Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. Composed
circa 1775-1777. KV 258.
8 pages. Duration 20
minutes. Carus Verlag #CV
40.627/11. Published by
Carus Verlag
(CA.4062711).
ISBN
9790007084707. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.
Piano solo SKU: HH.HH531-SOL Composed by J.N. Hummel and Wolfgang Amadeus...(+)
Piano solo
SKU:
HH.HH531-SOL
Composed
by J.N. Hummel and
Wolfgang Amadeus Mozart.
Edited by Sarah Jenner.
Playing score. Edition HH
Music Publishers
#HH531-SOL. Published by
Edition HH Music
Publishers
(HH.HH531-SOL).
ISBN
9781914137280.
Moza
rtâ??s final three
symphonies were composed,
according to Mozartâ??s
autograph
Verzeichnü�, in the
space of a few weeks,
from late June to early
August 1788. During that
year the 11-year-old
Hummel was a resident
pupil of Mozart and would
have been a daily witness
to the creation of these
foundational works of the
Western musical canon.
There is an almost total
lack of documentary
evidence concerning the
circumstances of these
works, however, which has
led to considerable
speculation as to their
origins, early
performances and
reception. There are
three plausible scenarios
for the genesis of these
symphonies: that they
were written for a series
of subscription concerts
scheduled for autumn
1788; that Mozart wrote
them with the
(unfulfilled) intention
of publication as an
opus; that they may have
been prepared in advance
of Mozartâ??s projected
visit to London with his
British friends the
Storace family, Thomas
Attwood and Michael Kelly
(again unfulfilled). A
contemporaray review in
The Harmonicum (1823) of
Hummelâ??s piano
arrangements of these
works notes, approvingly,
that they show his
perfect knowledge of the
instrument and his nice
[= fastidious]
discrimination in
selecting the most
effective parts from the
score in those places
where the whole could not
be taken.
After fragments and sketches arranged by Johann Simon Kreuzpointner. Comp...(+)
After fragments and
sketches arranged by
Johann Simon
Kreuzpointner.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Johann Simon
Kreuzpointner. Stuttgart
Urtext Edition: Mozart.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Choral score.
KV. 12 pages. Duration 15
minutes. Carus Verlag #CV
51.801/05. Published by
Carus Verlag
(CA.5180105).
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. Composed
circa 1775-1777. KV 258.
12 pages. Duration 20
minutes. Carus Verlag #CV
40.627/49. Published by
Carus Verlag
(CA.4062749).
ISBN
9790007084738. Key: C
major. Language:
Latin.
The
relatively unspectacular
nature of the Spaur Mass
may be one of the reasons
for the fact that writers
on music generally refer
to it only as a
peripheral work, a little
sister of Mozart's
important church works.
With regard to scoring,
the Spaur Mass belongs to
the category of the missa
solemnis, but its brevity
and its stylistic
character belong far more
to the missa brevis.
Unlike the Organ Solo
Mass KV 259, here the
soloistic element - both
instrumental and vocal -
is clearly integrated to
the background in favour
of the development of the
whole ensemble. Score and
part available separately
- see item
CA.4062700.
Piano solo SKU: HH.HH532-SOL Composed by J.N. Hummel and Wolfgang Amadeus...(+)
Piano solo
SKU:
HH.HH532-SOL
Composed
by J.N. Hummel and
Wolfgang Amadeus Mozart.
Edited by Sarah Jenner.
Playing score. Edition HH
Music Publishers
#HH532-SOL. Published by
Edition HH Music
Publishers
(HH.HH532-SOL).
ISBN
9790708185444.
Moza
rt’s final three
symphonies were composed,
according to Mozart’s
autograph Verzeichnüß,
in the space of a few
weeks, from late June to
early August 1788. During
that year the 11-year-old
Hummel was a resident
pupil of Mozart and would
have been a daily witness
to the creation of these
foundational works of the
Western musical canon.
There is an almost total
lack of documentary
evidence concerning the
circumstances of these
works, however, which has
led to considerable
speculation as to their
origins, early
performances and
reception. There are
three plausible scenarios
for the genesis of these
symphonies: that they
were written for a series
of subscription concerts
scheduled for autumn
1788; that Mozart wrote
them with the
(unfulfilled) intention
of publication as an
opus; that they may have
been prepared in advance
of Mozart’s projected
visit to London with his
British friends the
Storace family, Thomas
Attwood and Michael Kelly
(again unfulfilled). A
contemporaray review in
The Harmonicum (1823) of
Hummel’s piano
arrangements of these
works notes, approvingly,
that they show his
perfect knowledge of the
instrument and his nice
[= fastidious]
discrimination in
selecting the most
effective parts from the
score in those places
where the whole could not
be taken.