Work from Home Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
As Recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude Demor...(+)
As Recorded by Fifth
Harmony. Composed by
Brian
Lee, Josh Coleman, Jude
Demorest, Tyrone Griffin,
Alexander Izquierdo, and
Dallas Koehlke [Fifth
Harmony]. Arranged by
Michael Story. Score;
String
Orchestra. Pop
Intermediate
String Orchestra. Pop. 8
pages. Published by
Alfred
Music
Work from Home Orchestre à Cordes [Conducteur d'étude / Miniature + CD] Alfred Publishing
As Recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude D...(+)
As Recorded by Fifth
Harmony. Composed by
Brian Lee, Josh Coleman,
Jude Demorest, Tyrone
Griffin, Alexander
Izquierdo, and Dallas
Koehlke [Fifth Harmony].
Arranged by Michael
Story. Part(s); Score;
String Orchestra. Pop
Intermediate String
Orchestra. Pop. 78 pages.
Published by Alfred Music
(AP.45843).
Composed by Brad Hatfield
and Jeff Meegan. Arranged
by Greg Gilpin.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-31168. Published by
Alfred Music (AP.31168).
UPC: 038081339399.
English.
A touching
and tender ballad for
those far from home
during the holidays.
Overlapping vocal lines
weave a beautiful
tapestry of sound and
deliver a poignant and
timely message. Not
difficult to sing, but
highly effective.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Work from Home Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
As recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude D...(+)
As recorded by Fifth
Harmony. Composed by
Brian Lee, Josh Coleman,
Jude Demorest, Tyrone
Griffin, Alexander
Izquierdo, and Dallas
Koehlke [Fifth Harmony].
Arranged by Michael
Story. Concert Band;
Score. Pop Beginning
Band. Pop. 12 pages.
Published by Alfred Music
(AP.45777S).
Work from Home Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
As Recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude Demor...(+)
As Recorded by Fifth
Harmony. Composed by
Brian
Lee, Josh Coleman, Jude
Demorest, Tyrone Griffin,
Alexander Izquierdo, and
Dallas Koehlke [Fifth
Harmony]. Arranged by
Michael Story. Concert
Band;
Part(s); Score. Pop
Beginning Band. Pop. 136
pages. Published by
Alfred
Music
Brass Band (Score) SKU: HL.44011258 Brass Band Score. Composed by ...(+)
Brass Band (Score)
SKU: HL.44011258
Brass Band Score.
Composed by Philip
Sparke. Anglo Music
Concert Band. Softcover.
28 pages. Duration 440
seconds. Anglo Music
Press #AMP257130.
Published by Anglo Music
Press (HL.44011258).
UPC:
884088890681.
In
Letter from Home Philip
Sparke portrays the many
feelings and emotions
that a letter from home
can evoke. This intimate
works opens with a gentle
melody, which gradually
becomes more confused as
new emotions are
introduced. Finally
resignation sets in, but
asense of peace and
balance is restored with
the fi nal chorale. In
this emotional work
Philip Sparke truly
captures the highs and
lows of being away from
home.
Brass Band (Score & Parts) SKU: HL.44011257 Brass Band Score and Parts...(+)
Brass Band (Score &
Parts)
SKU:
HL.44011257
Brass
Band Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Duration
440 seconds. Anglo Music
Press #AMP257030.
Published by Anglo Music
Press (HL.44011257).
UPC:
884088890674.
In
Letter from Home Philip
Sparke portrays the many
feelings and emotions
that a letter from home
can evoke. This intimate
works opens with a gentle
melody, which gradually
becomes more confused as
new emotions are
introduced. Finally
resignation sets in, but
asense of peace and
balance is restored with
the fi nal chorale. In
this emotional work
Philip Sparke truly
captures the highs and
lows of being away from
home.
Concert Band (Score) SKU: HL.4007556 Concert Band Score. Composed ...(+)
Concert Band (Score)
SKU: HL.4007556
Concert Band
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Softcover. 22 pages.
Duration 440 seconds.
Anglo Music Press
#AMP257140. Published by
Anglo Music Press
(HL.4007556).
UPC:
196288064695.
In
Letter from Home Philip
Sparke portrays the many
feelings and emotions
that a letter from home
can evoke. This intimate
work opens with a gentle
woodwind melody, which
gradually becomes more
confused as new emotions
are introduced. Finally
resignation sets in, but
a sense of peace and
balance is restored with
the final chorale. In
this emotional work
Philip Sparke truly
captures the highs and
lows of being away from
home.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Clarinet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Mark
Hollingsworth will walk
you through all 23
lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Flute" From A
Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Mark
Hollingsworth Mark
Hollingsworth began
studying music at five
years of age. His
background includes both
classical and jazz
training. After high
school Mark won a
scholarship from Berklee
College of Music in
Boston and graduated
Magna Cum Laude, with a
major in woodwind
performance. Mark has
over fifteen years
experience as a studio
musician in Los Angeles
recording for movies,
albums, television
broadcasts and numerous
"jingles" as well as
cartoons for Warner
Brothers and Walt Disney.
He has also performed in
concerts with a wide
range of artists
including Quincy Jones,
Natalie Cole, Celine
Dion, Whitney Houston,
Donna Summer and
Manhattan Transfer to
name a few. Some of
Mark's most significant
accomplishments include
memorable television
appearances with Stevie
Wonder, Ray Charles,
Michael Bolton and
Michael McDonald . He has
worked on numerous
recordings with Tom
Petty, Luther Vandross,
U2, the Library of
Congress and soundtracks
for the Ren and Stimpy
show. Mark's musical
breadth also includes
skills on an extensive
collection of flutes from
around the world. For
more information about
Mark Hollingsworth visit:
www.windshoremusic.com.
(SATB). By Matthew Hindson. Choir Secular. SATB choir. Book; Choral Collection; ...(+)
(SATB). By Matthew
Hindson. Choir Secular.
SATB choir. Book; Choral
Collection; Masterworks.
Faber Edition: Faber New
Choral Works. 20th
Century; Masterwork.
Published by Faber Music
Going Home Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Mary McDonald; Antonin DvoA!A!k. For SATB choir and piano (with optional elec...(+)
By Mary McDonald; Antonin
DvoA!A!k. For SATB choir
and piano (with optional
electric bass, guitar,
digital keyboard,
violin). All Saints Day,
Christ the King, General,
Memorial Services,
Sacred. Sacred Anthem
From the Television Series The Flash. Composed by Benj Pasek and Justin Paul. ...(+)
From the Television
Series
The Flash. Composed by
Benj
Pasek and Justin Paul.
Arranged by Blake Neely.
This edition:
Piano/Vocal/Guitar.
Piano/Vocal/Chords;
Sheet;
SmartMusic; Solo.
Original
Sheet Music Edition. TV.
6
pages. Published by
Alfred
Music
Composed by Gerald Custer. GIA ChoralWorks. The newest release in the GIA Choral...(+)
Composed by Gerald
Custer. GIA ChoralWorks.
The newest release in the
GIA ChoralWorks series
featuring the voices of
Anam Cara with James
Jordan conducting. Music
Education. CD. Published
by GIA Publications
(GI.G-CD-754).
Choral (SATB) SKU: HL.362069 Richard Bjella Choral Series. Compose...(+)
Choral (SATB)
SKU:
HL.362069
Richard
Bjella Choral Series.
Composed by Andrea
Clearfield. Richard
Bjella Choral Series.
Concert, Festival.
Octavo. 20 pages.
Duration 165 seconds.
Published by Hal Leonard
(HL.362069).
UPC:
840126952322.
6.75x10.5x0.045
inches.
Here is a
piece honoring the youth
from your community. In
the new Richard Bjella
Choral Series, Rick,
working with Philadelphia
based composer Andrea
Clearfield, this is an
exhilerating and
passionate tour de
force.
Guitar - Intermediate SKU: MB.WBM76M Saddle-stitched. Country. Book and o...(+)
Guitar - Intermediate
SKU: MB.WBM76M
Saddle-stitched. Country.
Book and online audio.
Mel Bay Publications, Inc
#WBM76M. Published by Mel
Bay Publications, Inc
(MB.WBM76M).
ISBN
9781736363096. 8.75x11.75
inches.
This
comprehensive book
contains the solos found
in five William Bay
guitar solo
collections.á The
solos range from colorful
foot tapping reels,
breakdowns, hornpipes,
jigs, fiddle tunes and
sea chanteys to country
and Celtic ballads and
waltzes.á Also
included are numerous
original guitar
solos.á All 143 solos
in this collection are
recorded by the author
and online access to the
recordings is included.
All solos are presented
in notation and
tablature.
12 Pop, Country, Broadway, and Movie Chartbusters (Easy Piano). Arranged by ...(+)
12 Pop, Country,
Broadway,
and Movie Chartbusters
(Easy
Piano). Arranged by Dan
Coates. This edition:
Easy
Piano. Book; Piano - Easy
Piano Collection; Piano
Supplemental. Megahits.
Broadway; Country; Movie;
Pop. 56 pages. Published
by
Alfred Music
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS.
Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano.
Composed by Cecilia McDowall. Choral Works (inc. Oratorios). Vocal score. Dur...(+)
Composed by Cecilia
McDowall.
Choral Works (inc.
Oratorios). Vocal score.
Duration 18'. Oxford
University Press
#9780193533868. Published
by
Oxford University Press