Concertpiece for Cornet is a valuable and tremendous addition to the solo repertoire of the instrument. Full of fireworks and technicalities the soloist is also put to the test with an expressive slower melody along with a varied and interesting accompaniment as you would expect from James Curnow. Showcase your Cornet soloist with this incredible ‘concert piece’.

In his capacity as staff arranger of the Royal Marine Band of the Dutch Navy this arrangement is one of the best loved by Peter Kleine Schaars' band. Elvis in Concert features the twelve greatest his of 'The King' so musicians won't have time to get bored! In addition this compelling Elvis medley contains delightful moments of recognition for your audience too!

In his capacity as staff arranger of the Royal Marine Band of the Dutch Navy this arrangement is one of the best loved by Peter Kleine Schaars' band. Elvis in Concert features the twelve greatest his of 'The King' so musicians won't have time to get bored! In addition this compelling Elvis medley contains delightful moments of recognition for your audience too!

A brilliant concert-march in the best British martial tradition. Both the title and composition are based on the well-known hymn 'Seek Ye First the Kingdom of God'. Jerry B. Bensman schreef deze concertmars om zijn bands die hij destijds dirigeerde aan het werk te zetten. Met name de trombones en bassen moeten in deze mars (technisch gezien) aan de bak. Deze mars is dan ook een uitdaging voor de orkesten in de hogere divisies. Bensman maakt in deze mars gebruik van het lied 'Seek ye first the Kingdom of God' (Zoek eerst het Koninkrijk van God). De mars is daarom bij uitstek geschikt als muzikaal intermezzo in kerkdiensten en kerkconcerten.

According to his teachers Pyotr Ilyich Tchaikovsky (1840-1893) was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music including his six symphonies solo concertos (violin concerto and piano concertos) ballets (The Nut Cracker Swan Lake) and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Composed during the summer of 1988. Commissioned by The Norwegian Brass Band Club First performed in the Grieg Hall¬? at the 10th Anniversary Concert for the Norwegian Championship Bergen February 1989. EBML conducted by Michael Antrobus. The work is important for me because it was my first piece to be played outside Norway. Black Dyke/David King performed it and did a recording of it in 1991. The composer: In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) hedescribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius that revolves(?= turn upside down) heaven and earth. (Well not a good translation I¬?m afraid). The fast sections reflects the mighty winds from the north. In the middle section I borrowed a folksong-like tune (by C. Elling a norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God. De opening en het slot van dit werk beschrijven 'Circius' de wind die hemel en aarde verwoest. Het middendeel is een bewerking van het Noorse volkslied 'The fisherman's speech to his son'. De inhoud van het lied komt overeen met Circius. De vader verzoekt zijn zoon de krachten van de natuur te trotseren maar bovenal te respecteren. Een kort doch spectaculair concertwerk dat het gehele orkest in de greep heeft.

Uses: General Call To Worship ConcertScripture: Psalm 9:1; Psalm 95:1-7; Exodus 15:1-5This regal anthem of praise is designed to create a powerful effect on the listener. When performed with theoptional brass parts this choral becomes a concert-worthy presentation for festivals or mass choirs. The anthem's joyful message endears it to the sanctuary with powerful affirmations of corporate worship and quotes from thePsalms and the admonition to “Live an Alleluia!” Excellent repertoire for choirs of distinction!

Cette œuvre du compositeur suisse Oliver Waespi fut un incontournable de la Fête Fédérale 2006 de Lucerne. L?œuvre débute par une fanfare festive jouée par les cuivres. S?ensuit un surprenant passage funk qui débute modestement puis bifurque vers un groove « James Brownien » enrichi d?un solo de batterie (ad lib.) pour les passionnés du genre. Le calme revient avec un blues nonchalant. Dans le passage final la fanfare d?ouverture et la trame funk s?entremêlent délicatement formant ainsi un ensemble unique et très original. Cette œuvre est une excellente pièce de concert mais constitue également une œuvre de concours qui sort des sentiers battus.

You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.

Par TORSKANGERPOLL IDAR. This piece was commissioned by Torskangerpoll Musikklag as a massed-band item for their “Storm Festival” in 2016. The “Storm Festival” is a festival for from bands all over Norway with concerts, parades and a lot of fun in the small Western Norway town of Måløy. The music is built around two motifs used throughout the piece. This piece is a good concert-opener or a character piece. Beware of the changing articulations in this piece, the contrast between marcato and legato is a vital part of the character of the piece. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres

Commissioned by the St. Paul Chamber Orchestra this concertino was originally conceived as a part of a complete educational concertprogram. Four concertini each featuring a different instrumental family within the chamber orchestra are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher) which serves as the program's closer demonstrating all of theorchestral sections playing together. This program is suggested by the composer for orchestra concerts however each instrumental concertino can beperformed individually and stands quite effectively on its own as a short chamber recital piece.

Mile after Mile. Par EIDE KAI. This song performed by Jahn Teigen represented Norway at the Eurovision final in 1978. The result was zero points, but after that, the song soon became very popular in Norway and is one of the biggest hits of his career. This arrangement may easily be a hit on your next concert and will for sure receive more than zero points from you audience. Feel free to invite the audience on a sing-along! / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres