Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

A major influence on Bach ? who once walked 200 miles to hear him perform ? Buxtehude is among the great names in Organ music and the study of counterpoint. Born five decades after Heinrich Schütz the 'father of German musicians ' and a little less than half a century before Bach he bridged the era between the founder of Protestant Baroque music and its greatest master. This collection of church chorales attests to Buxtehude's reputation as an outstanding composer of sacred Vocal music.For his texts the composer drew upon scripture as well as church hymns and contemporary or medieval sacred poetry. Albert Schweitzer in his famous biography ofBach observed that Buxtehude's chorale preludes are 'chorale fantasias of the most varied kinds from the simplest to the most ingenious. In the simple ones the melody goes its way quietly just embellished here and there with a few ornaments and accompanied by interesting and always ingenious harmonies. . . . In the large chorale preludes Buxtehude tears the melody in pieces throws the fragments into the flood of a brilliant animated fantasia.'Authoritative and modestly priced this treasury of Buxtehude's works offers organists a source of endless satisfaction and inspiration.Reprint of the Breitkopf & Härtel Leipzig 1903 edition.

The Complete Buxtehude Organ Works in a five volume performing edition.This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such.Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report.All volumes also available separately: Set BA 8220; separate BA 8221-8223 BA 8404 BA 8405.Volume 4 BA8404.Chorale Settings A-Me BuxWV 177-206.

The Complete Buxtehude Organ Works in a five volume performing edition. This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such. Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report. All volumes also available separately: Set BA 8220; separate BA8221-8223 BA 8404 BA 8405. Volume 2 BA8222.Freely Composed Organ Works.Preludes Fugues Toccatas Canzona Ciacona in E maj E min F maj F-sharp min G maj BuxWV 141-147 156 157 160 162 169.

Buxtehude is still one of the first composers to give the chorale prelude a personal stamp achieving a degree of perfection hardly surpassed since. This fabulous edition includes a critical commentary by Josef Hedar.

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 7 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman.Titles: 'New and Effective Education in Music' 'Suzuki Method for Organ' 'Trumpet Voluntary' (Clarke) 'Piéce d'Orgue' (Franck) 'Praeludium' (Buxtehude) 'Sortie' (Franck) 'Prelude' (Bach) 'Trio' (Lemmens) 'Preparatory Exercise' (Walthier) 'Ouverture' (Schmügel) 'Toccata' (Rönnberg) 'Praeludium' (Walther) 'Prelude' (Bach) 'Sortie' (L. Boëllman) 'Toccata' (Rönnberg). 'Piéce d'Orgue ' 'Sortie ' and 'Toccata BuxWV 157' are Federation Festivals 2016--2020 selections.

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 5 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Praeludium' 'Pastorella' (Marpurg) 'Madeleine's Song' 'Preparatory Exercise' (Buxtehude) 'Postlude' (Fischer) 'Cantilena' (Knecht) 'March' (Purcell arr. Hagström) 'Organ Prelude' (Mankell) 'Prelude' (Lübeck) 'Trio' (Sorge) 'March from A Midsummer Night's Dream' (Mendelssohn arr. Hagström) 'Prelude' (Krebs). 'Madeleine's Song ' 'Pastorella ' 'Postlude ' 'Praeludium ' and 'Trio' are Federation Festivals 2016--2020 selections.

Includes works by Bach Buxtehude Couperin Pachelbel. Exercises and short pieces for the improvement of overall technique.

This series of national organ music collections showcases music from England France Germany and Italy. Each book contains 50 representative pieces especially suitable for Service use. The collections are compiled by ColinMawby.Adagio from Organ Sonata No. 1 - MendelssohnAria - HandelAria semplice - Karg-ElertCantilena - RheinbergerFughetta - PachelbelFughetta in C - BuxtehudeFugue from Organ Sonata No. 6 -MendelssohnFugue in A minor - J. S. BachFugue in C - FrobergerFugue in C - PachelbelFugue in E minor - J. S. BachGagliarda - Karg-ElertMelodia monastica - Karg-ElertPastoral from Sonata No. 3 -RheinbergerPostludio - RinckPostludio festivo - Karg-ElertPraeludium in D minor - J. S. BachPreface - HessePrelude in E minor - J. S. BachPrelude in F - Adolf HessePrelude in F - Georg MuffatPreludein G - Gustav MerkelPreludio - RinckSketch for pedal piano (Op. 58) - SchumannSonatina - FinkTrio - RheinbergerVersetto - MuffatChorale preludesAch Gott und Herr - J. S.BachAllein Gott in der Höh sei Ehr - RegerAuf meinen lieben Gott - J. S. BachAus tiefer Not - RegerChriste du Lamm Gottes - J. S. BachChrist lag in Todesbanden - J. S. BachEine feste Burg - RegerEs istein Ros entsprungen - BrahmsGod?s eternal grace unbounded - Karg-ElertGott durch deine Güte - J. S. BachHerr Jesu Christ - WaltherHerzlich thut mich verlangen - WaltherI?ll ever love thee Strength and Stay -Karg-ElertMachs mit mir Gott - WaltherNach einer Prüfung - Karg-ElertNun danket alle Gott - RegerNun lasst uns Gott - PachelbelO wie selig - BrahmsSchmücke dich O liebe Seele - Brahms