Company Inc
(FJ.B1666).
UPC:
241444369142.
English.
Travel
back in time with this
exciting piece
reminiscent of the
American Old West. The
basic syncopations are
easily taught and exhibit
the spirit of the
American West during a
time when the cowboy and
rancher were helping to
shape the agricultural
and livestock tradition
of the young country.
Yeehaw!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Composed
by Johann Pachelbel.
Edited by Katharina
Larissa Paech. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 4. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10554_00.
Published by Baerenreiter
Verlag (BA.BA10554).
ISBN 9790006553037. 33
x 26 cm inches.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Old Hundredth Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-238-140
Composed by Louis
Bourgeois. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Hymns & Chorals. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 238-140. Published
by Anglo Music Press
(BT.AMP-238-140).
9x12
inches.
English-German-French-Dut
ch.
The tune Old
Hundredth is one of
the best-known melodies
in all Christian musical
traditions and first
appeared in the 1551
psalter Pseaumes Octante
Trois de David, where it
is used as a setting for
a version of Psalm 134;
it is usually attributed
to the French composer
Louis Bourgeois (c.1510 -
c.1560). The melody was
then used in 1561 by the
Scots clergyman, William
Kethe in Sternhold and
Hopkins’ Psalter
for his paraphrase of
Psalm 100 - All People
that on Earth do
Dwell<(I>, which is still
the most familiar hymn
sung to this noble tune.
When Tate and
Brady’s New
Version of the Psalms was
published in 1696, the
melody became know as the
‘old’
version - henceits
current title. This
arrangement presents
three contrasting verses
and is effective as a
concert piece as well as
an instrumental interlude
as part of a church
service or wedding.
De melodie van
Old Hundredth is
een van de bekendste in
alle christelijke
muziektradities, ze
verscheen voor het eerst
in Pseaumes Octante
Trois de David uit
1551. De muziek wordt
meestal toegeschreven aan
de Fransecomponist Louis
Bourgeois
(ca.1510-ca.1560). In
1561werd de melodie
gebruikt door de Schotse
geestelijke William Kethe
voor zijn parafrase van
psalm 100. Later werd de
melodie in Engeland
bekend als de
‘oude’
versie - daar komt ookde
huidige titel vandaan.
Dit arrangement, met drie
contrasterende
coupletten, is geschikt
als concertwerk of als
instrumentaal tussenspel
tijdens een kerkdienst of
huwelijksceremonie. Old Hundtredth
ist eine der bekanntesten
Melodien aller
christlichen
Musiküberlieferunge
n. Es erschien erstmals
in dem Psalter
Pseaumes Octante Trois
de David von 1551, wo
es als Satz für
zwei Psalmen verwendet
wurde. Diese Bearbeitung
präsentiert drei
kontrastierende Strophen
und kann sehr
wirkungsvoll sowohl als
Konzertwerk als auch als
instrumentales
Zwischenspiel in einem
Gottesdienst oder
während einer
Hochzeitszeremonie
eingesetzt
werden.
Piano SKU: HL.50511390 Piano Solo. Composed by Bé, k, and la...(+)
Piano
SKU:
HL.50511390
Piano
Solo. Composed by
Bé, k, and la
Bartó. 20th
Century. EMB. Classical.
Book [Softcover]. Op. 1.
28 pages. Editio Musica
Budapest #Z1971.
Published by Editio
Musica Budapest
(HL.50511390).
ISBN
9790080019719. UPC:
073999576511.
9.0x12.0x0.095
inches.
'The
significance of the
Rhapsody composed in 1904
in Gerlicepuszta and
Pozsony is well shown by
the fact that Bartok
subsequently reserved the
designation 'Opus 1' of
his last, mature opus
numbering for this piece.
By choosing this genre
Bartok was clearly
following in Liszt's
footsteps. But he did not
merely follow the
Hungarian Rhapsodies with
their parading of
folkloristic art songs in
a virtuoso instrumental
fantasy. The formal
coherence of Bartok's
work allows us to infer
the influence of the
large-scale Liszt
compositions he then
knew, such as the B minor
Sonata. Unlike Liszt,
Bartok builds his
Rhapsody not on familiar
melodies but on themes of
his own invention, yet
hisstyle is still that of
nineteenth-century
folkiness, and draws on
the art-music tradition
based on the verbunkos
and the csardas.'
(HCD 32524 Bartok New
Series Vol. 24, Istvan G.
Nemeth).
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Gioachino
Rossini. Edited by
Patricia B. Brauner and
Philip Gossett. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. 60
pages. Baerenreiter
Verlag #BA10501_91.
Published by Baerenreiter
Verlag (BA.BA10501-91).
ISBN 9790006536863. 27
x 19 cm inches. Text
Language:
Latin.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Gyorgy Ligeti (1923-2006). Edited by Monika Lichtenfeld. This editio...(+)
Composed by Gyorgy Ligeti
(1923-2006). Edited by
Monika Lichtenfeld. This
edition: 2 volumes;
hardcover with
dustjacket. Books /
Librettos. Publications
from the Paul Sacher
Foundation Band 10. Die
erste umfassende
Schriftenausgabe des
bedeutenden ungarischen
Komponisten. Text
Language: German. 876
pages. Published by Paul
Sacher Stiftung
Choral (SSA Choir) SKU: HL.286543 Arranged by Alejandro Rivas. Henry Leck...(+)
Choral (SSA Choir)
SKU: HL.286543
Arranged by Alejandro
Rivas. Henry Leck
Creating Artistry.
Christmas, Concert.
Octavo. 16 pages.
Duration 135 seconds.
Published by Hal Leonard
(HL.286543).
UPC:
888680896966.
6.75x10.5x0.036
inches.
Here is a
sweet carol from the
Venezuelan tradition. The
text is in Spanish with
an easy to read phonetic
pronunciation guide.
Piano, triangle and
claves are provided in
the choral score but an
expanded instrumentation
including flute, oboe,
clarinet and string bass
will make this a real
feature in your Christmas
concert.