Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs

Single Sheet arranged for soprano alto tenor and bass with piano accompaniment.

Frauenchor-For performance material on sale use regular 4-part edition BA4653.Arrangement for SMezAA based on the Henle Complete Edition of the Works of Joseph Haydn.Idiomatic Piano reduction.Haydn presumably wrote his Missa brevis in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ‘Little Organ Mass’ from the Organ solo in the Benedictus. This arrangement for female choir (SMezAA) is based on the complete edition of the Works of Joseph Haydn.The original soprano and alto parts have for the most part been taken over as has the soprano solo in the Benedictus. The tenor and bass parts are distributed among themezzo-sopranos and altos with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.

On Eagles' Wings is a wonderfully uplifting piece by Alexander L'Estrange for upper voices featuring glorious soaring melodies and an infectious rhythmic drive. It can be performed either with organ or showcasing L’Estrange’s jazz background with piano and double bass. Ideal both in a liturgical context and as part of a concert programme.On Eagles' Wings is part of the Faber Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers offering a thrilling array of varied styles.

All Creatures of Our God and King-(All Creatures of Our God and King). Now available for men's chorus this exciting work was recorded by First Call. Based on All Creatures of Our God and King and paired with a powerful African chorus it features fiery syncopations opportunities for soloists and a full complement of percussion instruments. Awesome! Available for SATB SAB TTBB 2-Part Instrumental Pak (parts for Guitar Bass Drums and Percussion) and ShowTrax CD. Performance Time: Approx. 4:25

Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for a quartet of Alto Tenor Baritone and Bass voices each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing.The close-harmony style not onlypresents a uniquely satisfying and playful challenge to the singers but will also delight and amuse audiences everywhere no matter what the occasion!

Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis” in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus”. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn”. The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus”. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound. Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy. - Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn” - Idiomatic piano reduction (BA 5694-90)/ Répertoire / Piano

pour 4 voix mixtes-Claude Debussy's Trois Chansons for four mixed voices (Soprano Contralto Tenor and Bass).

La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices on music by Georges Liferman. With lyrics by Jacques Mareuil this lyrical piece is quite melancholy: “Cry Pierrots Poets and Black cats the Moon is dead” being the main recurrent sentence. The chorus is sung by all voices while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of “o” by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly with very famous interpretationsin France by artists such as France Gall Juliette Gréco and Yves Montant.

A Beginner\'s Guide to Contemporary A Cappella Singing. Par DIETZ ROBERT. A cappella teacher/performer/producer, Rob Dietz, expertly describes the nuts, bolts and artistry of creating contemporary a cappella music. Rob is the perfect person to write this text, produce the sample tracks available on line and draw from his vast community of a cappella experts for advice and experiences. Whether you are an a cappella newbie or seasoned expert, this resource is for you! The perfect - dare I say pitch perfect - book for anyone looking to start an a cappella group or program! -Deke Sharon, Arranger/Producer: The Sing-Off, Pitch Perfect Includes digital access for audio. The tracks, expertly produced by the author, are examples of concepts presented in the book including warm-ups, bass vocal techniques, and arranging ideas. / Date parution : 2022-07-23/ Etude / Choeur a Cappella

Solos Duets and Terzets for soprano tenor and bass with piano violin & cello. Score and parts.Contents:Lochnagar WoO 156 No.9 (terzet)Ye Shepherds WoO 156 No.4 (terzet)Faithfu' Johnie Op.108 No.20 (solo)Farewell bliss WoO 152 No.20 (duet)The Soldier WoO 157 No.2 (soprano solo)The pulse of an Irishman WoO 154 No.4 (male voice solo)Enchantress farewell Op.108 No.18 ( male voice solo)Bonnie Laddie Highland Laddie Op.108 No.7 (soprano solo)The chace of the wolf WoO 155 No.1 (duet for soprano & tenor)O might I but my Patrick love! WoO 153 No.16 (soprano solo)Sally in our alley Op.108 No.25 (tenor solo)DuncanGray WoO 156 No.2 (terzet)Sunset Op.108 No.2 (solo)The soldier in a foreign land WoO 154 No.11 (duet for soprano & tenor)Come fill fill my good fellow Op.108 No.13 (terzet)Auld lang syne WoO 156 No.11 (terzet)

Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded./ Répertoire / Choeur

Arrangé pour 4 Sopranos (y compris les Soprano solo) 2 Mezzo soprano 2 compteur ténors 4 ténors 2 barytons 2 Basses / Voix