In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violoncelle

Cello part and Piano part The seven pieces for cello in this collection are of a slightly more challenging level of difficulty than those of Fiddler's Nursery which like Fiddle Fancies have been transposed and edited for young cellists by noted teacher Wendy Max. As ever Carse fits the solo and accompaniment together to make a complete musical picture testing both the player's technical skills and imaginative gifts. The seven pieces encompass a variety of moods and styles ranging from the tranquillity of Sweet Sorrow Bluebell Chimes and Sadness to the exuberance of Swinging Hopping Dance WaltzSteps and the ever-popular Frog Dance.

Learn to play traditional Irish melodies on the cello. The Irish Cello Book covers traditional articulations concepts and practices of Irish music many traditionally for fiddle but here adapted to thecello. It includes technical lessons and a tune book of over 100 traditional Irish melodies. The demonstration and play-along tracks features a traditional Irish ensemble. You will learn to play Irish melodies usingtraditional articulations and performance nuances such as cuts pats rolls and slurs. You'll also learn to recognize distinguishing features of song forms adapt melodies to the cell play in a traditional Irish ensemble andmuch more.

Facile en solo pièces dans des styles pop avec des accompagnements de CD de pointe. Jouer la pièce solo de droites, ou ajouter les morceaux de soutien et entrez un tout nouveau monde sonore. Chris Norton fait encore une fois avec son mélange unique de la technique traditionnelle avec des styles populaires. Les étudiants apprendront tout à propos de technique - rythmique, la coordination et l'écoute, mais ils vous avoir tellement amusement, ils ne savent qu'ils ne font pas elle ! Big battements est disponible en six saveurs et savoureux. ' Microjazz pour la prochaine génération, plus dramatique, plus interactive. Il examine et sons grand - un autre surefire succès (Piano Magazine, décembre 2001) / Violoncelle