Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.

Music of the Masters for Boomwhackers® and Other Instruments. Here is a fun and creative way to introduce your students to some of the greatest classical hits of all time! Using Boomwhackers xylophones and other classroom instruments students will experience some of the best known pieces from music history! These reproducible instrument parts are easy and user-friendly. The classical melodies can be performed by using the piano arrangements or the enclosed professionally-produced CD for added play-along excitement! All of the arrangements in Whacked on Classics use the C Major Diatonic Scale set of Boomwhackers. Easy-to-follow teaching procedures are also included alongwith reproducible information sheets about each composition and composer.Featured Songs and Composers: Canon (Pachelbel) The Four Seasons/Autumn: Third Movement (Vivaldi) Rondeau (Mouret) Symphony No. 94 (Surprise): Second Movement (Haydn) Fur Elise (Beethoven) William Tell Overture (Rossini) Symphony No. 9 (From the New World): Second Movement (Dvorák) Also Sprach Zarathustra (Strauss). Available: Book/CD Pak. For Gr. 4-8. (Strauss).

Great singers whose compositions also won the respect of their contemporaries: Rossini's favorite tenor, Manuel Garci; his daughter, Maria Malibran, the most brilliant diva of her age; and the younger daughter, Pauline Viardot, famous opera singer and voice teacher. All three used profound knowledge of music and of bel canto to create songs in French, Spanish, and Italian.

Description The most important religious songs of the past 250 years appear in this collection, a treasury of sacred songs known and loved by singers and listeners at home, in church, and in concert. This compilation includes settings of Ave Maria, Ave Verum Corpus and Panis Angelicus. Songlist Agnus Dei [Bizet, Georges] And God Shall Wipe Away All Tears (The Light Of The World) [Sullivan, Arthur] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Franck, Cesar] Ave Maria Op.52 No.6 [Schubert, Franz] Ave Verum Corpus [Chausson, Ernest] Ave Verum Corpus K.618 [Mozart, Wolfgang Amadeus] Cantique De Jean Racine [Faure, Gabriel] Contentment [Mozart, Wolfgang Amadeus] En Priere [Faure, Gabriel] Hosanna [Granier, Jules] Jerusalem [Parry, Hubert] Jesu, Joy Of Man's Desiring (Cantata BWV 147) Kol Nidre La Procession [Franck, Cesar] Le Crucifix [Faure, Jean-Baptiste] Le Sommeil De L'enfant Jesus [Busser, Henri] Litany For All Souls' Day [Schubert, Franz] My Heart Ever Faithful [Bach, Johann Sebastian] Nazareth [Gounod, Charles] No Candle Was There And No Fire [Lehman, Liza] Noel [Holmes, Augusta] O Divine Redeemer [Gounod, Charles] O For The Wings Of A Dove [Mendelssohn, Felix] O Holy Night (Cantique de Noel) [Adam, Adolphe] Panis Angelicus [Charpentier, Marc Antoine] Panis Angelicus [Franck, Cesar] Pie Jesu (Requiem) [Faure, Gabriel] Pieta, Signore [Stradella, Alessandro] Preghiera [Rossini, Gioacchino] Ring Out, Wild Bells [Gounod, Charles] Sleeping Christ Child [Wolf, Hugo] Tantum Ergo [Franck, Cesar] Tantum Ergo [Vierne, Louis] The Heavens Declare [Beethoven, Ludwig Van] The Holy City [Adams, Stephen] The Lost Chord [Sullivan, Arthur] The Palms [Faure, Jean-baptiste] The Virgin's Slumber-song [Reger, Max] There Is A Green Hill Far Away [Gounod, Charles] To Thee, My God [Beethoven, Ludwig Van]

Textes en latin avec les traductions en italien et en anglais CD avec les accompagnements orchestraux et les interprétations vocales. / Chant Et Piano

Complet avec des traductions et des conseils sur la prononciation. ' Comme chaque chanteur et amant de l'opéra français sait, Editions de même les plus célèbres arias opéra français sont difficile - et parfois cher - à obtenir. Sélection scrupuleusement équilibrée de Roger Nichols des airs français du XIXe siècle donne le point de départ idéal pour l'exploration plus large. Nichols, qui a défendu la musique française dans ses écrits, les pourparlers et les émissions de radio plus de trois décennies avec éloquence et de la bourse, est le guide idéal pour ce répertoire qui, aujourd'hui encore, est souvent négligée, mal compris ou mal exécutée. / Voix Et Piano