21 Pieces from 5 Centuries. La série Easy Concert Pieces a les bonnes pièces p...(+)
21 Pieces from 5 Centuries. La série Easy Concert Pieces a les bonnes pièces prêtes pour les premiers concerts. De difficulté facile à moyenne, les compositions originales et les arrangements pour flûte à bec soprano et piano offrent un aperçu des différentes époques, de la Renaissance à l'époque moderne. Le CD ci-joint contient tous les morceaux en version intégrale et en version play-along avec accompagnement de piano.
Le volume 1 contient des pièces courtes et claires dans la gamme de do' à mi'', y compris les demi-tons fa' dièse et si' bémol. Le rythme est simple. Certaines pièces n'ont qu'un petit ambitus, de sorte que ce volume peut être utilisé comme livret d'accompagnement après une courte période de leçons de flûte à bec. / Niveau : 3 / Recueil / Flûte à Bec et Piano
Par ALLERME JEAN-MARC. En composant et en choisissant ces 24 mélodies répartie...(+)
Par ALLERME JEAN-MARC. En composant et en choisissant ces 24 mélodies réparties sur 2 volumes, j'ai choisi de mettre en scène musicalement la flûte à bec comme on le fait plus souvent pour des instruments qui bénéficient naturellement d'une meilleure cote de popularité. Je souhaitais également que cela soit l'occasion pour chacun de découvrir et d'apprendre cet instrument, de manière progressive et en commençant au tout début, grâce à une grande simplicité mélodique soutenue par une richesse harmonique et orchestrale, dans des styles musicaux variés.
De plus, sur le CD, vous trouverez une version accompagnée au piano et une version orchestrée ainsi que les deux playbacks correspondants, permettant de faire, si besoin est, un travail de mise en place et d'interprétation en deux étapes progressives.
Dans le livre, la simplicité de l'accompagnement de piano, surmonté de la grille harmonique, autorise le travail en duo sans qu'il soit nécessaire, pour le pianiste, de posséder plus d'une ou deux années de pratique instrumentale.
Pour terminer, je dois avouer que ces nouvelles compositions m'ont également permis de mieux apprécier cet instrument doté de qualités insoupçonnées et peut-être pas toujours considéré comme il le devrait. J'espère évidemment qu'il en sera de même pour vous.
Jean-Marc Allerme / Niveau : Assez Facile / variété - jazz / Recueil / Flûte à Bec
L'oeuvre de grande envergure de Harald Genzmer (1909-2007) est complété par un...(+)
L'oeuvre de grande envergure de Harald Genzmer (1909-2007) est complété par un grand nombre de petits travaux de musique de chambre. Dans la dernière étape de sa vie créatrice, de la flûte joué un rôle majeur. Il était à cette époque qu'il composa Capriccio Notturno pour flûte ou d'un enregistreur des aigus et piano, qui remonte à Ainsi parlait Zarathoustra sa lecture de Friedrich Nietzsche qui Genzmer admirais beaucoup. Genzmer commence son travail avec Nachtlied de la deuxième partie de l'oeuvre de Nietzsche, en l'utilisant comme une devise. La partie de flûte de Capriccio Notturno se trouve confortablement sur la flûte, en utilisant les possibilités de l'enregistreur des aigus. Dans les deux cas, comme dans la partie de piano ainsi, le contexte exigeant musicale exige des artistes expérimentés: un travail à la fois pour la scène de concert et les classes scolaires supérieurs ou les compétitions de jeunes. / Flûte A Bec Et Piano / niveau : Facile / Intermédiaire / Partition
'Jazzy Recorder 2' has been composed with the aim of giving players of very mode...(+)
'Jazzy Recorder 2' has been composed with the aim of giving players of very moderate range and ability an easy introduction to the jazz idiom. It contains further five pieces in various jazz/swing styles only slightly more demanding technically than those in Book 1 and forming a useful set of studies in different tonguings ranging from the rhythmic almost percussive tonguing needed for No.1 to the warm flowing legato appropriate to No. 4. The accompaniments are very rhythmic in order to encourage the correct interpretation of the solo part. These pieces will provide effective enjoyable and different concert/festival material for intermediate players.
This fun collection of graded repertoire will appeal to pupils and teachers alik...(+)
This fun collection of graded repertoire will appeal to pupils and teachers alike. Featuring well-known tunes plus exciting new pieces by John Pitts in authentic blues, ragtime and boogie styles. Suitable for players who have reached the end of Book 1 in the Recorder From The Beginning teaching scheme. / Piano Et Flûte A Bec Soprano
Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a...(+)
Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.
This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.
Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.
But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful
and sociable of instruments. (Brian Bonsor)
?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James, Contact Magazine)
These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation./ Recueil / Flûte à Bec et Piano
The best way to learn any instrument is to have lessons from a good experienced...(+)
The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.
Cette pièce a été composée par l'un des plus importants compositeurs anglais...(+)
Cette pièce a été composée par l'un des plus importants compositeurs anglais dans le domaine de la musique enregistreur vers la fin de l'ère baroque. C'est un travail fantastique pour les joueurs de l'enregistreur d'une norme intermédiaire. / Flûte A Bec Et Piano / niveau : Elémentaire / Recueil
The Hibernian Muse-A refreshing collection of light and exciting Irish tunes for...(+)
The Hibernian Muse-A refreshing collection of light and exciting Irish tunes for Recorder. This volume contains twelve pieces by one of Ireland's greatest composers Turlough O'Carolan all arranged for Recorder and Keyboard by Douglas Gunn though the melody line is also suitable for Flute Violin and Oboe or other melody instruments. The Hibernian Muse is a lively and interesting work and represents only a small portion of Carolan's masterful harp compositions and will delight young players recitalists and audiences. Includes Bumper Squire Jones O'Rourke's Feast and Madam Maxwell.