Seule partition au monde à porter le numéro ISBN 9790043059936 cette partition dont le titre est HARPE D'OR - POUR COMMENCER LA HARPE CELTIQUE comporte des morceaux regroupés et composés par le compositeur Bouchaud Dominig.Son instrumentation exacte est Harpe. Amateur ou passionné de Pédagogie vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Harpe

Original Manuscript Edition-Almost 100 years after the first publication of Debussy's Sonate Pour Flute Alto Et Harpe by Durand et Cie this seminal work in the chamber music literature has been meticulously compared contrasted and corrected against Debussy's handwritten and autographed 1915 manuscript. Using photographs provided by the National Library of France harpist Carl Swanson has documented and corrected nearly 300 discrepancies between the composer's intent and the Durand 1916 edition.The corrections made in this edition consist of musical indications being omitted misplaced or inverted; dynamic markings that are in the manuscriptbut not the printed version have been added wrong and misaligned notes have been corrected musical indications previously omitted in individual parts have been added and intended durations of dynamic and tempo changes have been corrected.Debussy was one of the first composers to make extensive use of musical indications and was extremely meticulous in his scores. To read a score of his with missing misplaced or wrong directions is a significant as reading a score with missing or incorrect notes. Now for the first time in history Debussy's Sonate Pour Flute Alto Et Harpe has been printed exactly as the composer intended.

This happy popular song by Adam Young of Owl City is great fun! It can be played by advanced beginners although the rhythm is quite challenging with lots of tied notes and 16th-note off-beats. It is in the key of G with2 easy lever changes that may be omitted. Fingerings and lyrics included. 5 pages. Playable on lever harps and pedal harps.

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Né en 1941 à Belfort Bernard Andrès a obtenu un premier prix de harpe au Conservatoire de Paris avant d’entrer à l’Orchestre Philharmonique de Radio-France comme soliste (1969-2005). Ce compositeur prolifique se définit lui-même comme un mélodiste : « Dans le fond je crois que l’instrument que je préfère est la voix. Je voudrais parfois transformer la harpe en chant mais c’est très difficile ». Sa musique s’inscrit sans conteste dans un certain esprit français où dominent le charme mélodique la concision de la forme et leraffinement harmonique. Publié en 1977 le recueil Automates se présente comme une suite dans le goût ancien où se succèdent douze mouvements de danse assez courts : Menuet - Pavane - Bourrée - Sarabande - Gaillarde - Sicilienne - Gigue -Tambourin - Rigaudon - Gavotte - Passepied - Marche.

'Pour moi, c'était d'avoir un titre de travail ont déjà un an avant la réelle composer l'un de ces rares expériences. Il a été créé au cours d'une conversation avec la harpiste Marshall McGuire (pour lequel il a été écrit) autour d'un café.Une pièce en un seul mouvement, avec 13 accords, qui sont divisés en groupes vau-l'eau. La pièce est dominée par une sorte d'horreur jeux harmonies riches que j'ai développé à travers les différentes étapes pour découvrir la richesse des couleurs de la harpe. '(Elena Kats-Chernin) / Harpe

Ce deuxième groupe pour jouer école de passe-temps populaire pour harmonica contient 50 des plus belles mélodies de Noël de Juan Almeida Perry ('harmonica jouant sans notes') facilement disposés à moyen pour Blues Harp.Une collection complète de pistes classiques de Noël et les plus belles chansons de Noël de jazz, pop et rock que chaque joueur d'harmonica enrichit le répertoire de grands titres pour les vacances.Le CD fourni contient les 50 pistes à jouer sur n'importe quel lecteur CD. / Harpe

1.Condé - Presque rien des Nuages?; 2.Andrès - Danse sorcière; 3.Silvestrini - L'Eau qui dort; 4.Bosseur - Quarante quatre; 5.Hakim - Jeu (for harp solo).